Experimental / Minimalism

2006 release ** "A collaborative one-track mini-cd from US Tidal (aka David Brownstead, ex-666 Volt Battery Noise, and currently involved in the militan zionist project Barzel) and Dutch Peter Duimelinks (known for his activity in THU20, Kapotte Muziek and Goem), clothed in two splendid photos by Alluvial's own Kevin Wienke. The work is inspired by the Jewish purification ritual, but as the cd gives no further information about that I will stick to the music - which by the way is excellent. "Abl…

2011 release ** Limited edition of 450 hand-numbered copies. "Tetuzi Akiyama, an improviser who plays both acoustic and electric guitar, performs in Japan and other countries, including on yearly overseas tours. Takuji Kawai, born in 1963, studied classical piano as a child and received a master's degree from the graduate school of Tokyo National University of Fine Arts and Music. He started improvising in the mid-1980s, and in addition to improvised music he currently performs works by contempo…

Manolis Pappas writes: "Coming from Thessaloniki, but currently residing in Athens, Savvas Metaxas presents "Feedback Poetics", a study in ambient, minimal electronics and feedback drone, revealing a work of compelling compositional clarity. "Feedback Poetics" was recorded during a long improvisational night, with most of the piece captured in a single take. Later, a few additional sounds were added. Recorded using the Lyra-8 synthesiser by Soma Electronics and the Lemondrop granular synthesiser…

Though the piano arrives on stage without a player, it is not alone. Mounted on steel bars within the instrument are electronic magnets, one per piano key, that have been connected by a thicket of wires—reminiscent of monstrous braces, as though the instrument were suffering youth under orthodontic siege. The magnets come down to the strings, and, as they vibrate at the strings’ own frequencies, the instrument speaks. Wobbling yet fulsome tones suffuse the room, sounding almost nothing like thei…

“I did this piano/Rhodes recording, played live, without overdubs. I believe your approach to sound could match very well these tracks….” That’s how Giovanni Di Domenico’s collaboration with Rutger Zuydervelt started, though the first seeds were planted when the duo did a short live improv together in 2019, and Giovanni joining Hydra Ensemble on stage in 2022. Painting a Picture / Picture a painting is -as the title suggest- an album of two long-form pieces, swapping the working method for each …

*200 copies limited edition* Fredrik Rasten (b.1988) is a Berlin-based guitarist and composer focusing on rational harmony and related acoustic phenomena. Reaching for an active state of listening and an intuitive exploration of the complexities of tonal interaction, his work draws on influences from minimalist styles, folk musics and other exploratory modes of sound making. Besides his solo projects, he both performs and composes as a member of the Berlin based ensemble Harmonic Space Orchestra…

*150 copies limited edition* "It is not easy to draw inspiration from a great figure of music ... i don’t have her talent or anything like that ... But i still took the risk of trying something ... Even to go through the window in the eyes of some ... Too interested in poetry and the hypnotic force that emerges from her pieces ... Sometimes tinkered with implausible machines and fragile ... Gigantic in our eyes that are stuck blissfully behind our little  screens ... Or instruments used as nobod…

Huge Tip! Drag City and Yoga Records are delighted to return to the music of Matthew Young. Following Recurring Dreams (1981, reissued 2014) and Traveler's Advisory (1986, reissued 2010), Undercurrents (2025) collects eight oddly dissimilar pieces that somehow fit together perfectly. Although unique enough to be called outsider, Young’s new album occupies a musical world accessible to fans of many genres. Composed and recorded over the span of several decades, Undercurrents displays the wide ran…

Tip! “I Racconti di Aretusa” is the result of the encounter between Lino Capra Vaccina, a legend of Italian minimalism, and Mai Mai Mai, the alias of Toni Cutrone, a key international figure in the avant-garde/drone scene. A work that weaves together experimentation and Mediterranean echoes, creating a sonic journey of rare intensity. The collaboration was born during an artistic residency for the Ortigia Sound System (Syracuse, Sicily), a festival dedicated to the dialogue between traditional s…

The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence. Audiomancy—the conjuring of lost s…

2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…

200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …

*2025 stock* We’re beyond thrilled to present ükya, the first band ever on our label which does not feature any member from Nakama! Ah, how we delight in the smell, taste and – not least – sounds of fresh blood! Jokes aside – we still consider them family, as two of them have attended The Nacademy in the past. ükya (always written with a small ü) is an up and coming Norwegian trio playing music in the field of improvised and open form music. Dangerous as individuals, lethal as a band! We Come fo…

"I envision this music as emanating from a moon inhabited by otherworldly life forms and ecosystems; these sounds as evoking the moon’s topographies, beings, lunar rivers, and strands of light — as if this moon’s essence were itself sonic, vibrational matter. Musically and acoustically, strands of lunar light departs from a set of tones corresponding to a confined harmonic series segment of a very low fundamental frequency: 5.15 hertz. Through twelve continuous sections, each employing various m…

*200 hand-numbered copies limited edition* HolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio. Is a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy. Using dense layers of manipulated loops; primarily cello, field recordings, tape & voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies & crescendo. Each live perf…

300 copies. A pearl of ambient electroacoustic mimimalism with field recordings components in which the nostalgia of Maestro Tiziano Popoli shines through in painting landscapes that slowly change to be seen with the ears. Nocturnal, emblematic, Lynchian. Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Fe…

*120 copies limited edition* Shell I is the second edition on Edições CN by Brussels sound artist Florence Cats. It is a magical collection of 23 edits for voice, field recordings, theremin and piano. Cats’ recorded piano rehearsals and singing sketches reminds us of Cornelius Cardew works. They are at the heart of Edições CN, where a sketch or rehearsal holds as much, if not more, truth than a definitive composition. A melody line from Debussy passes by. Waves crash in the distance. Sails and f…

'Quintela', the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is a new experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. 'Quintela' is structured in four movements, plus a prologue and an epilogue, which serve as a link to t…

Four pieces built around a single modulated fundamental, with everything else turning on it. Chant and vocal gesture move across the drone, and elements of sacred music are worked into the structure rather than quoted on top of it.

Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.

Power trio brought together by Yann Gourdon on hurdy gurdy, Jérémie Sauvage on bass and Mathieu Tilly on drums, France take drone and minimalism at their most ecstatic and massive

2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."

2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …

100 copies limited edition. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing * From their early '90s inception to the latter years of the 21st century's first decade, No Neck Blues Band appeared (to distant observers, anyway), to be something of the Platonic ideal for the "improvisational collective," in turn confounding ideas of authorship, recognition, and fame. A fragile symbiosis at best, the scrim of anonymity began to fray sometime around the turn of…

1992 release - hand-numbered edition of 500 copies with fabric cover ** "A curiosity from Portugal. 9 pieces pursuing unusual sound and odd structural arrangement. Half minimal, half beyond it. Unusual packaging. Very Limited."-Chris Cutler

* 2025 edition, Gatefold edition. 2xLPs pressed on black vinyl * Ideologic Organ is proud to announce a rejuvinated version of Kali Malone's 2019 landmark album, The Sacrificial Code, featuring a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. Kali Malone’s landmark album The Sacrificial Code emerged from a momentous confluence of dedication and inspiration. In 2019, Malone was finishing a master's thesis in electroacoustic com…

1994 release (VERY RARE) **  "This important and rare CD was produced by Jonathan and Elizabeth Glasier, Gary Morrison, and Brian McLaren. This is the only extant permanent document of Darreg's work. Includes original booklet with reproductions of tuning charts. Ivor Darreg (1917-1994) was interested in both just intonations (tuning systems based on the ratios between the frequencies of the pitches) and equal temperaments (tunings with pitches equally spaced through the octave, which require a d…

I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …

"Pressure relief..... these are the sounds to listen with caution. dustsceawung is a well used pot on the stove with a locking lid. The broken gauge configured with a crack that looks suspiciously like a smile. A worn rubber gasket creating a seal far past it's expected life by the manufacturer. Still this is not enough. There is no measure to how much force lies within. A hiss escapes, a rattle or knocking comes and goes. The process continues with thoughts of the contents within. In this case …

"Water ripples in outward patterns with the slightest disturbance. Peaceful space is found within the live performance of Stephen Flinn & Bryan Eubanks, and like glassy surfaced bodies of water, their sonic energy sends waves through the conscious. The balance rests on patience and understanding. Their instruments easily have the ability to crash the tranquil spirit, but their wisdom of how these sounds are unleashed is true testament to their alluring symphony. Stephen Flinn is the force behind…

broken velocities & miss understood micro fractions ⋆.ೃ࿔*:･Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …

*2025 stock* There is something really special about music based on drones. Whether it's the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners's focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, 'Repeater', by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Devia…

Sewer Election started blessing the underground noise scene around 2002 and has since released tons of stuff, from harsh noise to raw musique concrète-like things and tape works. ”Sweet Distractions” is a long piece sitting comfortably in the corner of his more laid back and ambient works. Sounds a bit like William Basinski never cleaned his reel to reel machines. Broken, beautiful and strange in the best possible way. Recorded in parallell w Kassettmusik back in 2007. Same technique with crude …

"We use the same method of what we did on Responses (Zappak, 2022): being in a place for a whole afternoon, but not playing together. We took turns on recording solo piece, and each session was a responses to the former one. Even the length was same with the former album (each one 7 minute). Only one difference: on this time we played outside but last time we played in room. There were lots of limitations from the lack of alternation electric power (and also the hot temperature and mosquito). Bu…

‘Almost Something’ is the debut release of the long standing collaboration between artist/dj Laura Not and Andrew Hulme of O Yuki Conjugate. The two pieces cover a musical domesticism, developed around location recordings made in London and Berlin. The duo, known separately for their considered and attentive handling of collaged textures, rhythms and ambiences, offer up a sonic landscape where fugitive moments of creation meet the concrete sounds of everyday life. The unfamiliar is what sticks a…

"I was almost seventeen when 'Scum' came out, lurching through my headphones sandwiched between John Peel’s warm gravy groans. It flipped me out. My punker brain, pretty much allergic to anything metal, made a series of damp connections that lodged the chaotic buzzing insect rumble in my mind forever. Thirty-odd years later this record still sounds urgent and furiously angry. It sounds more important than ever. I decided I wanted to do ‘something’ with Scum in late 2023. I listened to the record…

*Dubbed on reused ferro tapes* Music for fictive radio stations. Made as a sound installation that was part of a performance talk about fictive world scenarios. Mostly made with circuit bend radios and found music in a stack of unsorted cassettes.

*Dubbed on reused ferro tapes* Guitar music measured mostly by quietude not amplitude. Bold recording techniques - new amp. Everything recorded during a period of two nights.

Grimm monotone ambient for eating pizza /crying /dressing up alone with the curtains closed.

Intimate guitar recordings made at C Haxholms home in the countryside. This tape to me feels like a quite unique snapshot into the Artists daily life, But at the same time the music feels very composed and thoughtful. A very sweet and heartwarming tape