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A new year, some fresh Kashual Plastik. Absolute organic. The campfire is burning, FM radio in the air, with not so frequent frequencies. Gently waiting for the flood that brings no water. An accordion weeps, an organ cries, sweet acoustic guitar cho…
Between innocence and anger, a record of witness. Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with th…
Featuring 8 tracks of dazzling electronic soundscapes, 'Race at Neon Club' sees Brice Dreessen fulfill the promise of his early work to deliver a beautiful, if at times unsettling, album that ranges from blissful interstellar ambience through to diso…
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon al…
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually r…
*70 copies limited edition* Eventless Plot and Bruno Duplant join forces on Fail better, a cassette release that treats failure not as an endpoint, but as a method of composition and a way of listening. Across two long-form pieces, the group carves o…
** Edition of 100. Beautifully designed sleeve by Bruno Stucchi/Dinamomilano. ** Die Schachtel's latest follows naturally from the sonic territory explored within the label's Decay Music series, while pushing well beyond. La Donna del Lago is the deb…
The duo of guitarist/vocalist Matthew Mitchell and producer Bevan Smith (aka Signer) present their release in Type's 7" series. In response to the upcoming self-titled album, they both decided to remix the track "Future Life" under their own solo gui…
On Or Gare, Stine Janvin and Morten Joh slow time to a funereal crawl, reanimating Ryfylke’s “liksong” tradition as a ghost‑lit microtonal ritual where voices, synths and creaking percussion hover between lament, liturgy and quietly glowing electroni…
Since the duo’s inception in 2021, Kjetil Brandsdal and Thore Warland have released 5 LPs of their turntablism/percussion fusion. This is their first single before adding Helge Thornes as a vocalist and morphing into Hebbex d’Expectatio Expectata. Re…
*2026 stock* Hand marbled LP covers with foil embossing and screen printed info. Each cover is unique. Marbled vinyl.
Kjetil Brandsdal: Record players/sound effectsThore Warland: Percussion/sound effects.
Recorded at Consulatet, Stavanger. Benefits &…
*75 copies limited edition* A two-chapter suite for modular & FM synth, wind & string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog & digital abstraction. I…
Double feature stint on Kashual Plastik. Twofold recreational Nordic spice, cultivated for dreamy solitude escapades and meditative tune voyages in witchcraft mood. Side A comes from Finnish experimental musician Juho Toivonen, shaped in his home in …
On Music for the Process of Dying, Homo dissolves language into a porous, five-part soundscape where breath, organ, flute, electronics and the outside world seep into one another, sketching a wordless vigil for the psyche as it approaches the thresho…
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, da…
*300 copies limited edition* Audio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in »Ob…
On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same nois…
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally …