All Summer Long is Gone
Finally, a vinyl edition of this amazing instrumental pandemic album recorded by a somewhat unlikely duo. There was a cassette version released a while back as a stop gap, but here now is the REAL THING! PG Six (aka Pat Gubler) is based in the New England and is known for his mastery of many stringed objects. He has appeared on six earlier Feeding Tube LPs, the most recent of which is the great PG Six Live at the Tavern (FTR 556LP). Louise Bock (aka Taralie Peterson) is a multi-instrumentalist l…
Le Pont Suspendu
Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.
To(r)ri Infranta
To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.
Pièces Monophoniques
Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.
Live at Epsilon Spires
Feeding Tube Records is excited to present the first North American release by this amazing Japanese sound artist. Yosuke Fujita goes by the name FUJI|||||||||||TA, perhaps so he won't be mistaken for the guitarist of the same name who plays with Better Days, or perhaps because he just likes to hear people try to figure out how to say, 'FUJI|||||||||||TA,' properly. Either way, FUJI|||||||||||TA is a wonderful avant-garde project that has been active for almost two decades. In its current iterat…
Circuits Of Omission - Sonaten Für Synthetisierten Klang (Opus 60)
Herewith is an extraordinary 45 RPM album of solo electronic music by NZ's great contrarian, Bruce Russell. The pieces were all created using machines built by Clinton Williams, whose musical work under the OMIT moniker has long been championed by Bruce. Unlike many of Williams's own recordings, which contain kosmiche extensions recalling the '70s work of Klaus Schulze, the 15 improvised Sonatas presented here mix a few of those sorts of sonorities with a variety of more harshly-edged tones. The…
The Language Shadow
Reissue of the very limited debut LP by this Massachusetts-based musician. We first ran into Kass's Good Cry label when she put out Jordan Perry's eponymous debut, which we promptly reissued (FTR 376LP). And we are well pleased to be able to do the same for The Language Shadow -- a most excellent album by all known metrics. Kass (who works with Meg Remy's U.S. Girls) sings and plays guitar, dulcimer and small instrument-style percussion. Recorded at Montreal's Hotel2Tango, her music has the clea…
Elvehjem
Recorded in Madison Wisconsin a year after In The River, the latest record from this amazing trio (Troy Schafer, Patrick Best, Mikel Dimmick) breaks a bit with Spiral Joy's drone-dominant tradition. There is a crackling, noise energy curtain surrounding much of the playing here that makes me remember the sound of the Richmond VA trio, Pelt, from whom Spiral Joy Band draw specific inspiration (as well as two members). The listed instruments are bowed gong, gong, bowed bowls, electric guitar, bowe…
To Keyi Toko Zonga
MB Jones and Rey Sapienz first encountered one another in 2018. Jones was living in South Korea and visited Kampala, Uganda with his partner. Before their trip he was surprised to find that the Nyege Nyege label knew of him through his ROK SPY record, which had even led certain label associates to wonder if, because of that project's presentation, he was an actual secret agent. Jones stayed for a few days at Villa Nyege, where label co-founder Arlen Dilsizian introduced him to Rey Sapienz. Promp…
Not Here but Under the Sea
** 2025 stock ** Thomas Schulz (1950-2021), predominantly perceived as a visual artist, has continuously been as much a sound researcher and sound designer and a musical improvisor as well. He performs with Marino Zappelini (Sax) and opera singer Jane Smith at J.J.Donguy (Paris 1982) and meets Shelley Hirsch, with whom he shares a longtime friendship, at Büro Berlin. Listening to John Cage and attending an early concert of the Seesselberg brothers awakes his interest in sound and composition, bu…
Plutonic Shine
Vinylization of last year's cassette by UK duo, The Slowest Lift. Comprised of Julian Bradley (Vibracathedral Orchestra, etc.) and Sophie Cooper (whose Divine Ekstasys LP, (FTR 342LP, 2018) is a dang classic), The Slowest Lift has been producing high-quality avant-pop form-waffling for several years. Their eponymous debut album was on VHF (2017), and Plutonic Shine continues their drive into the heart of some very weird beast. Sophie's vocals sometimes breath like the air itself, although they c…
