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*50 copies limited edition* In recent years, much has been written about artificial intelligence and how it can be used. In the art world, these apprehensions have quickly turned into workers' struggles which, beyond criticisms of AI as a tool, have brought to the forefront the flawed relations of production between art commissioners, work instruments and artists. This syndrome of the gargantuan appetite of the capitalist hydra within the cultural and creative industries has, however, left in it…
*50 copies limited edition. 2025 stock* In 1948, Claude Shannon published his theory of the entropy of information. At a time when the telecommunications system was analogue, this engineer from Bell Laboratories formalised mathematically that the quantity of information transmitted affected the quality of the signal. What remains was lost information, a leftover message trapped in the meanders of electrical installations. Listening to The Problem makes you think you found a cabinet of curiositie…
2025 stock A new interpretation of the explosive frog breeding phenomenon. Recorded, composed and mixed between 2016 and 2020 in French Guiana and France by Thomas Tilly, this pieces are part of a both scientific and artistic collaborative project conducted with herpetologist Antoine Fouquet, research associate at French National Center for Scienctific Research Cnrs. These compositions follow Codex amphibia (an interpretation of the explosive breeding), released in 2018 on Glistening Examples.
2025 stock French artist / activist Yvan Etienne, is engaged in research in the field of sound art (specific site installations, concerts). As a musician, he composes and plays pieces using electronic, phonography, analog synthesizers and the hurdy-gurdy. His sound art research questions the perception and physicality of sound spaces.He has collaborated with Phill Niblock, Yann Gourdon, Richard Glover, Brice Jeannin, Patrice Grente, Robert Poss, Paul Panhuysen, Marie Verry, Perinne Bourel... He …
2000 release ** Exclusive tracks by German Electronica acts from Hamburg, Berlin and Cologne incl. Mouse on Mars (Sonig), Christoph de Babalon (Digital Hardcore), Hematic Sunsets (Asmus Tietchens), Groenland Orchester (Staubgold), Wrag Naroda, Ostinato, Stick, The Messenger vs. El Stick, Cybermouse, TBC, Reznicek, Flash Gordon Blues Band, Jetzmann/Liquidski.
John Avery, a member of Sheffield electro-funk group Hula, is an English composer and sound designer for theatre. He has been a collaborator with the theatre group Forced Entertainment since a long time and many of his solo projects fed into music for their performances. John's work has been described as a juxtaposition of melody and noise and is characterised by a sense of narrative. Using dialogue, taped voiceover, soundtrack and choreographed action, Jessica in the Room of Lights explores a b…
2017 release ** "This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music. "
Since 1992, Robin Storey (founding member of the pioneering post-industrial band Zoviet*France) has been creating innovative and thought-provoking music under the Rapoon moniker. Drawing inspiration from his early days with Z*F, he continues to push the boundaries of ambient, industrial, and world music genres, earning him a dedicated following across the globe. Originally available in 1994 as a limited-edition DAT tape through Staalplaat Records, Cidar was later included as a bonus CD in the re…
2006 release ** "All tracks on Purr have originally been composed for choreography. Laurent Perrier, the mastermind behind Zonk t, has reconstructed the tracks for his third release to make it a coherent album to listen to. And he definitely succeeded in that. The musical outbursts of the Frenchman are very minimalistic and could best be categorized as ambient. The fact that he uses only minimal sources and sounds for his creations doesn t mean that the tracks are boring, predictable or easy. O…
2008 release ** "An experimental electro-acoustic duo formed by Wong Chung-fai (Sin:Ned) and Chau Kin-wai (KWC) from Hong Kong. Their collaboration first started in 2003 for the audio/visual internet project “60 seconds” and participated in the multi-media live event “Media Jam” for Hong Kong Sound & Vision Festival in 2003. The two formed as No One Pulse in 2006, exploring the concept of free improvisation and the world of free-from electronics that embraces randomness, chaotic structure, and …
2004 release ** "With his 8th solo album, French composer Laurent Pernice presents the pure electronic music, providing fresh views for academic avantgarde, from the different sides of microtonal music, reductive minimalism and other methods of digital decomposition. Ever since his first album (Details, 1988), Pernice has been collecting certain sounds which came into being all on their own, so to speak, the haphazard result of certain manipulations. By letting them run free, he realised that t…
2015 release ** "As Cummi Flu, Doerell mainly does sound design. There is not a sound on Z that has been included by chance. Each acoustic event has been painstakingly carved, demonstrating its creator's attention to detail. The squeak of a computer, the sound of a door shutting, the drawn-out hum of a cello -- everything here is of equal importance, positioned democratically side by side. Each track feeds on a wide variety of sound sources. And even when there is a lot going on, there is immen…
2010 release ** "The cd Chain of Events is a collection of nine pieces composed by Lars Bröndum. The music was recorded between 2006-2010 and has been performed in Japan, USA, England, Scotland, Spain and Sweden. Lars Bröndum composed the pieces using an analog modular system, Theremin, effect pedals and computer treatments. Featured guest musicians are violinist George Kentros, pianist Lisa Ullén, Emil Strandberg on trumpet and Yann Le Nestour on contrabass clarinet."
2011 release ** "Live recordings from Syntjuntan’s first two years. Music especially composed for textile accessories. The music is tangled with lace and long stitches, embroidered with electronic sounds, square waves and curled noise. Syntjuntan is an ensemble of female composers, musicians and instrument builders. Our purpose is to meet women’s curiosity about technology and electronics, to encourage them to build instruments by themselves and otherwise facilitating their own experimentation.…
2007 release ** "Quite unexpected. but surely long awaited comeback of this mysterious Swiss-based project. returning to the musical scene with the new album released after ten years of oblivion. This is another masterpiece of minimal analogue synth-sound alchemy. a journey through Batchas acoustic world allocated in the deep space between two acoustic radiators of stereosystem."
2005 release ** "Compiled by @c's Miguel Carvalhais, Essays on Radio: Can I Have 2 Minutes of Your Time? brings together 39 artists from the experimental electronica scene, paying tribute to or drawing inspiration from the oldest electronic media. Each piece is exactly 120 seconds, which creates a rather frantic pace; the listener soon loses track of whose contribution will play next and the music turns into a nearly uninterrupted continuum of juxtaposed sonic statements. The artists touch base…
2003 release ** "One of the first albums by mysterious extravagant darkwave project [2003], that sounds somewhere between melancholic psychosis and a child’s play - like a bizarre orchestra from an alien world, charming with multidimensional electronic magic, exotic ethereal vocals, positively hypnotizing layout, yet maintaining an esoteric charge that lurks deeper, delving into caballa and magic of numbers, hidden under macabre jolly mask, equally inspired by 80-ies flavored electronic avantga…
2010 release ** "Jazkamer’s “Failed State of Mind” CD offers up nine tracks each clocking in at exactly 3:20 a piece, recorded between 2008-2011, across three different countries (Norway, Agrentina, and Vietnam – all couldn’t be more different), and collaged together to a cohesive yet disjointed album of mellow, weird ambient noise.The album reaches from field recordings of birdsong to beautifully amorphous feedback compositions, to up-tempo live drums meandering around quietly in the background…