Electronic / Drone

All songs by Felix-Florian Tödtloff. Recorded April 2025 in Berlin, Germany. Field recording on Federaun from Villach, Austria, August 2025.

"Drift was a relatively short-lived project created by Gabriele  Giuliani. Better known through his notorious nom de plume, Dead Body Love. Within the course of only a few short years, Drift released a dozen sought after releases on such legendary imprints as Slaughter, Old Europa Cafe, SSSM, Harmonie, and his own Less Than Zero, before fading behind the curtains Exile was not only the debut release by Drift, but also the beginning to a trilogy of cassettes released on Slaughter Productions. It …

"Second in the trilogy of Drift albums released on SlaughterProductions, The Beyond takes on a minimal yet darker approach, sheding the dense cavernous aspect of the preceding album, Exile. Replaced, is a more introspective Autumnal Dark Ambient style, which will become Drift's trademark on following releases. However, Gabrielle Giuliani never abandons the isolationist atmosphere he previously established. The result is a masterwork in Ambient Industrial Noise.  Winds howl, rain soaked leaves ar…

"On Earthquake, the third and final cassette released on Slaughter Productions, Drift takes on a slightly different angle to the previous  two cassettes. Where as The Beyond and Exile were firmly planted in pitch black ambient territory, the desolation on Earthquake is Saharan. Bright, Sirocco, and sun scorched. Afterall, who said Dark Ambient needs to be cold? In a sense, the listener is transported to an abandoned archaeogical dig while faint middle eastern tones waver in and out of the surfac…

*2026 stock. 100 copies limited edition. CD + 2 x A2 posters, offset, 80 gr uncoated paper* Composed, performed, and recorded by Christian Di Vito with a self-built synthesizer.

*2025 stock* Monument from Swedish composer Lisa Stenberg was composed during residency in Athens with additional recordings in Osnabrück, originally commissioned by the art festival documenta 14, as part of a collaboration between KSYME CMRC, documenta 14, Elektronmusikstudion and Fylkingen, to restore and reactivate KSYME-CMRC’s rare synthesizer EMS Synthi 100 that had not been in working condition for more than 20 years. The album features five tracks with the magnificent Synthi 100 in Athens…

Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.

BJ Nilsen's first LP for the label, departing from his field-recording practice. Recorded during a Fall 2017 residency at Willem Twee Electronic Music Studio in Den Bosch, the five pieces document improvised sessions on modular synthesizers, tone generators and laboratory test instruments. The flâneur's ear, normally trained on wind or city traffic, is here turned on machine-generated material: analogue pulse, droning waves and subtle noise arranged with the same patient sense of texture.

Second half of a two-part album by Mens and Kouw, recorded live in studio in December 2014 and following directly from the first volume. The two long-form pieces extend the duo's pursuit of precisely tuned analogue synthesis: deep, warm drone fields that gradually disclose, to patient listening, a rich substructure of resonances, artefacts and slowly shifting collages of texture. Material that resists time as event-based articulation and proposes it instead as immersive sonic sculpture.

Mens and Kouw have worked together since 2001, when their first album emerged from the clicks 'n cuts vocabulary via raw mixer feedback recorded to minidisc and broadcast live on Amsterdam's Radio 100. The duo has since migrated into tonal and timbral long-form, combining software, recorded acoustic instruments and modular synthesizer into electro-acoustic drone with audible debts to the American minimalist canon. First half of a two-part album, recorded live in December 2014.

Long-form duo work by Jon Wesseltoft and Lasse Marhaug, ongoing since 2008 as an investigation into psycho-acoustics and the phenomenology of sustained sound. The Hex of Light, recorded in 2013, consists of two stringently close-knitted pieces built around microtonal frequency interaction and slowly unsettling shifts; each gradually blooms within its own sonic time, exposing binaural beats, ghost overtones and microscopic tonal motion. Trance-inducing drone in the most rigorous sense.

First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material; Comes sent de Waard a processed stylophone, a loop and recordings from the University of Twente's web Software-Defined Radio. Two epic pieces result: Comes's harmonic deep-sonority drone, de Waard's quieter acousmatic-minimalist hover.

