Various
Instant Composers Pool (52 CD Box)
Format52CD + BookLabelInstant Composers Pool (ICP)GenreJazz & Improvisation
Out of stock
Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs
A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included!
"Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play the most sensitive ballads" according to trumpetplayer Dave Douglas.This is really an improvisational monster with ten heads! Furthermore co-founders Misha Mengelberg and Han Bennink are the true "Giants of European jazz"! ICP is historical, unique and there is nothing else like it in jazz.
About the history of ICP:
In 1958, guitarist Jim Hall, in liner notes to a Jimmy Giuffre album, used the termnstant composition to describe improvising. A few years later, Misha Mengelberg, knowing nothing of this, re-coined the term, and it stuck. A quiet manifesto, those two English words countered notions that improvising was either a lesser order of music-making than composing, or an art without a memory, existing only in the moment, unmindful of form. Misha's formulation posited improvisation as formal composition's equal (if not its superior, being faster).
Yes but: Misha says he was thinking of instant coffee, stuff any serious java drinker recognized as a sham substitute. He deflates his lofty idea even as he raises it. In the mid-1960s Mengelberg became involved with the Fluxus art movement, which he found inviting because it stood for nothing, had no ideals to defend. What bound together Fluxus's conceptualists, shock artists, early minimalists, musical comics et cetera was a need for a performance format that could accommodate them all. (Hence that symbol of '60s kookiness, the multimedia Happening.) Eventually he formed a band with that kind of flexibility: the modern ICP Orchestra.
ICP co-founders Mengelberg and drummer Han Bennink have played together since 1961; before long they'd played on Eric Dolphy 1964 Last Date and in a successful Dutch quartet, until they brought in the anarchistic young reed player Willem Breuker, whose disruptive presence tore the group apart. That was OK; Han and Misha liked musical confrontations. Mengelberg had studied composition at the Hague conservatory (alongside his friend Louis Andriessen); in his 60s game piece Hello Windyboys, two wind quintets variously engage in call and response, communicate in musical code, interrupt or block each other, or seduce their rivals into cooperating. They did formally what ICP's musicians now do informally.
Bennink, Breuker and Mengelberg founded the ICP co-op in 1967. In 1974 the saxophonist left to form the Willem Breuker Kollektief, longtime flagship of Dutch improvised music. Mengelberg (and Bennink) founded the raggedy ICP Tentet (including German saxophonist Peter Brozmann, and sometimes cellist Tristan Honsinger). That band matured into something very like the present-day ICP Orchestra in the 1980s, with the addition of younger players, some of whom have been there ever since: trombonist Wolter Wierbos, saxophonists/clarinetists Michael Moore and Ab Baars, and bassist Ernst Glerum.
This edition
2025 Stock. Very last copies
Format
Limited Edition of 1000 numbered copies.
Comes with thick book, fold-out insert with credits and poster.
Hand-numbered and painted by Han Bennink 2012.
Recording Dates:
ICP 000: Tracks 1 and 2 June 19th, 1967 at VARA Studio 5 in Hilversum, Tracks 3, 4 and 5 July 19th, 1967 at VARA Studio in Hilversum and TRack 6 August 25th, 1967 at VARA Studio, Hilversum.
ICP 001: November 19th and December 10th, 1967 in Felix Meritis, Amsterdam.
ICP 002: May 13th and May 14th, 1968 in Schoonoord, Zeist
ICP 003: March 26th, 1969 at Dam Square, Amsterdam.
ICP 004: July 30th, 1969 at Studio André van de Water in Nederhorst den Berg.
ICP 005: March 3rd, 1970 at De Lanteern (Lanteren) in Rotterdam.
ICP 006: May 14th 1970.
ICP 007: Track 1 & 3 October 28th, 1969 at Studio André van de Water in Nederhorst den Berg.
ICP 007: Track 2 January 14th, 1969 at The Radio Wereld Omroep in Hilversum.
ICP 007: Track 4 May 23rd, 1970 at Studio André van de Water in Nederhorst den Berg.
ICP 007: Track 5 August 28th, 1969 at Studio Cinecentrum in Hilversum.
ICP 007: Track 6 March 26th, 1969 at Studio André van de Water in Nederhorst den Berg.
ICP 008: Track 1 November 22nd, 1969 in Stedelijk Museum, Amsterdam.
ICP 008: Track 2 October 27th, 1969 at Studio André van de Water in Nederhorst den Berg.
ICP 008: Track 3 February 7th, 1970 at Studio André van de Water in Nederhorst den Berg.
ICP 008: Track 4 March 4th, 1970 in Studio Cinetone, Duivendrecht.
ICP 008: Track 5 July 6th, 1970 at Studio André van de Water in Nederhorst den Berg.
ICP 008: Track 6 Hanuary 8th, 1970 at Studio André van de Water in Nederhorst den Berg.
ICP 008: Track 7 March 26th, 1969 at Studio André van de Water in Nederhorst den Berg.
ICP 009: January 23rd, 1971 in the Mickery Theater, Loenersloot.
ICP 010: March 23rd, 1971 at the Stedelijk Museum, Amsterdam.
ICP 011: 1971 and 1972 in Han Bennink's stable at the Mijndertsedijk in Loenen aan de Vecht.
ICP 012: June and July 1973 in Amsterdam.
ICP 013: March 16th, 1973 in de Trapkes, Breda.
ICP 014: May 12th, 1974 in Quartier Latin, Berlin.
ICP 015: Track 1 June 1st, 1964 in New Sound Club, Port van Cleef in Eindhoven.