Pastry
2025 stock "Jonny Kosmo, the Los Angeles (via New England) registered therapist and home recordist is a card-carrying expert in the shape of your desire and the horizon of meanings your dreams catalyze. In his briefcase lives his weapons grade kaleidoscope, a 1972 Mayfair recorder, and a neatly folded pair of pants that fits seamlessly to the shape of your longing. His armchair prescriptions for the zeitgeist hover ever present on his most recent LP Pastry which hits you Like 69 cc of heady nost…
Dinsterwenk
* Edition of 200 * Baljuw is the improvisation project of Matthias Dewilde (Nagløed, Matterhorn Well) and Nicolas Van Belle (Suura, Ever Present, Sarcastic Fringehead). Although the two musicians were longtime friends, it still took until 2023 for the two to begin “playing” together, stimulated by a shared interest in sound, texture and transformation. A series of improvisation sessions and some tasteful performances (including at the Ghent Citadelic festival) followed, which only stimulated the…
Polar Sequences
In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice. The performances from which this recording is taken…
Fobia
Aylu’s album Fobia marks a pivotal exploration into the spaces between fear and resilience, channeling personal experiences with agoraphobia and claustrophobia into textured, avant-garde electronics. Through a tightly-woven sonic language, Fobia moves from suffocating tension to moments of spiritual release—turning solitary struggle into collective resistance and introspection, with each piece mapping an emotional topography that remains intimately and universally relevant.
The Dictionary of Lost Meanings
Praed Orchestra!'s The Dictionary of Lost Meanings weaves seven pieces of composed music and expansive improvisations, blending Egyptian Shaabi, jazz, and tribal elements. Led by Raed Yassin and Paed Conca, the full ensemble explores intricate textures and rhythms, offering a contemporary journey through tradition and experimental soundscapes.
Next
LP version. "While they have collaborated a good many times, Next is the first recorded evidence of Danish guitarist (or more properly Bastardist) Jørgen Teller playing with American ex-pat multi-instrumentalist Mark Cunningham. The pair both have long histories on the fringes of known sounds. I first heard Teller as a member of the dizzily freakoid Tzarina Q Cut and Cunningham's decades of musical adventurism with Mars, Don King, Bestia Ferida, Blood Quartet, etc. have been well documented, not…
Convalescence
2025 stock Another splendid album of avant hi-jinx and shreddery from keyboard whiz, Liz Durette. Primordial Soup is her fourth album (first was a cassette), and the second for Feeding Tube. It is the follow-up to 2020's most excellent Delight (FTR 504LP) and heads into somewhat different stylistic turf, whilst maintaining Durette's high levels of keyboard invention. If Delight was created while Liz was thinking about Romantic-era waltzes, then Primordial Soup owes some of its strategic approach…
Primordial Soup
2025 stock Another splendid album of avant hi-jinx and shreddery from keyboard whiz, Liz Durette. Primordial Soup is her fourth album (first was a cassette), and the second for Feeding Tube. It is the follow-up to 2020's most excellent Delight (FTR 504LP) and heads into somewhat different stylistic turf, whilst maintaining Durette's high levels of keyboard invention. If Delight was created while Liz was thinking about Romantic-era waltzes, then Primordial Soup owes some of its strategic approach…
Well Up
2025 stock Liz Durette returns with a gorgeous fourth LP (her third for Feeding Tube) and not a moment too soon! With Well Up, Liz delivers a bright and sparkling sonic gem to illuminate our days and nights. Liz is an artist, keyboardist, improviser, and deep thinker based in Massachusetts, after many years in Baltimore. She has created an uncanny body of musical work of keyboard improvisations. Her style strikes me as utterly unique, and this latest album offers an entirely new example of her v…