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Lindsay Cooper

Oh Moscow

Label: Les Disques Victo

Format: CD

Genre: Experimental

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Lindsay Cooper's song cycle on texts by Sally Potter, about the divided Europe of the Cold War, live at Victoriaville in October 1989 with Phil Minton, Hugh Hopper, Marilyn Mazur, Alfred Harth and Elvira Plenar.

Victo 40th Anniversary Super Sale. Recorded live at the Victoriaville Festival in Canada about six weeks before the cold war ended, bassoonist/alto saxophonist Cooper (formerly of Henry Cow and the Feminist Improvisors Group) joined forces with singer/lyricist Sally Potter to present a defiant musical challenge to Europe, the United States, and other politically charged climes. The music here is very similar to that of Henry Cow, but is even more outspoken. Cooper's reed playing works closely in the interior of the ensemble, which also includes Phil Minton (vocals, trumpet), Alfred "23" Harth (tenor sax and clarinet), Elvira Plenar (piano), ex-Soft Machine member Hugh Hopper (electric bass guitar), and Marilyn Mazur (drums). This one-hour unedited performance has many stark, bitter moments and some truly inventive playing. Starting and ending with a tricky time figure, "England Descending" features Potter's cries of "I thought the war was over" and "Once bigger than our size, now as we really are...small." Minton's amazing vocals and a decidedly anti-American sentiment ("We bought your movies-cars-music, and we lost ours") highlight "The Allies." The scathing "On German Soil" moves from abject anger to circus calliope during one wild, bassoon-led segment. Harth's Albert Ayler-esque tenor rages on "England," screeches ferociously during "Liberty Bonds," and joins Cooper on the lone instrumental "Oh the Passing of Time, Europe." There are some quieter moments: a lilting piano fires the European lament "Lovers"; the waltzing, Weill-like "Curtain Descending" showcases Potter's shadowy vocals; and a Balkan segment introduces the somber "Prayer." The lyrics here are certainly provocative, but what's most challenging is the music itself, creative composition shaped by Cooper but with just enough improvisation to make it captivating. This is the ultimate in urban landscape sound sculpture, performed by an absolutely extraordinary band. Historically and musically it deserves to be judged with the highest reverence.

Michael G. Nastos, AllMusic

Details
Cat. number: VICTO CD 015

Format

Recorded live at the 7th Victoriaville Festival, 8th October 1989.

On disc: "Fabriqué au Québec"

Release notes

Recorded live at the 7th Victoriaville Festival, 8th October 1989. On disc: "Fabriqué au Québec"

Tracklist
1England Descending7:46
2The Allies5:30
3Lovers4:10
4Oh The Passing Of Time, Europe4:12
5Liberty Bonds6:38
6On German Soil7:20
7Curtain Descending3:10
8Prayer9:57
9Forgotten Fruit4:23
10Oh Moscow6:21
Credits
Lindsay Cooper
Bassoon, Alto Saxophone, Sopranino Saxophone, Music By
Marilyn Mazur
Drums
Hugh Hopper
Electric Bass
Michel Levasseur
Executive-Producer
François Bienvenue
Graphics
Charles Gray
Mixed By, Edited By
Sylvain Lafleur
Photography By
Elvira Plenar
Piano, Synthesizer
Guylaine Levasseur
Producer [Assistant]
Louis Légaré
Recorded By [Salle]
Jacques Bruno
Recorded By [Scène]
Alfred Harth
Saxophone, Clarinet
Phil Minton
Trumpet, Voice
Sally Potter
Voice, Lyrics By

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