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** 2026 stock ** One of the lost gems of the 90s, Talk Talk's final album 'Laughing Stock' has gathered momentum in the hushed tones of music fans' conversations since it's release. At long last it has secured a reissue. The record took a year to mak…
Why did so many of the world’s most forward-thinking musicians gravitate toward Conny Plank’s studio at that time? Released in 1981, Phew was recorded at the legendary Conny’s Studio—home to seminal works by Kraftwerk, Neu!, D.A.F., and Brian Eno—fea…
On Wa Wave: New Wave Sounds from the Land of the Rising Sun vol. 2, various Japanese artists push deeper into the margins of 80s New Wave, blending Kraut‑tinted repetition, minimal synth, and glass‑fragile chamber pop into a set of tracks that feel l…
On Wa Wave: New Wave Sounds from the Land of the Rising Sun vol. 1, various Japanese artists are rescued from flexi‑disc oblivion, weaving a sharp, off‑kilter panorama of New Wave, No Wave and skeletal electronics from the most radical corners of Jap…
On Romancing The Music, Hip-See-Kid reanimates Japanese New Wave as a jittery, neon‑lit fever dream: punk‑funk basslines, soul‑scarred melodies and splashy jazz inflections squeezed into a compact mini‑LP that feels like a lost 80s club classic beame…
2026 stock In A Different Climate is the second and final studio album by the American rock band Mallard, released in 1976 on Virgin Records.
Formed by ex-Captain Beefheart Magic Band members Bill Harkleroad (guitar), Mark Boston (bass), along with v…
Original 1980 LP on 4AD of brilliant experimental/industrial/art-rock soundscapes by Wire's Bruce Gilbert and Graham Lewis, am essential piece of the Dome puzzle.
On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act…
On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.
"Ritual of Light" is the first full length from Descending Pharaohs. Recorded in mid-2022, it marks the band in its first year as a trio with a sound that is mainly implemented by the conventions of guitar, bass, and drums and enhanced by rich textur…
*300 copies limited edition* "Dis qu’t’as tort" is the latest venture from Tagubu (Denis Tagu, formerly of Hellebore, Look De Bouk, and Toupidek Limonade), realised in collaboration with Klimperei (Christophe Petchanatz, known for his work with Pierr…
Six Minute War Madness were born in January 1992: Federico Ciappini on vocals, Paolo Cantù (former member of Tasaday and Afterhours) and Xabier Iriondo (also in Afterhours) on guitars, Massimo Marini on bass and Daniele Misirliyan on drums.
In Septem…
Portland Oregon's Rollerball are the very definition of a cult band. Their image is shrouded by aliases & self sustained mystique and their discography packed with hidden gems and genre warping artistry. In the decade plus since Rollerball first form…
Jealousy Party rapes the suggestions of the free music, avant-rock, the disturbed and unsociable electronics, squirts of songs, saxs, laptop and cds in flames and histrionic vocal manipulations. The mutant project expresses with delirium and destruct…
*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of…