** Art Edition with exclusive 2-color silkscreen printed wraparound numbered & signed by visual artist Stefan Thanneur - Pressed on ultra clear vinyl. Stricly limited to 175. no repress. Few copies available ** Carefully remastered and restored by Gilles Laujo. Eight-page booklet with rare and unpublished photos. Heavyweight 180-gram LP. In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group (more precisely saxophonist/flutist Oliver Lake, trombonist Joseph Bo…
This is the third issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more. This is a magazine put together by a qu…
This is the second issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Includes inspiring stories on music including John Coltrane by Ashley Kahn, Irreversible Entanglements by Daniel Spicer, Marshall Allen by Francis Gooding, Linda Fredriksson by Arttu Tolonen, Alan Silva by David Mittleman, French Caribbean Music by Markus Karlqvist, Pablo Held by HT Nuotio, record reviews, book reviews, plus more. This is a…
2LP Quality reissue, Includes 12-page full size booklet. First ever commercial releases of New Orleans' legend Alvin Batiste's Spiritual Jazz albums created with the college band he instructed and led in Baton Rouge -- Goes To Africa With Love and Live at The 1971 American College Jazz Festival. Originally given away as souvenirs at Southern University, these albums contains deep Batiste originals and are some of the most sought after albums of Americas 70s jazz underground. Each album contains …
First ever commercial releases of New Orleans' legend Alvin Batiste's Spiritual Jazz albums created with the college band he instructed and led in Baton Rouge - Goes To Africa With Love and Live at The 1971 American College Jazz Festival. Originally given away as souvenirs at Southern University, these albums contain deep Batiste originals and, on Live, are paired with excellent John Coltrane, Miles Davis and Freddie Hubbard covers. They are some of the most sought-after albums of Americas '70s …
Not funk music but a demanding, innovative piece of chamber music and psychedelic avant-garde jazz, Think-Tank-Funk is an unusually daring album to appear in 1973 in Finland. Half-impossible to find on vinyl, the Svart reissue comes added with a fresh interview with Helasvuo.
Esa Helasvuo, known for his long musical career encompassing choral music, orchestral works, soundtracks and children's music, had years of composing experience under his belt already (he had, for example, written the Vesa-…
Pianist and composer Simon Nabatov has played with "who's who" of the jazz and improvised music community, given concerts in over 60 countries, appeared on the numerous international festivals, received prizes and documented his music on 30 CD's under his own name. His musical activities include Jazz, improvised, experimental and world music. Nabatov’s initial idea to extend his Cologne-based quartet - hence the CD title – resulted in this exciting musical document. Both tracks, while fully impr…
Violinist and composer Michael White was among the first to play the violin in avant-garde jazz, and became one of the first jazz violinists to play jazz rock fusion. During his career, he played with Sun Ra, McCoy Tyner, Eric Dolphy, Pharoah Sanders and others.
*2023 stock* Lakis Tzimkas and Milcho Leviev came in contact in 2002 during their first common performance. Ever since, a special bond has been created in both personal and artistic levels. One of the outcomes of this common progression is this recording, five years before Milco Leviev had passed (1937-2019). This CD features compositions by both. The style oscillates between the classical and jazz music bordering the cinematic. Musical narrations create a tension that births the sense of depth,…
The first duet album by Rhys Chatham and David Fenech, two well-known musicians of the experimental scene. It is a long piece of music in a minimalist spirit, where the two guitarists meet and merge with Rhys’ trumpets, flutes and vocals and David’s small percussion.This record has an organic feel and natural development that makes it unique. Tomorrow starts tonight !
Rhys Chatham is best known for his compositions for electric guitar orchestra… he began his musical career as a harpsichord tuner…
A suite of four new compositions from Johnny Hunter, performed beautifully, stylishly, and most creatively by this trio of great players. The music treads a fine line between free jazz and free improvisation, areas where these musicians live easily and naturally. By turns exciting, textural, sensual, joyously cool. Johnny writes "The recording came off the back of the trio's tour where they were performing purely Free Improvisation. The interest is in how they would now treat some composed mater…
Paris, marked by the passage of time - Paris, alive and cosmopolitan -Paris, inspiration to poets - The City of Light!
“3D@Paris” interweaves music with the sounds of everyday life in Paris. Let yourself be swept along on a dreamy stroll through the city. The charm of murmuring voices. The fascinating musicality of crumpling paper, the rhythmical beat of the Metro. The musicians respond, enhance, offset. There is a beguiling story being told here.