ICP 015: Track 2 June 6th, 1972 in Amsterdam.
ICP 016: September 23rd, 24th and 29th 1974.
ICP 017; February 1st, 1975 in Enschede, February 18th, 1975 and May 30th in Zoetermeer.
ICP 018: December 27th, 1973 in De Brakke Grond, Amsterdam, February 28th 1975 in Stadskanaal, March 26th, 1975 in Brugge, and May 30th, 1975 in Theater Frascati, Amsterdam.
ICP 019: May 2nd, 1875 in Theater Frascati, Amsterdam.
ICP 020: September 14th - 17th, 1977 in Open Jongeren Centrum Shiva in Uithoorn, Amsterdam & Utrecht.
ICP 021: September 2nd to 5th, 1978 in Uithoorn.
ICP 022: September 1st, 1979 in Castello Di Soncino, Italy.
ICP 023: July 3rd, 1979 in De Kroeg in Amsterdam, November 2th, 1979, June 13th, 1990 and March 28th, 1981 in BIMHuis, Amsterdam.
ICP 024: May 11th, 1982 in Shima-no-uchi Church, Osaka and May 17th, 1982 in Sankei Hall, Tokyo.
ICP 025: May 11th, 1984 in Mephisto, Rotterdam, Track 4 on May 12th, 1984 in Vredenburg, Utrecht.
ICP 026: Track 1 to 3 October 27th, 1986 in Vredenburg, Utrecht.
ICP 026: Track 4 Ocotober 22th, 1986 in Wilhelmina, Eindhoven.
ICP 026: Track 5 & 6 November 20th, 1986 in Florence, Italy
ICP 026: Track 7 December 10th, 1986 in Schlemmer, The Hague.
ICP 026: Track 8 to 11 & 13 May 11th, 1984 in Mephisto, Rotterdam
ICP 026: Track 12 May 12th, 1984 in Vredenburg, Utrecht.
ICP 027: May 4th, 1990 in the Stedelijk Museum, Amsterdam.
ICP 028: Track 1 November 12th, 1990 at Bimhuis, Amsterdam
ICP 028: Track 2 & 5 November 16th, 1990 at Thelonious, Rotterdam.
ICP 028: Track 3 & 6 November 22nd, 1990 at Bimhuis, Amsterdam.
ICP 028: Track 4 November 13th, 1990 at Bimhuis, Amsterdam.
ICP 028: Track 7 February 22nd, 1991 at Schauspielhaus, Wuppertal, Germany.
ICP 028: Tracks 8 to 13 November 29th, 1986 in Florence , Italy.
ICP 029: Tracks 1 to 7 November 14th, 1990 in the Bimhuis, Amsterdam.
ICP 029: Track 8 November 10th, 1991 in Bussum.
ICP 029: Tracks 9, 11, 16 to 18 November 21st, 1990 at BIMhuis, Amsterdam.
ICP 029: Tracks 10 and 15 February 22nd, 1991 at Schauspielhaus, Wuppertal, Germany.
ICP 029: Tracks 12 to 14 November 30th,1990 at IJsbreker, Amsterdam.
ICP 030: Track 1 April 10th, 1994 at Theater Frascati, Amsterdam.
ICP 030: Track 2 May 28th, 1994 at the Royal Conservatory, The Hague.
ICP 031: Track 1 January 31st, 1997 in the Bimhuis, Amsterdam.
ICP 031: Track 2 May 1st, 1992 in Theater Romein, Leeuwarden.
ICP 032: October 13th, 1993 in Groningen and December 1St, 1995 in Tourcoing, France
ICP 033: June 7th, 1997 in Polanen Theater, Amsterdam
ICP 034: September 6th, 1999 in the Bimhuis, Amsterdam.
ICP 035: Produced in 1999.
ICP 036: December 2nd and 21st, 1999 at Plantage Doklaan, Amsterdam.
ICP 037: Tracks 1 & 4 February 24th, 2000 in Mahogany Hall, Edam
ICP 037: Tracks 2 & 3 February 17Th, 2000 at the Bimhuis, Amsterdam
ICP 038: July 2000 at Plantage Doklaan, Amsterdam
ICP 039: April 25th to 27th, 2001 in Nigglmühle, Allgäu.
ICP 040: June 19th and 20th, 2001 in De IJsbreker, Amsterdam.
ICP 041: June 5th, 2003 at the Bimhuis, Amsterdam.
ICP 042: November 26th and 27th, and December 13th, 2003 at the Bimuis, Amsterdam.
ICP 043: June 25th, 2005 in Plus-Etage, Baarle Nassau
ICP 044A: May 9th, 2007 at Teatro Duse, Bologna at the Angelica Festival.
ICP 045: February 3, 2007 in the Bimhuis, Amsterdam.
ICP 046: May 8th, 2008 in the Bimhuis, Amsterdam
ICP 047: November 12th, 2007 and March 11th, 2008 in Amsterdam.
ICP 048: April 16th, 2009 in the Bimhuis, Amsterdam
ICP 049: Tracks 1, 5, 10, 11 September 2nd and 3rd, 2009 in the Bimhuis, Amsterdam.
ICP 049: Tracks 2, 4, 7, 8: September 4th, 2009 in the Bimhuis, Amsterdam
ICP 049: Tracks 3, 6, 9 June 13th, 2009 at Cultureel Centrum Maasmechelen, Belgium.
ICP 050: Tracks 1, 3 & 4 September 2th to 4th, 2009 at the Bimhuis, Amsterdam
ICP 050: Tracks 2, 5 & 6 June 13th, 2009 at Cultureel Centrum Maasmechelen, Belgium.
