Electronic / Experimental

*30 copies limited edition* Celebratory release for the tenth anniversary of the first track, released digitally only.This edition is entirely handmade.The CD-R is contained in a plastic sleeve with a frozen look, sealed with metal staples.A polyester print is attached to the front of the plastic sleeve.Inside the plastic sleeve is a paper sleeve containing the CD-R and a small insert with liner notes.The envelope and insert are printed on special high-quality lined paper.

On Take Me, I’m Yours, Alan Abrahams and Jan Jelinek dissolve the border between song and sound design: multi‑layered vocal sketches are stripped of harmony and beat, re‑sculpted into fragile, pulsing landscapes where house‑born emotion drifts through Jelinek’s grainy abstractions.

On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.

A singular work of deep sonic exploration returns, now unveiled in a definitive vinyl edition.

The album explores the historical and practical union of experimental in-situ field recordings and industrial drone work in its rudimentary form, while also constructing a narrative of live, on-site cymbal play in the style of Eddie Prevost and David Jackman.  Putimt ku tuskaas draws a narrative of minimally intricate experimental field recordings and industrial drones while at the same time channeling a line of influence from the early 80’s French & Italian industrial movements and would not be…

Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009).Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series. In line…

The backstory: 5 September, 2012 was the day John Cage would have turneed 100. Centenary celebrations for a prominent artist would seem rather conventional. Inappropriate for an extremely unconventional artist. But seemingly inappropriate things can be quite appropriate in unconventional contexts. So why not participate in a 100th birthday commemorative project? No sooner said than done...

Performed by Giovanni Di Domenico on a late autumn night in 2021 on the 2859-pipe organ (Giuseppe Zanin, 1970) at Chiesa di Stella Maris, Milano Marittima. Giovanni Di Domenico: pipe organ, Chiesa di Stella Maris, Milano Marittima, Italy, November 26th, 2021.

"tri-n-os" —stemming from the ancient Greek word θρήνος (thrínos) meaning lament, wail, mourn and cognate to Sanskrit ध्रणति (dhráṇati, “to sound”), Latin drēnsō (to cry, to murmur), and Old English drān (drone)— unfolds as a deep delve into the realm of improvisation, drone and feedback. A sonic exploration of the lament as an open process: unruly, fragmented, and recursive —not simply as emotional expression, but as a state of being and a resonant system. Drawing on the principles of cyberneti…

DJ Backstage has returned with a new album titled Consume Budots. If the initial output, New Metal Music Machine, showcased an interest in nu-metal, this time he shifts his focus to Budots, an electronic dance music and dance culture that originated in Davao, Philippines, known worldwide through DJ Love. Simply put, Budots is a blend of ultra-high elasticity 140 BPM pop edits, high-pitched siren sounds, and some Filipino rap. This music possesses an intensely stimulating energy that can be dange…

*2026 stock. 100 copies limited edition* Kuang Program's member Choi Taehyun's new solo album Microscript. It consists of 7 tracks, inspired by the Swiss writer Robert Walser's book Microscript.

*2026 much needed repress!* The only full-length from the West Germany trio known as Liaisons Dangereuses, this self-titled record (originally released via TIS records in 1981) is somewhat of a Holy Grail for fans of EBM and minimal synth.  Thankfully, Soulsherrif Records has reissued this rarity! Comprised of members Beate Bartel, Chrislo Haas, and Krishna Goineau, Liaisons Dangereuses was only active for a couple of years. Beate and Chrislo played in numerous famous German electronic and goth …

The Boy and the Tree was composed after a visit to Yakushima Island, an outstandingly beautiful world heritage site off the southern tip of Japan, scored by a deep, lush and ancient ravine, home of the ancient 7000-year old ‘Jōmon Sugi’. Tree. Also the inspiration for Miyazaki's epic anime Princess Mononoke, a conflict between the rampant greed and destructive force of humanity, and the stoic, mysterious fragility of nature. This fleeting immersion in nature lent the album a profound introspecti…

On Rampe Amalgam, Markus Oehlen extends his studio day into the night, turning the same unruly humour and visual overload of his paintings into skewed, concrète‑spattered electronics: half hidden beat, half dust‑storm, all deliberately “wrong” and fully under control.

On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking in cuts and crackle.

Wizardmaster is the experimental electronic music project of Oakland-based musician Mark Stramaglia with long-time collaborator Oliver Kollar. Both were members of Operation Re-Information (ORI), which released albums on Vinyl Communications. This release features improvised electronic recordings focused on mood, texture, and tonality, incorporating noisy synthesis, found and appropriated sound, irregular rhythms, and narrative structures inspired by soap operas. The album uses only homemade mus…

*50 copies limited edition* This CD is inscribed with physical defects (scratches with a needle) covering track 8 which consist of a 22049 Hz inaudible sinewave. This will produce audible artefacts, different in nature depending on the CD player used for playback. Tracks 1-6 are recordings of track 8 applying different forms of physical scratches. The results can be described as simple rhytmic studies, some surprisingly jazzy in nature. Timbre-wise only the pure artefacts are heard, contrary to …

*50 copies limited edition* Strictly intended for playback on a hardware cd-player. Listener discretion is advised. Limited edition, fixed media, no official digital file edition ever ~ support the compact disc.

On Morte Lilás, Força Maior (Pedro Alves Sousa & Pedro Tavares) turn a decaying 400‑year‑old farm into an instrument, spinning sax‑sourced, electronics‑blurred meditations that move like slow weather between trance and lucid, lilac‑tinted reverie.

Constellation Tatsu welcomes back Bifuu_ZONE, which means "a zone of gentle breeze" for a record that resists drama, instead favouring small tonal events that take you to a place you never knew existed but somehow feels familiar. Notes linger, erode and soften as stillness becomes the primary pull, sound unfolding patiently. The presence of the saxophone adds a human warmth as breath brushes against restrained electronic forms. Rather than inviting escape, the album grounds you in a park on a su…