As a composer, Cécile Broché proposes a complete…
Two mountains, three meditations, and three murmurations, interwoven in dynamic duo performance, presented in order of emergence at the time of the music’s making. Tromans and Sanders have worked together on a number of projects in the last decade, including Tromans’ Birmingham-Chicago Improvisers’ Ensemble (as featured on BBC Radio 3) and Sid Peacock’s acclaimed Surge Orchestra, but this is the first time they have recorded together in a duo setting. The session was suggested by Sanders in earl…
Dynamite cuts gives you a wonderful hard to find Jazz 45, from the Canadian P.M label. Bernie Senensky, a superb piano player, set the pace with this Hard Piano driven jazz groove. With a little treasure on the flips with Beloved Gift, a superb interlude that ends with Heavy bass hip hop vibes
** ltd 700 copies on black vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist government. Banned and jailed under …
Collaborations are unique to their combinations, producing totally original and innovative ideas with the addition of a single factor. In this case, legendary musicians and 577 mainstays join together in this unique arrangement for the first time, allowing for yet another reinvention. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another impro…
Super groups are always risky—the potential for disappointing fans or warring musical styles is high—but when longtime friends and masterful improvisers come together, they usually work. Evident in their first collaboration, simply titled Volume 1, John Dikeman (Saxophone; When The Time Is Right, 577 Records, 2021) joined musicians Pat Thomas (Piano; Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), John Edwards (Bass; EMPoWered. 577 Records, 2021), and…
*2023 stock* 'The chief attraction of this album is an almost 50 minute, previously unreleased solo performance by Taylor given at New York University in November 1976 as part of the Bösendorfer Festival, a benefit series for the Kitchen performance centre. His previous solo recital that year had been in August at Moosham Castle in the Lungau region of Salzburg during an open-air festival, subsequently released as Air Above Mountains (Buildings Within) (Enja, 1977). Taylor had come across a Böse…
*2023 stock* In 1973, Indent marked a new direction for one of the founders and masters of what was to be called »free jazz«; yet it turned out to have defined styles and highly sophisticated rules of its own. It was radically new and initially difficult to tune into for some. Cecil Taylor was composing in fractions of seconds. He was free to decide what to compose but in the end intelligent structures can be perceived with a multitude of »cells« being introduced, developed and layered one upon …
*2023 stock* 'If you had to pick three architects of modern jazz piano, you could just about cover everything with Bill Evans, McCoy Tyner and Cecil Taylor. Despite his phenomenal talent, Taylor may have seemed like the lesser influence at first, as most of his followers were relegated to the avant-garde end of things, but over the years his influence has grown and these days you are liable to hear Taylor type assaults on the piano from guys like Craig Taborn, Jason Moran or others, while they p…
*2023 stock* In the life of every artist comes the time when toward the end of his existence, he will create a monument to his ever-lasting artistic efforts. It is the Swan-Song for which he wishes to remain being known; for centuries, this has crossed the borderlines between cultures and arts. Poschiavo was recorded when Cecil Taylor was sixty-nine years old, very much at the height of his musical and poetic powers. Recorded in Europe on a fine Bösendorfer grand piano in perfect digital clarity…
** Available on CD for the first time and housed in a lovely reverse printed card gatefold sleeve ** Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know. Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of th…
Extended instrumental tracks from the nocturnal studio session of director and musician Jim Jarmusch, Sonic Youth's Lee Ranaldo, Balázs Pándi (Keiji Haino, Venetian Snares, Merzbow) and producer Marc Urselli (John Zorn, Mike Patton, Laurie Anderson, a.o). All was recorded live and analog, and in the moment. Mixed, mastered, recorded and produced by Marc Urselli at EastSide Sound Studios, NYC, 2019. Artwork by Italian artist Sara D'Uva. Press quotes from the S/T debut album (TROST 181CD/LP, 2019)…
Recorded with a who's who of fusion titans including trumpeter Eddie Henderson, bassist Stanley Clarke, and keyboardist Herbie Hancock, Dance of Magic channels the lessons drummer Norman Connors learned in the employ of Pharoah Sanders, Sam Rivers, and Sun Ra, marshaling Latin rhythms, electronic textures, and cosmic mysticism to create nondenominational yet deeply spiritual funk-jazz. The sprawling 21-minute title cut spans the entirety of the record's first half, capturing a monumental jam ses…
*All tracks previously unreleased. Stereophonic sound.* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respectively, 1969’s ‘You Are…
Battle Pieces uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier (piano), Ingrid Laubrock (saxophone), and Matt Moran (vibraphone).
Khimaira is a three headed monster. It has a lion head in front, a wild goat head on it’s back and a snake head at the end of it’s tail. It is the offspring of Echidna, the mother of all monsters. The group collaborates to produce eerie organic sounds, howling cries, whispered hums, disturbing wailing, shrieks that die off and reimerge with an intense fluidity. Yet there is an architecture under-girding the improvisations that's only discernible in its outline.