29-7 listed as "2300 skidoo" on slipcover.
29-8 listed as "Terpsichore" on slipcover.
29-1,2,3,8 are duplicated on disk 30 (but disk 29 seems to come from a poor cassette source).
30-12 is an edited version of 29-4 (omitting piano solo).
30-13 is an edited version of 29-5 (omitting trombone solo).
Note: ICP 017 CD 1 & 2 (aka disks 19 and 20) are listed with different running times but have the same music; these two disks reproduce ICP 017 cassette side A & B which also duplicated the music. (ICP 018 CD 1 & 2 are different.)
Release notes
Limited Edition of 1000 numbered copies. Comes with thick book, fold-out insert with credits and poster. Hand-numbered and painted by Han Bennink 2012. Recording Dates: ICP 000: Tracks 1 and 2 June 19th, 1967 at VARA Studio 5 in Hilversum, Tracks 3, 4 and 5 July 19th, 1967 at VARA Studio in Hilversum and TRack 6 August 25th, 1967 at VARA Studio, Hilversum. ICP 001: November 19th and December 10th, 1967 in Felix Meritis, Amsterdam. ICP 002: May 13th and May 14th, 1968 in Schoonoord, Zeist ICP…
| ICP 000 | |||
| 1-1 | Die Berge Schützen Die Heimat | 9:06 | |
| 1-2 | Jump Italiano | 5:43 | |
| 1-3 | Adebar Der Geheimnisvolle | 8:18 | |
| 1-4 | Piano Distance I | 5:27 | |
| 1-5 | Before Og 15 Kir | 9:56 | |
| 1-6 | September Song | 13:12 | |
| ICP 001 – Han Bennink / Willem Breuker – New Acoustic Swing Duo | |||
| 2-1 | Music For John Tchicai | 7:45 | |
| 2-2 | Felix Meritis And B.V. | 4:35 | |
| 2-3 | I.C.P. 1 For Maarten Derksen | 1:40 | |
| 2-4 | Singing The Impalpable Blues | 3:15 | |
| 2-5 | Mr M.A. De R. In A. | 3:20 | |
| 2-6 | Gamut | 21:16 | |
| ICP 002 – Han Bennink / Misha Mengelberg / John Tchicai – Instant Composers Pool | |||
| 3-1 | Amagabowl Part 1 No A B C D E | 10:20 | |
| 3-2 | Amagabowl Part 2 No F G H I J | 13:07 | |
| 3-3 | Sweet Smells | 10:39 | |
| 3-4 | Vietcong | 14:32 | |
| ICP 003 – Willem Breuker – Lunchconcert For Three Barrelorgans | |||
| 4-1 | Intermezzo Between Nothing | 1:10 | |
| 4-2 | Prelude I | 0:50 | |
| 4-3 | Prelude II | 2:30 | |
| 4-4 | Block Chorus | 5:50 | |
| 4-5 | In Memory Of John Coltrane | 5:08 | |
| 4-6 | Continuous C Sharp | 6:57 | |
| 4-7 | Talking | 4:50 | |
| 4-8 | Before Og 15 Kir II | 3:20 | |
| 4-9 | Psalm 1964 | 2:58 | |
| 4-10 | Cross | 0:17 | |
| 4-11 | Piece For Two Barrelorgans | 1:27 | |
| 4-12 | Piece For Three Barrelorgans | 3:10 | |
| 4-13 | Postlude For Three Barrelorgans | 1:04 | |
| ICP 004 – Derek Bailey / Han Bennink | |||
| 5-1 | An Old Woman Is Shelling Beans Inside Her Privy Parts. It Sounds "Like The Deep Croaking Of A Frog" | 14:40 | |
| 5-2 | Suki | 2:35 | |
| 5-3 | Gachi = Long Tin African Trumpet | 1:35 | |
| 5-4 | Kst, Kst | 1:30 | |
| 5-5 | Good Morning, Derek I | 10:45 | |
| 5-6 | Chonkichonki | 5:20 | |
| 5-7 | Tsk, Tsk | 2:30 | |
| ICP 005 – Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey – Fragments | |||
| 6-1 | Fragment A | 0:52 | |
| 6-2 | Fragment B | 8:43 | |
| 6-3 | Fragment C | 4:28 | |
| 6-4 | Fragment D | 1:12 | |
| 6-5 | Fragment E | 3:24 | |
| 6-6 | Fragment F | 3:43 | |
| 6-7 | Fragment G | 10:00 | |
| 6-8 | Fragment H | 5:07 | |
| 6-9 | Fragment I | 0:36 | |
| 6-10 | Fragment J | 0:57 | |
| ICP 006 – Misha Mengelberg, Peter Brötzmann, Evan Parker, Peter Bennink, Paul Rutherford (2), Derek Bailey, Han Bennink – Groupcomposing | |||
| 7-1 | Groupcomposing, Part 1 | 18:52 | |
| 7-2 | Groupcomposing, Part 2 | 23:48 | |
| ICP 007 – Various – Instant Composers Pool | |||
| 8-1 | Grüsse Aus Berchtesgarden | 2:09 | |
| 8-2 | Serendipity | 6:21 | |
| 8-3 | François Le Marin | 4:17 | |
| 8-4 | Nineteen Voices | 4:10 | |
| 8-5 | Introduction And First Entrance Of The Horsemen | 5:45 | |
| 8-6 | Song Of The Lusitanian Bully II | 24:50 | |
| ICP 008 – Various – Instant Composers Pool | |||
| 9-1 | Lass Mich Nicht Weinen IV | 20:40 | |
| 9-2 | Touches | 3:30 | |
| 9-3 | Fascinating Appie | 2:48 | |
| 9-4 | Title Song From The Movie "De Snelheid: 40-70" | 4:25 | |
| 9-5 | Gib Mir Noch Ein Spiegelei Mit Schinken | 1:15 | |
| 9-6 | Tussen De Dijen Van 'N Mokkel | 4:05 | |
| 9-7 | Five Songs From The Lusitanian Bully | 6:50 | |
| ICP 009 – Willem Breuker – The Message | |||
| 10-1 | Ouverture | 6:33 | |
| 10-2 | Suffering | 7:27 | |
| 10-3 | Suicide Song | 6:13 | |
| 10-4 | Collision Stomp | 5:15 | |
| 10-5 | Thanksgiving Aria | 6:00 | |
| 10-6 | Trauermusik | 10:34 | |
| 10-7 | Telephone Song | 1:11 | |
| 10-8 | Ominous | 2:36 | |
| 10-9 | Final | 5:08 | |
| ICP 010 – Han Bennink, Misha Mengelberg – Instant Composers Pool 010 | |||
| 11-1 | And The Great Spotted Woodpecker.......? "Tsjik, Tsjik, Tsjik" Or "Kik" And A Very Fast Roll | 19:33 | |
| 11-2 | Where Is The Police? | 19:53 | |
| ICP 011 – Han Bennink – Solo | |||
| 12-1 | Kit 1 | 2:39 | |
| 12-2 | Vlo Vlo Vlo Vlo Gaga | 0:50 | |
| 12-3 | Fiddleelddif | 13:02 | |
| 12-4 | Spooky Drums | 0:38 | |
| 12-5 | Nerve Beats | 2:18 | |
| 12-6 | Kit 2 | 1:20 | |
| 12-7 | Soft Trumpet | 1:08 | |
| 12-8 | Listen The Birds | 5:16 | |
| 12-9 | Kit 3 | 4:04 | |
| 12-10 | Khène + Voice | 4:55 | |
| 12:11 | Spooky Drums B | 0:50 | |
| 12-12 | Bumble-Rumble | 1:33 | |
| 12-13 | Lick | 0:53 | |
| 12:14 | Kit 4 | 2:57 | |
| ICP 012 – Maarten van Regteren Altena – Handicaps | |||
| 13-1 | Handicaps 1 | 17:35 | |
| 13-2 | Marja's Dream | 1:35 | |
| 13-3 | Strabasky | 2:47 | |
| 13-4 | Woody Woodpecker | 3:08 | |
| 13-5 | Basta | 1:41 | |
| 13-6 | Dog's Delight | 1:17 | |
| 13-7 | Handicaps II | 8:50 | |
| 13-8 | The Elephant | 1:20 | |
| ICP 013 - CD1 – Misha Mengelberg - Han Bennink – Een Mirakelse Tocht Door Het Scharrebroekse | |||
| 14-1 | Een Mirakelse Tocht 1 (A) | 7:34 | |
| 14-2 | Een Mirakelse Tocht 1 (B) | 7:35 | |
| 14-3 | Een Mirakelse Tocht 2 (A) | 7:37 | |
| 14-4 | Een Mirakelse Tocht 2 (B) | 7:23 | |
| 14-5 | Een Mirakelse Tocht 3 (A) | 7:19 | |
| 14-6 | Een Mirakelse Tocht 3 (B) | 7:09 | |
| ICP 013 - CD2 – Misha Mengelberg - Han Bennink – Een Mirakelse Tocht Door Het Scharrebroekse | |||
| 15-1 | Een Mirakelse Tocht 4 (A) | 7:34 | |
| 15-2 | Een Mirakelse Tocht 4 (B) | 7:36 | |
| 15-3 | Een Mirakelse Tocht 5 (A) | 7:33 | |
| 15-4 | Een Mirakelse Tocht 5 (B) | 7:36 | |
| 15-5 | Een Mirakelse Tocht 6 (A) | 7:36 | |
| 15-6 | Een Mirakelse Tocht 6 (B) | 7:32 | |
| ICP 014 – Misha Mengelberg / Han Bennink – Einepartietischtennis | |||
| 16-1 | Eine Flasche Für Die Lola | 19:28 | |
| 16-2 | Einepartietischtennis | 12:08 | |
| 16-3 | Vögeln | 10:20 | |
| ICP 015 – Eric Dolphy / Misha Mengelberg / Jacques Schols / Han Bennink – Playing: Epistrophy, June 1, 1964 In Eindhoven, Holland | |||
| 17-1 | Epistrophy | 17:52 | |
| 17-2 | Instant Composition 5/VI/'72 | 2:00 | |
| ICP 016 – Steve Lacy / Michel Waisvisz / Han Bennink / Maarten van Regteren Altena – Lumps | |||
| 18-1 | The New Duck | 3:30 | |
| 18-2 | Torments | 10:30 | |
| 18-3 | Lumps | 6:30 | |
| 18-4 | Snip | 10:00 | |
| 18-5 | Chops | 11:00 | |
| ICP 017 - CD1 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 19-1 | Coincidents A | 40:41 | |
| ICP 017 - CD2 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 20-1 | Coincidents B | 40:40 | |
| ICP 018 - CD1 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 21-1 | Coincidents II A | 13:51 | |
| 21-2 | Coincidents II A | 5:15 | |
| 21-2 | Coincidents II A | 8:02 | |
| 21-3 | Coincidents II A | 9:40 | |
| ICP 018 - CD2 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 22-1 | Coincidents II B | 4:17 | |
| 22-2 | Coincidents II B | 22:26 | |
| 22-3 | Coincidents II B | 18:28 | |
| ICP 019 – Maarten Van Regteren Altena – Tuning The Bass | |||
| 23-1 | Tuning The Bass | 2:30 | |
| 23-2 | Spaghetti | 3:12 | |
| 23-3 | The Grater | 1:15 | |
| 23-4 | Tuning | 0:18 | |
| 23-5 | Derek, Wilbur And The Blues | 8:12 | |
| 23-6 | Smoking The Cigar | 5:56 | |
| 23-7 | Tuning | 0:23 | |
| 23-8 | Ricordato | 2:47 | |
| 23-9 | Martinez | 3:07 | |
| 23-10 | CDL | 2:13 | |
| 23-11 | Handicaps III | 6:15 | |
| 23-12 | Macanudo | 1:31 | |
| 23-13 | The Elephant II | 2:28 | |
| ICP 020 – ICP Tentet – Tetterettet | |||
| 24-1 | Tetterettet V + VI | 4:53 | |
| 24-2 | Tetterettet IX | 4:36 | |
| 24-3 | Tetterettet XII | 1:03 | |
| 24-4 | Tetterettet XIV | 7:24 | |
| 24-5 | Tetterettet XV | 6:41 | |
| 24-6 | Alexander's Marschbefehl | 7:10 | |
| 24-7 | Rumboon | 3:34 | |
| 24-8 | Kwik Kwek Kwak | 3:17 | |
| 24-9 | Valse Trouvée | 2:31 | |
| 24-10 | Ludwig's Blue Note | 4:51 | |
| 24-11 | Dank | 1:17 | |
| ICP 021 – Dudu Pukwana, Han Bennink, Misha Mengelberg – Yi Yole | |||
| 25-1 | Yi Yole | 9:10 | |
| 25-2 | The King Of Weasle Is Called Easle | 10:38 | |
| 25-3 | Silopobock | 18:26 | |
| ICP 022 – ICP Orchestra – Live Soncino | |||
| 26-1 | Flute | 7:52 | |
| 26-2 | Brozziman | 5:30 | |
| 26-3 | Islay Malt Jetterburg | 5:31 | |
| 26-4 | Peer's Country Song | 6:47 | |
| 26-5 | Interplay | 12:06 | |
| 26-6 | Where Is The Police? | 3:50 | |
| 26-7 | Bean | 4:55 | |
| ICP 023 – Misha Mengelberg / Han Bennink – Bennink Mengelberg | |||
| 27-1 | Kroeg A | 4:42 | |
| 27-2 | Kroeg B | 9:47 | |
| 27-3 | Bim A | 7:50 | |
| 27-4 | Bim B | 11:04 | |
| 27-5 | Islay Malt Jitterbug | 3:06 | |
| 27-6 | Bim C | 7:14 | |
| ICP 024 – Misha Mengelberg & ICP Orchestra – Japan Japon | |||
| 28-1 | Salute To Fujisawa Shukoh | 2:45 | |
| Kwela | |||
| 28-2 | A) Hap | 3:24 | |
| 28-3 | B) Boodshappen | 7:00 | |
| 28-4 | C) Welkom | 1:52 | |
| 28-5 | D) Briefkaart | 3:43 | |
| 28-6 | E) Maurits | 1:39 | |
| 28-7 | Habanera | 6:19 | |
| 28-8 | Carnaval | 3:35 | |
| 28-9 | Japan Japon | 7:11 | |
| 28-10 | Zing Zang Zaterdag | 3:08 | |
| 28-11 | Brozziman | 11:37 | |
| 28-12 | Caravan | 7:05 | |
| ICP 025 – ICP Orchestra – Extension Red, White & Blue | |||
| 29-1 | Houseparty Starting | 8:04 | |
| 29-2 | Change Of Season | 5:10 | |
| 29-3 | Spinning Song | 4:52 | |
| 29-4 | Hangover Triangle | 6:39 | |
| 29-5 | Step Tempest | 5:45 | |
| 29-6 | 12 Bars | 5:11 | |
| 29-7 | Terpsichore | 5:13 | |
| 29-8 | 2300 Skidoo | 7:16 | |
| ICP 026 – ICP Orchestra – Two Programs: The ICP Orchestra Performs Nichols - Monk | |||
| 30-1 | Four In One | 4:29 | |
| 30-2 | Epistrophy | 4:07 | |
| 30-3 | Round Midnight | 5:14 | |
| 30-4 | Hornin' In | 3:27 | |
| 30-5 | 52+ | 6:53 | |
| 30-6 | Mysterioso | 7:35 | |
| 30-7 | Criss Cross | 5:03 | |
| 30-8 | Houseparty Starting | 7:53 | |
| 30-9 | Change Of Season | 5:06 | |
| 30-10 | 2300 Skidoo | 7:05 | |
| 30-11 | Spinning Song | 4:43 | |
| 30-12 | Hangover Triangle | 6:02 | |
| 30-13 | Step Tempest | 4:44 | |
| ICP 027 – Han Bennink – Solo 1990 | |||
| 31-1 DVD | Untitled | ||
| ICP 028 – ICP Orchestra – Bospaadje Konijnehol I | |||
| 32-1 | Bospaadje Konijnehol 1 | 1:55 | |
| 32-2 | Mooche Mix | 11:10 | |
| 32-3 | Moodmixes Indigo | 7:19 | |
| 32-4 | Mixed Caravan | 5:07 | |
| 32-5 | Happy Go Lucky Local Mix | 4:46 | |
| 32-6 | Mix Solitude | 4:13 | |
| 32-7 | It Don't Mix | 5:26 | |
| 32-8 | Zitten En Liggen | 4:42 | |
| 32-9 | De Poezenkant | 4:40 | |
| 32-10 | Het Kraken | 6:28 | |
| 32-11 | Vondsten In Het Binnenwerk | 4:30 | |
| 32-12 | Een Gewelfde Rugleuning | 0:34 | |
| 32-13 | Kale Plekken | 5:51 | |
| ICP 029 – ICP Orchestra – Bospaadje Konijnehol II | |||
| 33-1 | Kneushoorn | 2:58 | |
| 33-2 | Kachel | 3:13 | |
| 33-3 | Ktoel | 2:31 | |
| 33-4 | Kafel | 3:36 | |
| 33-5 | Kehang | 4:03 | |
| 33-6 | Kroket | 5:00 | |
| 33-7 | Kwela P'Kwana | 5:27 | |
| 33-8 | Kraaloog | 7:06 | |
| 33-9 | Worp En Wederworp | 6:06 | |
| 33-10 | Vergezel De Steen Omhoog | 2:52 | |
| 33-11 | Groei Kommer Dfafjes Uur | 5:03 | |
| 33-12 | De Bol Een Waaier | 4:07 | |
| 33-13 | Zing Zang Zaterdag | 1:30 | |
| 33-14 | Vieze En Lekkere Lucht | 2:28 | |
| 33-15 | Rollo 5 | 2:43 | |
| 33-16 | Back To Lippiza | 3:38 | |
| 33-17 | Kasten En Boeken | 3:11 | |
| 33-18 | Bospaadje Konijnehol 2 | 1:46 | |
| ICP 030 – Misha Mengelberg – Mix | |||
| 34-1 | Mix Azure | 34:37 | |
| 34-2 | Mix Canary | 34:37 | |
| ICP 031 – Misha Mengelberg & Han Bennink – The Instant Composers Pool 30 Years | |||
| 35-1 | Amsterdam | 33:34 | |
| 35-2 | Leeuwarden | 32:54 | |
| ICP 032 – Wolter Wierbos – X Caliber | |||
| 36-1 | A Demonstration | 22:10 | |
| 36-2 | Of Extreme | 10:22 | |
| 36-3 | Trombone Techniques | 30:34 | |
| ICP 033 – Tobias Delius Quartet – The Heron | |||
| 37-1 | Socks, Lamps, Beauja | 10:59 | |
| 37-2 | P Chats | 4:41 | |
| 37-3 | Plonk, Couples, Kintopp Continued | 8:54 | |
| 37-4 | The Heron | 4:59 | |
| 37-5 | F's & T's, New 1 | 7:02 | |
| 37-6 | Kafka 1, Kintopp | 7:06 | |
| 37-7 | Kitchen Sink, Fusspot | 10:02 | |
| ICP 034 – Tobias Delius Quartet – Toby's Mloby | |||
| 38-1 | Brrrrt / Toby's Mloby 3 / TWR | 8:09 | |
| 38-2 | Wink No. 50 / Toby's Mloby 2 / Wink No. 50 | 5:03 | |
| 38-3 | Salmon + Bear Suite | 10:50 | |
| 38-4 | Television | 2:09 | |
| 38-5 | Shrinkage / ¿Whither? | 3:38 | |
| 38-6 | Toby's Mloby 1 / Wireless / Antonelli's Night Out | 7:42 | |
| 38-7 | Faultier | 1:58 | |
| 38-8 | Dut | 2:59 | |
| 38-9 | Beehive | 10:43 | |
| 38-10 | Toby's Mloby 4 & 5 | 2:07 | |
| 38-11 | Schijf / Romy | 5:03 | |
| ICP 035 – Han Bennink – Solo | |||
| 39-1 DVD | Untitled | ||
| ICP 036 – Tristan Honsinger – A Camel's Kiss | |||
| 40-1 | Squitty Geshee | 1:58 | |
| 40-2 | Stopera | 11:42 | |
| 40-3 | Mary Contrairy | 3:00 | |
| 40-4 | Go East | 5:03 | |
| 40-5 | A Camel's Kiss | 8:48 | |
| 40-6 | Waves | 1:20 | |
| 40-7 | From Time To Time Suite | 7:33 | |
| 39-8 | Restless In Pieces | 12:45 | |
| ICP 037 – Steve Beresford & Han Bennink – B + B | |||
| 41-1 | Teas Not Made | 19:51 | |
| 41-2 | Billow Your Pillow | 2:54 | |
| 41-3 | Crumbs In Bed | 22:19 | |
| 41-4 | Hagelslag | 4:06 | |
| ICP 038 – Mary Oliver – Witchfiddle | |||
| 42-1 | A Viola | 2:47 | |
| 42-2 | B Violin | 3:24 | |
| 42-3 | C Violin | 3:23 | |
| 42-4 | D Viola | 4:00 | |
| 42-5 | E Hardangerfiddle | 6:56 | |
| 42-6 | F Viola | 2:01 | |
| 42-7 | G Violin | 0:50 | |
| 42-8 | H Viola | 4:35 | |
| 42-9 | I Viola | 3:52 | |
| 42-10 | J Violin | 5:21 | |
| 42-11 | K Viola | 2:31 | |
| ICP 039 – Tobias Delius 4 Tet* – Pelikanismus | |||
| 43-1 | Gestreken Eend | 3:35 | |
| 43-2 | Belly Can | 1:34 | |
| 43-3 | Samt | 3:28 | |
| 43-4 | Kopf | 4:59 | |
| 43-5 | Gras | 4:06 | |
| 43-6 | Mücke | 4:05 | |
| 43-7 | Die Like A Duck | 1:40 | |
| 43-8 | Back Horse - Chives | 17:10 | |
| 43-9 | Niggl | 4:59 | |
| 43-10 | Plush Fabrication | 2:18 | |
| 43-11 | Ringelnatter | 2:22 | |
| 43-12 | Lene | 6:24 | |
| 43-13 | Reciprocal | 4:46 | |
| ICP 040 – ICP Orchestra – Oh, My Dog | |||
| 44-1 | Write Down Exactly | 4:13 | |
| 44-2 | A Close Encounter With Charles's Country Band | 5:02 | |
| 44-3 | Precise Dimensions And Weight | 516 | |
| 44-4 | A La Russe | 2:16 | |
| 44-5 | Travel Agent | 9:00 | |
| 44-6 | Ham On Air | 2:58 | |
| 44-7 | Hand And Checked Luggage | 3:24 | |
| 44-8 | Oh My Deer! | 3:02 | |
| 44-9 | Wild Turkey | 3:21 | |
| 44-10 | Out Back/Chickadee | 1:10 | |
| 44-11 | Sparkling | 2:44 | |
| 44-12 | Oh My Dog! | 3:33 | |
| 44-13 | Happy Dreams | 15:26 | |
| ICP 041 – Mary Oliver / Thomas Lehn / Han Bennink – Pica Pica | |||
| 45- 1 | Sheow 1 | 12:41 | |
| 45-2 | Sheow 2 | 7:34 | |
| ICP 042 – ICP Orchestra – Aan & Uit | |||
| 46-1 | Aan & Uit | 0:21 | |
| 46-2 | De Sprong, O Romantiek Der Hazen | 5:21 | |
| 46-3 | Picnic: A Beautiful Day | 3:50 | |
| 46-4 | Let's Go To The River | 1:24 | |
| 46-5 | And Have A Picnic | 3:04 | |
| 46-6 | Play Some Badminton | 2:39 | |
| 46-7 | Let's Go Home Before | 5:24 | |
| 46-8 | The Sparrows Start Waving Their Pyjamas | 6:45 | |
| 46-9 | Tijd Voor De Quadrille | 1:50 | |
| 46-10 | Barbaric | 4:26 | |
| 46-11 | Back To Lippiza | 3:06 | |
| 46-12 | Vaetvient | 5:23 | |
| 46-13 | Ever Never | 3:52 | |
| 46-14 | Waar Bleef Je? | 3:32 | |
| 46-15 | Tuinhek | 5:42 | |
| 46-16 | Opa | 3:31 | |
| 46-17 | Let's Climb A Hill | 8:54 | |
| 46-18 | Aan & Uit | 0:19 | |
| ICP 043 – ICP Orchestra – Weer Is Een Dag Voorbij | |||
| 47-1 | Perdido | 12:20 | |
| 47-2 | Mistimar | 8:03 | |
| 47-3 | Criss Cross | 6:33 | |
| 47-4 | Abtomi | 6:05 | |
| 47-5 | Rumboon | 7:45 | |
| 47-6 | Peer's Counting Song | 4:19 | |
| 47-7 | Zombie Zua | 8:09 | |
| 47-8 | Weer Is Een Dag Voorbij | 3:38 | |
| ICP 044a – Asko Ensemble And The Instant Composers Pool – Live At Angelica Festival, Bologna, May 9th 2007 | |||
| 48-1 | De Hondenmepper | 6:04 | |
| 48-2 | Zeekip Ahoy | 7:50 | |
| 48-3 | Complex 8/WAM | 10:40 | |
| 48-4 | Met Welbeleefde Groet Van De Kameel | 21:05 | |
| 48-5 | Kraaloog | 8:30 | |
| 48-6 | De Sprong, O Romantiek Der Hazen | 4:43 | |
| ICP 045 – Alessandra Patrucco / Tristan Honsinger / Misha Mengelberg / Ab Baars / Han Bennink – Circus | |||
| 49-1 | Purple | 2:53 | |
| 49-2 | Super Market / Su Su Ven A Nan | 9:36 | |
| 49-3 | Blue Fish | 5:48 | |
| 49-4 | Breathing White | 3:44 | |
| 49-5 | Echo | 4:19 | |
| 49-6 | Spinazie / Trata Birata | 2:51 | |
| 49-7 | Desiderio | 5:48 | |
| 49-8 | Toddling | 6:03 | |
| 49-9 | In The Middle Of Nowhere | 5:35 | |
| ICP 046 – ICP Orchestra – Live At The Bimhuis | |||
| 50-1 | Jackying | 8:21 | |
| 50-2 | Met | 5:28 | |
| 50-3 | Op Naar De Mooche | 7:22 | |
| 50-4 | Jaloers? Ik? | 6:57 | |
| 50-5 | Rollo 2 | 0:41 | |
| 50-6 | Op Naar Aan/uit | 5:05 | |
| 50-7 | Reef | 1:43 | |
| 50-8 | Misha, Pass The Donkey | 6:43 | |