First part of a new Duplant trilogy, after the pessimistic Élégie du temps présent / Sombres Miroirs / Insondables Humeurs cycle. The music remains imbued with mysticism and deep melancholy but turns toward a more luminous, hopeful register. The organ remains omnipresent, structuring the long tonal arcs, while electronic and natural sounds are admitted in a discreet but important counterpoint - a meditation in Duplant's Cage-Bachelard-Radigue lineage on memory and slow contemplation.

Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa) are torn apart and rebuilt with layers of synthesis and electronics, blurring the line between unprocessed source and synthetic counterpart. Field-recording ambient in the lineage of Chris Watson, but tilted toward romantic synthesis.

Final work in a trilogy (Sketches, Drawings, Paintings) marking Philipp Bückle's return to music after closing his Teamforest project. Recorded in 2014 across Copenhagen and Dortmund, the album combines a visually organic sensibility with experimental composition, the titles functioning as discrete sound paintings spanning warm September evenings, rainy days, a seascape, a wedding. Mastered for vinyl by Stephan Mathieu. Ambient drone abstraction grounded in figurative diaristic detail.

Companion to Various Weights, pursued through an inverted method. De Waard prepares two empty acoustic containers of predefined length with his own sonic brushstrokes, then sends them to Comes, who completes the 'paintings' by filling in the blanks - the two artists collaborate without ever directly responding. The electroacoustic timbres triggered a sentimental mood in Comes, and the two long-form tracks develop themes of memory, grief and longing. CD with an A5 eco-printed book.

Continuation of the same piano source material used on the Piano Music 7-inch, here developed into a long-form work. Orphax takes a postcard he bought in a Spanish village in 2001, while studying geology, as imaginative axis: the tranquillity of small houses, church and sand road as a place where time appears to stand still. The album builds organ-like, slightly dissonant tonal fields whose slow evolution renders that frozen-time atmosphere as patient, quiet, nostalgia-saturated ambient drone.

An unusual collective release: Comes and Aldinucci composed their two pieces in complete isolation, exchanging neither studio time nor materials, but both worked from the same Nietzschean opposition - the moral codex of the Christian church against the radical surrender to emotion. Aldinucci builds his side from a single field recording of a procession in rural Tuscany; Comes's Crystalline Tragedies traces three distinct sections through the affective dimension of major life passages.

*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…

The late, great experimental duo Coil left behind a legacy of uncompromising artistry that continues to influence musicians decades after their final performances. "Live One", now receiving a definitive reissue, captures the band's otherworldly stage presence and transformative soundscapes at their most visceral peak. Originally documented during Coil's celebrated live appearances at the turn of the millennium, this essential recording showcases John Balance and Peter Christopherson at their mos…

Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.

Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.

Infinite Fog Productions is thrilled to announce the long-awaited reissue of the legendary Psychonavigation series in a 5CD Box format!

Collected Works by raison d’être is a compilation of deeply atmospheric dark ambient tracks spanning 1999–2010. Encompassing sacral drones, ritual soundscapes, and mournful melodies, the album distills Peter Andersson’s vision: music as spiritual lamentation, shaped by textures, chants, and buried harmonies.​

The Melancholy Mad Tenant, a collaboration between Coil, The New Blockaders, and Vortex Campaign, is a remastered anthology of radical noise, drone, and experimental anti‑music. It delivers brutal textures, haunting silences, and fierce creative interplay, pushing sound to extremes where chaos and restraint strangely converge.​

Originally published by Tomlab in 2001, “Seleya” is the second full- length issued by Kristian Peters’ Novisad project. Twenty-four years after its initial release, the album’s thirteen loop-based arrangements continue to resonate with striking clarity. Keplar presents Seleya with a previously unreleased bonus track from 2004 and a fresh vinyl cut by Lupo. These evocative miniatures feel haunted with the passage of time, bearing traces of the exploratory studio workflows, tactile imperfections, …

*200 copies limited edition* Dirk Serries collaborated with his dear friend and musical comrade, the legendary experimental composer, Asums Tietchens for the 6th time. Germany’s Attenuation Circuit released the album officially today ! “With Dirk Serries and Asmus Tietchens, attenuation brings together two towering figures of experimental sound. Serries—known for Vidna Obmana and Fear Falls Burning—has been a key force in shaping (dark) ambient, while also maintaining a presence in free jazz. Ti…

