Jazz & Improvisation / Free Improvisation

Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadian festival, was a guitar duo with Frith and Rene Lussier; the second was a duet between Braxton and Derek Bailey. Until this year, each had released three discs on the label. But 2005 was the Year of Braxton and the label has released three new Brax…

“We’re improvisers first and we’re bringing “moment music” into these other zones of hip hop and electronic music, drum-machine music, sound-system culture… Acoustic musicians sun-kissed by electro-magnetism, flowing out into everything. This is the shit that we want to be playing on big ass systems. Omnivorous, energy space time, mosh pit dance-music. Get it in the subwoofers so you can feel it hit, cuz the music has to begin in the body!” – jaimie branch jaimie branch and Jason Nazary are Ante…

The music on this album was created using only Electric Guitar * Using a single instrument - Electric Guitar - As A frame and the studio as the limit ie :The sound of ‘Harp’The layering of a single, guitar chord. The sound of ‘Trumpets’ & ‘Saxophone’Were designed and treated using fuzz / Wah Wah / Pitch Box / Delay & Mic Gate. The sound of ‘hi hat’ was designed through the scratching of two guitar strings repeatedlyetc. Thank you for listening Michael Grossman & Jai Morris-Smith Curious Music. *…

*2022 stock* "There is no doubt - Serpentes is the first serious candidate for the list of the best albums of 2019" — Spontaneous Music Tribune JJ Duerinckx, sopranino saxophoneJohn Russell, guitarMatthieu Safatly, cello

*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective "absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise John Russell, guitarPaul G. Smyth, piano

*2022 stock* “exceptionally huge stylistic variety, marvellous and impressive instrumentation and evocative musical language ... remarkable, bright, intensive and original ... creatively made by two innovative and original improvisers.” — Avant Scena Rachel Musson, tenor saxophoneOlie Brice, double bass

"Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Cent…

** 200 copies ** Oiro Pena moves out of the bedroom. I, like many others I’m sure, was very much blown away after hearing the first Oiro Pena 10” released by Ultraääni in 2019. From where did this Finnish flute phantasm appear? Part of the fun was the mystery of it all, the not quite grasping or understanding the music, or where it came from. The second 10” on Jazzaggression felt like a deeper dive into the Pena universe. With 2020’s Music from Moments on 2 Headed Deer we finally got the origin …

** Limited to 300 double vinyl copies, two inlays with photos and liner notes. Originally released in 1974 on Preiser Records** »It’s Up to You« is a free sound art and performance project by sound artist and singer Limpe Fuchs, sculptor and sound artist Paul Fuchs, and pianist and recorder player Friedrich Gulda, who formed the trio Anima at the time of the recordings in 1974. As musical guests they were able to enlist the trombonist Albert Mangelsdorff, the bassist Barre Phillips, the oud play…

*In process of stocking* We are beyond thrilled to present the latest from South African drummer / cultural worker / organizer Asher Gamedze.  I'm sure many of you are familiar with his incredible debut Dialectic Soul (On The Corner, 2020) or his work with Angel Bat Dawid and Tha Brothahood, and we're happy to unveil another side of Gamedze's work with out side work | two duets.  out side work | two duets is a very literal album as the album features Gamedze in a conversation of sorts, a recordi…

The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Thomas, Ava Mendoza by Stuart Smith, Tigran Hamasyan by Rui Miguel Abreu, Istanbul Scene by Alper Kaliber, Isaiah Collier by Daniel Spicer, Bill Frisell by Debra Richards, DJ Old Crank by Matti Nives, Tokyo Jazz Joints Vol. 2 by Philip Arneill, reviews…

“Orbit of Sound” is the new release from composer/double bassist Max Johnson’s newest trio, with Anna Webber on tenor saxophone/flute, and Michael Sarin on drumset. Formed in 2018, the trio traverses tightly knit composed music and patient, sprawling improvised textures, highlighting all three individual voices as improvisers. The trio completed their inaugural tour of Europe in February & March, having to cancel their final concert and subsequent recording due to the pandemic, delaying the reco…

The music on this album was not preconceived or premeditated in any way whatsoever. The ensemble's method of collaboration has been to begin playing without any discussion of what is to be played or how the music should be approached. The group was formed after a number of informal, but fruitful sessions. It was unanimous among the group that the musical chemistry and dynamic we shared was fertile enough to merit further exploration. « We went into the recording studio after several years of enj…

'An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free playing with an experimental bent, but never departing from the traditions of identifiable jazz music; recommended! "While Nabatov and Sarin met over 30 years ago (as participants of the famous Banff Jazz Workshop), the Johnson-Nabatov connection clo…

'Well here is Max Johnson's picture, his snapshot of three men in a room making music, and as with any great composed shot, here would be his law of thirds for creating a great image. First Law: Max Johnson (bass) has the ability to search out the best musicians to suit his current project. Ziv Ravitz (drums), drawing from his Israeli roots, contributes not only a solid and earthy foundation for the others to play over but also provides just enough world music flavor without making it old or tir…

'The musical lineage within the small circle of bassist Max Johnson's trio is unquestionably among the finest in cutting-edge jazz. The leader has played with bassist William Parker, alto legend Anthony Braxton, trombonist Steve Swell and drummer Tyshawn Sorey. In the case of Johnson's current trio, his drummer, Ziv Ravitz, is also a member of the Lee Konitz Quartet and has performed with Joe Lovano, Tomasz Stanko, Aaron Parks and many others. Kirk Knuffke ranks as an equal to Rob Mazurek and Ta…

*In process of stocking* 15 self-portraits by Sebi Tramontana. The shortest is about 30 seconds and the longest is almost nine minutes.In these fifteen pieces the trombone is explored in multiple directions. There are techniques dear to the world of European improvised music as well as echoes of Duke Ellington's trombone masters, Italian accounting as well as the pure sound of the air. Tramontana is a northern wind but Tramontana comes from the south, they have met and through a tube they take u…

*In process of stocking* Songs and Poems is a project born from the necessity to explore, in a chamber dimension, the possibilities of the sound of the word. The quartet joins Blend 3 - the trio of Andrea Grossi with Manuel Caliumi and Michele Bonifati - to the voice of Beatrice Arrigoni and finds its personal dimension within a sound world generated by the fusion of 20th century European traditions, starting from improvised music and European jazz, passing through contemporary music until arriv…

Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised …

* Original 1979 vinyl edition of the album. Few copies available. Sealed copies * Drummer Andrew Cyrille and alto saxophonist Jimmy Lyons developed an impressive chemistry during their years with Cecil Taylor. Cyrille's array of percussion instruments and mastery of multiple styles, from hard bop to Afro-Latin, enabled him to play rippling rhythms or light, tinkling lines, attack, or lay back. Lyons' alto solos were alternately driving and soft, sometimes searing in their intensity, sometimes mo…

**2025 Stock. Very last copies** A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included! "Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play…

1992 release ** Misha Mengelberg's large ensemble, the ICP Orchestra, wends its way here through a program in three parts. Following the brief, whimsical title piece (helpfully translated as "Forest Path Rabbithole I"), the band launches into a series of loose, decidedly off-liter takes on Ellington, generally tackling the real war-horses. Mengelberg's approach is always oblique at best, however, so even as the band sounds semi-traditional in one respect, the harmonies and written elaborations o…

Even in the wildly eclectic ICP catalog, this 66th release stands out. Absent are the ‘3 T’s’ (Tristan Honsinger, Tobias Delius, Thomas Heberer); instead, you get familiar guests (Joris Roelofs and Terrie Ex) and the musical direction of ICP co-founder Han Bennink. And then there is the setting: Le Brocope, a gallery, music venue, caférestaurant situated in a tiny village in Holland’s far North. An inspiring location that takes up a central role on Komen & Gaan. The ensemble begins by airing out…

This CD was released as part of the ICP 30th Anniversary celebrations and came in a paper pocket fixed to the inside front cover of the Anniversary booklet. track 1 recorded at Bimhuis, Amsterdam, NL on January 31, 1997track 2 recorded at Theater Romein, Leeuwarden, NL on April 1, 1992recorded by Dick Lucascover art by Han Bennink

'Sometimes a piece of music seems to trigger a sense of déjà vu. I had that experience listening to the Nick Mazzarella Trio’s new recording. It was as if all the things that had caught my sincere attention for some years was suddenly distilled into one set of compositions. That was an illusion, as déjà vu always is; however, it was not without some substance. I heard traces of traces of Andrew Cyrille, Steve Lacy, and Fred Anderson. This recording hit me like some of those did. The beginning of…

On his 7th album as a leader, Chicago drummer Charles Rumback explores the many ambiances that comprise his musical territory, leading a combo with serious improvisers such as cornetist Ron Miles, alto saxophonist Greg Ward and bass clarinetist Jason Stein.  Seven Bridges begins with the atmospheric tide of “Whatever It Takes”, a less-than-a-minute horn-infused exercise that almost plays like a free-form understatement. It leads to the pop song “Fall Dog Bombs the Moon”, sung by Sima Cunningham …

Astral Spirits and the Instigation Festival are proud to announce the first release on Instigation Records: "The Art of Flight: For Alvin Fielder" by Survival Unit III (Fred Lonberg-Holm (cello), Joe McPhee (tenor saxophone, pocket trumpet), Michael Zerang (percussion). This set finds the trio breaking new ground - Lonberg-Holm going sans electronics for the first time in Survival Unit III's storied discography - while displaying the mastery of sonic shade and deft interplay that's been their ha…

Available for the first time on CD, this is another collection of essential pieces from one of the originators and masters of this style.  These recordings were selected from the personal collection of Tony Oxley and were mastered for this release with superb sound by Karsten Lehl under Tony’s supervision. Some of the pieces were edited into their final composed form many years after the original recording was made.  Performed by a who’s who of European improvised music, this new release is an e…

"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…

*2022 stock*  Experimental improvisation from three masterful players --Joe McPhee on soprano sax, Sylvain Guerineau on tenor saxophone, and Jean-Marc Foussat on synthesizer and voice--recording in France in 2010 for two extended works of concentrated and diverse dialog.

A historical masterpiece recorded on 23 May 1969 at the Tokyo Studio Centre by the "Togashi Masahiko Quartet", consisting of Masahiko Togashi (drums), Motoki Takagi (saxophone), Masayuki Takayanagi (guitar) and Motoharu Yoshizawa (bass). Recorded at the Tokyo Studio Centre on 23 May 1969, this historical masterpiece has been reissued on CD from Germany.

"A true music lover typically has dreams that their favorite musicians, who do not normally work one with another, will meet and perform together. I had a dream many years ago that the two Giants of contemporary improvised music, Joëlle Léandre and Barry Guy play a double bass duo together. And my dream became true at the 2017 Ad Libitum in Warsaw in Festival, and was released by Fundacja Słuchaj! on a phenomenal 3 CDs box “Blue Horizon ● Barry Guy@70”. Here is another dream realized by Fundacja…

'I became acquainted to Joe Fonda’s musical creativity in 1998, precisely on November 6th at a concert of the Fonda/Stevens Group at Bunker Ulmenwall in Bielefeld, Germany. Along with some friends, I was curating the club‘s jazz program since 1996 at that time. After the enthralling show in 1998 Joe was a frequent artist at our club as his music was immensely inspiring - full of enthusiasm and playfulness. On November 8th 2003 there was Satoko Fujii Quartet playing a show in Bielefeld. On this e…

Paul Dunmall the composer is to the fore here, delving deep into his musical history by providing a range of material that celebrates the breadth of his experience including aspects of jazz, funk and soul. The flexible ostinato based pieces are constructed around the unique musical personalities of the players; the first soloist on each track being the only preordained performance decision. Dunmall has always actively encouraged younger players and many of us have benefitted from Paul’s personal…

The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.

For more than two decades Swedish reedist Martin Küchen has cemented his place as one of the most versatile musicians within improvised and experimental music, following his innate curiosity to pursue many different approaches. Depending upon one’s aesthetic preferences one might know him as a free jazz firebreather in Threnody (with Johan Berthling and Steve Noble), a post-bop composer and bandleader of grainy soulfulness (particularly as the ringleader of the sprawling Scandinavian nonet Angle…

*100 copies limited release* Recorded and mixed by Daniel Bengtson at Studio Rymden, Stockholm, Feb 2021Produced by Alex Zethson & Johan BerthlingMastered by Daniel Ögren All music by Johan Berthling except For Turiya by Charlie HadenDedicated to Maria, Arvid & Vidar Produced with support from the Swedish Arts Council

*In process of stocking* All compositions by Martin Küchen (STIM/ncb), except "Sheer Life Asleep" and "Hippopotami mit Mensch" by Martin Küchen with recordings made by Chris Watson – "19. Elephants" and "05. Hippopotami" – taken from the album "Outside the Circle of Fire” (TOUCH TO 37). Chris Watson is published by Touch Music/Fairwood Music UK Ltd. "The 5th of December 1931 02.00 AM" is based on the first part of the sarabande from Bach's Cello Suite II, BWV 1008.

Soon celebrating 20 years as a duo, on Ismalfa J/L Duo team up with Brooklyn-based composer/musician Adrian Knight and vocalist/lyricist Frew Elfineh Taha (also known under the moniker Black Fist). A cohesive suite in eight parts, Ismalfa is a powerful statement of dynamic and forward-looking acoustic jazz.

Tip!  *In process of stocking* ‘Alone at night. Large church room. Lots of air. Stone. Wood. Glass. Quietness. Stillness. The dead and the alive. Surroundedness. ‘Existentialistic matters spinning. Peaceful state of mind. The dialectic equilibrium of complete stillness and deeper thoughts on contra-resistance on local and global levels. Fighting (y)our stupidities. Contra. I have never ever before gotten myself into such an unusual setting for a recording project. And yet, so simple. So naked. S…