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** 2026 Stock ** Satie is the point where Erik Satie’s so‑called “furniture music” stops being background and becomes a way of listening to the world. In these recordings, Aldo Ciccolini approaches Satie not as a quirky footnote to Debussy and Ravel but as a composer who quietly rewired 20th‑century music from the inside. The repertoire typically centres on the iconic cycles - Trois Gymnopédies, Trois Gnossiennes and companion pieces like the Nocturnes and Trois morceaux en forme de poire - work…
Excerpts from the Karnatic studies for piano inspired by Indian classical music, composed starting from 1957 and performed by the composer himself, released on Philips' "Musique contemporaine / Musik der Gegenwart" in 1968.
Excerpts from the Karnatic studies for piano inspired by Indian classical music, composed starting from 1957 and performed by the composer himself, released on Philips' "Modern Music Series" in 1969.
In the final decade of his life, Morton Feldman turned his attention to the trio format with an intensity that would yield some of the most profound and uncompromising music of the twentieth century. Between 1978 and 1984, he composed three monumental works for flute, piano and percussion that together constitute an immense meditation on time, memory and the irreducible strangeness of sound itself. This landmark 6CD box set from Another Timbre presents all three pieces — totalling six and a half…
The piano recital/album sans retour forms the concluding part of Croene's 'Trilogy of Hopelessness' (Cortizona). Conceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the 'Dies Irae', which takes six different forms to embody the in memoriam concept.
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale details her third full-length release of the year, Changes In Air, out 21 November via Smalltown Supersound, and unveils its lead single ‘Curve Traces of Held Space’. Changes In Air is a work for electric organ, modular synthesis, and piano in five secti…
*The only edition ever released that has all his piano works collected* The piano has been with Lachenmann almost throughout his composing life of seven decades. Yet the instrument is by no means always the same. Lachenmann’s determination has been to go on finding new possibilities – almost a new voice for the piano in every piece, a voice with which it can speak that piece, as it has not spoken before. Perhaps the Schubert variations of 1956 could be understood as a farewell to traditional pia…
This double portrait places Chopin’s beloved Préludes in nimble counterpoint with new ensemble works from Ramon Lazkano, translated by Maroussia Gentet and Ensemble Cairn under Guillaume Bourgogne. The result is both homage and reinvention, unlocking resonances between eras through lyric immediacy and textural experiment.
Isabella Gellis’s The Dissolute Society Comprised of All Sorts is a formidable debut for solo piano, performed by Joseph Havlat. Drawing inspiration from Biber’s baroque suite and cannibalizing its gestures, Gellis interweaves the surreal, the silly, and the tactile, forming a musical tapestry that refracts historical tradition through a vividly modern, sometimes absurd lens.
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
Vanessa Wagner breathes new life into Philip Glass: The Complete Piano Etudes, revealing the powerful lyricism and subtle turbulence of Glass’s minimalist language. Her interpretation brings emotional intensity and poetic nuance across all 20 etudes, reflecting over a decade spent exploring the repertoire and making for an immersive listening experience.
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…
*2025 stock* Renowned Japanese composer Jo Kondo is celebrated for his unique and refined approach to contemporary classical music. This recording offers an intimate journey into Kondo’s distinctive musical world, marked by clarity, restraint, and subtle yet powerful expression.
In Yokohama brings together a collection of works that exemplify Kondo’s lifelong exploration into sound, silence, and the delicate spaces in between. Throughout the album, the listener is invited to experience music t…
*2025 stock* A landmark new recording brings together two of Frederic Rzewski’s most powerful and socially engaged works, interpreted with striking intensity by pianist Takuya Otaki. At the heart of the release is The People United Will Never Be Defeated! (1975), a monumental set of 36 variations on the Chilean resistance song “¡El pueblo unido jamás será vencido!”, composed as an ode to solidarity and resilience in times of political struggle. Widely considered one of the pinnacles of late 20th…
*2025 stock* The celebrated pianist Aki Takahashi presents an essential interpretation of Morton Feldman’s monumental work "Triadic Memories", a cornerstone of late 20th-century piano music. Known for its meditative expansiveness and delicate shifts in color, this composition stretches the boundaries of time, inviting listeners into Feldman’s unique sound world where silence and resonance carry as much weight as the notes themselves.
Recorded with Takahashi’s characteristic sensitivity and tec…
2001 release ** "From the G&Ts of 1907 to the Victors of 1927 the troublesome genius of Vladimir de Pachmann lives once again in Arbiter’s well-chosen compilation. His vertiginous rise to fame and his equally precipitate decline are the stuff of legend, no less so than his concert antics, his audience-lecturing and indeed record-buying lecturing (one of the famed "music and comment" discs is included here, a late HMV). Pachmann followed such as Anton Rubinstein as one of the titans of the keyboa…