*50 copies limited edition* 'Kings and Queens' is a collaborative EP by the drone/ambient artist .foundation (Jake Carter) and cellist/ambient composer Henrik Meierkord. The record blends deep drone textures, granular synthesis, field recordings, and cello and violin – both processed as natural – into a slowly unfolding, hypnotic journey that moves between vast ambient soundscapes and intimate, emotive strings. .foundation (pronounced just "foundation") is an ambient, drone, and soundscape proje…

"Impressioni Organizzate di Ansie Liquide" is an immersive, languid realm, filled with elegant, poetic beauty, that bristle with unknown elements and the lingering potential of danger. Andrea Marutti and Carlo Giordani have created an album that simultaneously drowns the ear and fortifies it with breaths of fresh air. A remarkably sensitive reminder of the creative potentialities that rest at the heart of electroacoustic, concrete, and field recording based musics, doubling as a vision of their …

*150 copies limited edition* This compilation continues a path that Unexplained Sounds Group has been developing over time, following the earlier CD project inspired by Eraserhead. While that release focused on the cinematic origins of David Lynch’s language, this new work turns its attention to Twin Peaks, the television series created by Lynch and Mark Frost that profoundly reshaped the relationship between narrative, sound and perception on the small screen. First broadcast in 1990, Twin Peak…

“Hanging in the chill out rooms of the 1990’s rave scene inspired me to create my first ambient album, Atmospherics over 30 years ago. For this album I wanted to journey back and create a love letter to those magical times, and the energy that was felt in those small rooms decades ago.” - JB

*2026 repress. 200 copies limited edition* Iskra is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be. Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek…

With Still Beauty, PITP label head zakè (Zach Frizzell) and California-based marine eyes (Cynthia Bernard) present a suite of lovingly constructed pieces that combine organic, tape-saturated drones with angelic, spacious vocals and a host of other texturally nuanced instrumentation. Building on the hushed promises of their collaborative debut, Unfailing Love (2021), the two artists immerse us in the processes of loss, grief, and renewal, spiriting us through overlapping shadows into newfound lig…

On ātamōn, Amina Hocine turns construction‑site plumbing into a breathing organism, casting foghorn‑born “sound crystals” through an abandoned Swedish mine in two long drone rituals where inner archetypes, architecture and air negotiate in slow, searing waves.

*42 copies limited edition* Professionally printed CDr inserted in a professionally printed cover.The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size. (closed) and 39x15 cm. (developed).Inside there is also a little bookmark. Based on Revelation chapter 21, verse 8.

*42 copies limited edition* Composed By, Performer, Recorded By, Artwork – Maurizio Bianchi. Layout – Antonio Benini. Mastered By – Pharmakustik.Professionally printed CDr inserted in a professionally printed cover. The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size. (closed) and 39x15 cm. (developed). Inside there is also a little bookmark.

“Över mitt ögas dag” by composer Lisa Stenberg and poet David Zimmerman is a collaborative text and sound work in which both past and future are constantly gravitating towards the present – a “now” as raging as it is inept. The glacial electronics of Lisa Stenberg slowly grinds through both David Zimmerman’s lyrical segments and the adapted fragments of Vilhelm Ekelund’s ancient grave epigrams, all the while lamenting; Nej / inga klockor märker ut / döda längre
För allt är onödigt, en avsägelse …

Multicast Dynamics aka Samuel van Dijk presents Language of Colours. A substantial set of vibrant, cinematic tracks that mark the first release on Language of Colours - an sonic imprint dedicated to conceptual electronic music. "Language of Colours" features 11 detailed tracks covering a wide range of sounds: organic ambient, reduced downtempo beats, lush soundscapes, and experimental drones.

"Travel Diary is the latest CD release from the multifaceted eerie droning project called Nimh. This last offering features pieces reissued from a previous CD-R called Lanna Memories with others sound materials and unreleased tracks. The musical content provides a colorful ethno-phonographic experience including a large corpus of micro-sounds taken from rituals of 'everyday life' among Eastern Thai regions and secular communities. Echoes from the Hills opens with a serene-poetical moody prelude …

*300 copies limited edition* Returning after the introspective descent of The Sarajevo Spiral, Cyclic Law presents Antimon, the latest ritual transmission from the long-standing collective Nam-Khar. Founded in 2009, the project has continuously navigated the liminal intersections between ritual ambient, psychoacoustic exploration and esoteric introspection, employing an arsenal of ethnic instrumentation, analog synthesis and immersive visual elements to construct deeply transformative sonic envi…