A Need/A Want
Lucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as…
The Helicon Sessions
The Equations Collective is an experimental sound project formed by a multi-disciplinary group of artists, active in the fields of music, photography, sound design & software development.
Tone Science
*2022 stock* Ian Boddy, DiN label boss, is one of the best known names in UK electronic music. He has been releasing music for over 35 years as well as playing concerts, creating sound design and composing library music. Yet despite this long musical career he still manages to surprise his listeners and Tone Science could represent his most experimental album to date. For this release Boddy has returned to his musical roots where experimentation was the name of the game. He has always been fasci…
Vryashn
**2022 stock. Edition of 400 copies ** "Pronounced ‘Variation’, Jeremy Bible and Jason Henry’s 2008 Ambient laptop dissection of piano, water pipes, wine glasses, rain on a window and a garage lamp, is a two-part exploration of these disparate elements. Vryashn has recently been rereleased on vinyl by Infraction, after a limited CDR release by Gears of Sand Recordings in the year it was produced. Having previously recorded together for the Gruenrekorder label, as well as Bible’s own Experimedia…
Auriemma
** Edition of 50 copies ** The duality of what Joe LiTrenta & Miki Kizh have created with 'Auriemma' is revealed with the first as well as the 100th listen. 'Auriemma' is undeniably influenced by the passing of 2 brothers who were close to the artists. Rob & Aidan died in separate accidents a few weeks from one another. So the result is a somber, haunted recording but it somehow retains some optimism throughout each of its sprawling tracks. Chords appear out of the air, and then expand for what …
A Thousand Fields
** 2022 stock. Edition of 400 copies ** Questing ambient and soundscape exponents with previous form over a slew of labels—Home Normal, Taâlem, Constellation Tatsu, Databloem, dataObscura, Ephre, and Basses Frequences, for starters—commune to create a whole beyond the sum of its differently located parts. Product of a Massillon–Denver–Warsaw pact hatched by a brace of Jasons, Bryant (Infraction) of Ohio hosting Corder (offthesky) of Colorado for a meeting of spirits with Bartosz Dziadosz (Pleq) …
Oh! Uomo
*Edition of 70* Oh! Uomo (Part I) “What I love are not the pieces, but the repetitions, the protractions; to proceed slowly on my way, to come back, back to the same thing, being a litany, litany as life, to stay long there before ending, not willing to make music of a man – and above all of a composer, and and above all of a westerner – but rather music of a sparrow, a quite indecisive sparrow perched on a branch, a sparrow trying to call a man…” (H.Michaux) "Oh! Uomo (Part I)" is a composition…
Music Is Not A Copy
On Music is Not a Copy Kink Gong turns crystal pop into syrup musak, a skippy glitch digital re-configuration of Chinese popular music, sounding like a broken unrelenting CD player under Beijing’s main underpass. We can’t think of anyone else making music like this, being it destructive or celebratory, dive in, never come back.
Stonewalling
“Stonewalling” offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verbal communication-skills. This is an album about communication, about the impossibility to do so to resolve conflicts. In the technical side, some of the sources used as layering in the tracks come from radio frequencies taken from explorations into t…
hi leaves
“hi leaves” is the new full-length record from soft tissue, the duo of Glasgow-based artists Feronia Wennborg and Simon Weins. Following their self-titled debut for Penultimate Press in 2019, this collection examines microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback. Tracks like “plant pot” and “kettle” appear to disclose their source material, presenting wonderfully tactile environments of highly articulate sound. Wennborg and Wein…
Twilight - The Opening
Geruch Von Blut is the project that was born here and now. Geruch Von Blut calls to mind a scent referring to iron and metal. For predatory carnivores it is irresistible, triggering their instinct; without knowing what you want, not listening to what you think you are listening to, always, that's what not to lose sight of, in the ardor of the drafting the sounds trigger in a continuous.“When Geruch submitted his musical world to me, I thought of an immense ocean similar to an impassable wall. Th…
Droneworks I-V
"Droneworks I-V" is a collection of five long beatless soundscapes, composed with the purpose of inducing hypnotic and meditative states. Healing music, aiming to calm the mind from the background noise of our chaotic reality. Orghanon is the solo venture of Sergio Calzoni, producer and musician active since the '90s in various musical outfits (Alma Mater, Act Noir, Colloquio, Iluiteq). With Orghanon Sergio Calzoni blends melancholy with silence, depicting stark yet deeply emotional soundtracks …
Nocturne Incertain
The composition of the Duplant / Heraud duo fits perfectly with the centuries-old tradition of music inspired by the night, minimal variations follow one another carrying out a sound flow made of magnetic tapes, analog synthesizers and who knows what else. A stimulus to the listener's synapses, an album that breaks the boundary between reality and dream.
Germinal
*110 copies limited edition* The debut LP by Outliers, "Germinal," offers a kaleidoscopic blend of lo-fi sensibility and hi-fi substance. The duo delivers on its namesake by deviating from musical norms. Using atypical rhythms, atonal sounds, and shifting forms, their music creates an inviting familiarity. Outliers' music can call a number of genres home: electronic, ambient, psychedelia, minimalism. No matter what you label it, "Germinal" will soothe your psyche with its shimmering inner light …
Feedback (Mort aux vaches)
** 300 copies ** Quite possibly one of the better live showings from digital era Zoviet France, and in my opinion this matches the dark spiritual energy of Vienna 1990 as well, which is a testament considering that that album is a leviathan of dark ambient. Heavy on the pulsating, bubbly effects, Feedback feels like you are exploring the dark corridors and caverns of an alien moon, where lava flows are the only source of light and the tremors of your own footsteps and the cracking of rock are th…
Interfrequence
Tip! ** Edition of 300 ** After the exploit of Osmose in 1978, Kalma returns into the studio in 1980 with Interfrequence, an ambient space library record. Interfrequence is a continuation of his personal research based on the combination of electronic machines with natural sounds and acoustic instrumentation. The french musician fully wears the robe of master of ceremonies of the synths. However, the path taken is not that symphonic of the minimalist and galactic suites composed by other standar…
Magnetic Eyes
A silken, minimalistic stream of electrified soul, Magnetic Eyes is Jeff Phelps’ peerless contribution to the tapestry of analog drum machine music that graffiti’d the mid-‘80s. Tracked in his Missouri City, Texas, bedroom studio in 1985, Phelps effortlessly steeps together the electro stylings of Afrika Bambaataa with the matured caress of Anita Baker’s soulful R&B. This 2021 edition presents fresh remasters of the album’s second mix, completed after discovering flaws in the initial 1985 pressi…
Support Surfaces
**Edition of 300 copies, die-cut sleeve, gloss laminate finish** Soda Gong presents “Support Surfaces,” the new record by Alexi Baris, a musician hailing from Vancouver, British Columbia. Baris’ methods are patient and deceptively rigorous, trading in sonics that are at once organized and organic. Synthetic and acoustic elements are presented in sonorous states of perpetual flux, carefully amalgamated into structures of fertile ambiguity. His is a diligent and painterly approach to sound design …
Navigation I Inre Och Yttre Landskap
*Limited to 250 copies in handmande cover. Only few copies available, strictly one per customer.* Gothenburg scene vet Dan Johansson births another Sewer Election record into this diseased world, this time in collaboration with New York's relatively wet around the ears Charmaine Lee. The two lines of biography that accompany the record explain that this was a mail collaboration recorded pre-pandemic, which you can either view as prescient or mere coincidence. Either way, if you're to call an alb…
Majestic Noise Made in Beautiful Rotten Iran
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.