"A project called ‘BeingFive’ might be motivated by a search to know the nature of being and, by extension, what it means to be together. In this way Montreal clarinettist Lori Freedman set up at once an atelier and a laboratory where both a group music could be made of practically nothing and a social organism could uncover both its organising principles and, perhaps, their limits. Here are exceptionally gifted improvising musicians –– hand-picked by Freedman for a Berlin residency project, a "…
SOLL is an exploration in rhythm, melody and soundscape. A musical story free from preconceived roles with melodies driven by eight carefully tuned congas, framed by electric bass and effected guitars. At times phsychedelic, at times spiritual, always grooving with improvisation at the core.
**Back in stock, very last copies** Edition of 250 copies, remastered from the original master tapes.** Issued in limited editions of 250 copies, they stand among the most important and sinfully overlooked documents of the movement of global improvisation that unfurled during the 1970s, and can’t be missed.This bundle (with additional and exclusive dedicated tote bag) includes the following four LPs:- Andrea Centazzo "U.S.A. Concerts" (1978)- Andrea Centazzo, Rova Saxophone Quartet "The Bay" (19…
**300 copies** Mr. Nakayasi releases the Don Kapot debut album. The group consists of baritone saxophonist Viktor Perdieus, Giotis Damianidis (this time not as a guitarist, but as a bassist) and drummer Jakob Warmenbol. The last two can also be found together in Abschattungen, Giovanni Di Domenico's big band. In other combinations the three cross each other separately with Nest and Punk Kong, among others. On Don Kapot we note parallels with Morphine in top gear, especially because of the way t…
Jim O'Rourke (of Gastr del Sol and Sonic Youth fame) plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. Their second release combines contemporary Avantgarde and Free Jazz in a beautiful way.Line-up:Akira Sakata - sax, clarinet, voiceJim O’Rourke - double bassGiovanni di Domenico – piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded Jim O…
Part of his 80th Anniversary celebration and subtitled "The Art Of The Trumpeter And Drummers", this 5-CD box set brings legendary improviser Wadada Leo Smith together with four long-time collaborators and masterful drummers--Andrew Cyrille, Jack DeJohnette, Pheeroan akLaff and Han Bennink--with Smith performing on both piano and trumpet. 5-CD BOX SET. Includes 60 pages booklet. The Emerald Duets is a crowning achievement among Wadada Leo Smith's many recorded duo collaborations with drummers/p…
** Ltd. 100 copies ** "Supergolden" is the name of Petter Asbjørnsen’s debut album featuring Kjetil Møster on saxophone and bass clarinet, and Øyvind Skarbø on drums. Møster and Skarbø are prominent figures in the Norwegian jazz community, known from ensembles such as Zanussi 5, 1982, Skarbø Skulekorps, Møster! and the Trondheim Jazz Orchestra. Stints living in Bergen, Copenhagen, Berlin and New York informed Asbjørnsen’s work as a composer and performer in projects with Molecules and Erlend Sko…
After a creative break of more than 10 years the Contemporary Noise Ensemble returns with the brand new album called "An Excellent Spiritual Serviceman”. With the band’s line-up reduced and the sound of the brass section replaced with programmable synthesizers comes an entirely new sound of the band’s music. Leaning towards composition instead of improvisation the music is now less jazzy sounding - with electric bass being used instead of double bass and drums actually being the only strictly ac…
* Edition of 300 * Free Jazz pioneer, Evan Parker returns to Walthamstow to record an album taking inspiration from the renowned designer and activist, William Morris at the home of the socialist campaigner, which now houses the William Morris Gallery. The original working title for the album was 'Barbarism Once More', taken from a longer quotation from Morris, which reflects the passion, spontaneity and iconoclastic nature of Evan's playing. However, in light of the death of Evan’s friend and l…
"Is it the fall of Icarus, whose vertiginous stridulation we hear from the very first notes of this album, to which Jean-Marc Foussat once again mixes his AKS synth and his voice? A sharp whistle has just pierced the atmosphere and is lost in the urban bustle where the police sirens can easily be distinguished. It is with this scene worthy of a Michael Mann or Christopher Nolan film that this trio recording opens, bringing together saxophonist Urs Leimgruber, who has already signed a magnificent…
*100 copies limited edition* Originally issued in 1972, the first side, recorded in 1966, is devoted to Seamen talking and playing drums and the narrative covers his beginnings in the music business and his time on the road in the last years of the big bands in this country up to his time with Jack Parnell in 1953. Side 2 features two sets recorded at the Hope & Anchor in Islington, London, (at Phil's Friday Place session) and the Bulls Head in Barnes London (with Dick Morrissey and the great US…