| 50-9 | Change Of Season | 4:59 | |
| ICP 047 – Oliver & Heggen – Oh, Ho! | |||
| 51-1 | Apneu | 2:06 | |
| 51-2 | Douchegordijn | 5:19 | |
| 51-3 | Vishnu Stockings | 7:00 | |
| 51-4 | Once Upon | 2:17 | |
| 51-5 | Basbil | 4:28 | |
| 51-6 | Perla Oscura, Perla Clara | 7:14 | |
| 51-7 | Motorboot | 6:32 | |
| 51-8 | Maybe | 2:58 | |
| 51-9 | Sisi | 2:30 | |
| 51-10 | Matti's Song | 3:27 | |
| 51-11 | As They Step Into The Same Rivers | 12:32 | |
| ICP 048 – Tobias Delius 4 Tet* – Luftlucht | |||
| 52-1 | Grey / Counter Meal / Mouse March / Bird Brain | 11:52 | |
| 52-2 | ¿Yellow? / Malvasia | 7:10 | |
| 52-3 | Poeing | 4:45 | |
| 52-4 | Cistern | 4:20 | |
| 52-5 | Friar / I Love You When You're Modest / Lullo's Page / Celsius | 8:34 | |
| 52-6 | Kit | 5:06 | |
| 52-7 | Befana | 3:37 | |
| 52-8 | Guest Room / Luftlucht | 5:46 | |
| ICP 049 – ICP Orchestra | |||
| 53-1 | Niet Zus, Maar Zo | 2:26 | |
| 53-2 | Wakeup Call | 4:36 | |
| 53-3 | Sumptious | 8:47 | |
| 53-4 | Hamami | 2:59 | |
| 53-5 | Busy Beaver | 5:43 | |
| 53-6 | Mitrab | 4:19 | |
| 53-7 | The Lepaerd | 5:27 | |
| 53-8 | Het Zoemen | 4:36 | |
| 53-9 | Erma | 2:17 | |
| 53-10 | No Idea | 7:00 | |
| 53-11 | Sonnet In Search Of A Moor | 4:59 | |
| ICP 050 – ICP – !ICP! 50 | |||
| 54-1 | Where Is The Police | 3:39 | |
| 54-2 | Arc-Eo | 9:37 | |
| 54-3 | Happy Go Lucky / Local | 6:52 | |
| 54-4 | Moeder Alle Oorlogen | 4:42 | |
| 54-5 | Barbaric | 5:01 | |
| 54-6 | 'Round About Midnight | 7:12 | |
- Arjen Gorter
- Accordion (1-3 to 1-6), Double Bass (1-3 to 1-5, 9-1)
- Leo Borgart
- Accordion (8-2)
- Ab van der Molen
- Alto Saxophone (9-7), Clarinet (9-7), Violin (9-3)
- Baldo Maestri
- Alto Saxophone (26-1 to 26-7), Soprano Saxophone (26-1 to 26-7)
- Dudu Pukwana
- Alto Saxophone (25-1 to 25-3), Composed By (25-1), Whistle (25-1 to 25-3)
- Eugenio Colombo
- Alto Saxophone (26-1 to 26-7), Flute (26-1 to 26-7)
- Gianluigi Trovesi
- Alto Saxophone (26-1 to 26-7), Bass Clarinet (26-1 to 26-7), Soprano Saxophone (26-1 to 26-7)
- Gilius V. Bergeiyk
- Alto Saxophone (24-1 to 24-11), Composed By (24-9, 24-10), Oboe (1-1, 1-2, 24-1 to 24-11)
- John Tchicai
- Alto Saxophone (3-1 to 3-4, 6-1 to 6-10, 9-4, 24-1 to 24-11), Composed By (3-1 to 3-3, 6-1 to 6-10)
- Keshavan Maslak
- Alto Saxophone (28-1 to 28-12), Tenor Saxophone (28-1 to 28-12), Voice (28-1 to 28-12)
- Michael Moore
- Alto Saxophone (28-1 to 28-12, 29-1 to 29-8, 30-1 to 30-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 50-1 to 50-9, 53-1 to 53-11), Arranged By (48-3, 53-10, 54-5), Clarinet (28-1 to 28-12, 29-1 to 29-8, 30-8 to 30-13, 44-1 to 44-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 50-1 to 50-9, 53-1 to 53-11), Composed By (44-1, 44-5 to 44-7, 44-13, 47-4, 51-6, 53-3), Reeds (32-1 to 32-13, 33-1 to 33-18, 54-1 to 54-6)
- Paul Termos
- Alto Saxophone (29-1 to 29-8, 30-1 to 30-7)
- Peter Bennink
- Alto Saxophone (7-1, 7-2, 8-1 to 8-3, 9-7, 10-1 to 10-9, 24-1 to 24-11), Bagpipes (7-1, 7-2, 8-6, 9-6), Composed By (7-1, 7-2), Percussion (9-6), Soprano Saxophone (10-1 to 10-9), Tenor Saxophone (8-1, 8-2)
- Peter Brötzmann
- Alto Saxophone (7-1, 7-2, 24-1 to 24-11, 28-1 to 28-12), Baritone Saxophone (7-1, 7-2, 24-1 to 24-11, 28-1 to 28-12), Tenor Saxophone (7-1, 7-2, 24-1 to 24-11, 28-1 to 28-12), Voice (28-1 to 28-12)
- Sean Bergin
- Alto Saxophone (29-1 to 29-8, 30-1 to 30-7), Tenor Saxophone (29-1 to 29-8)
- Willem Breuker
- Alto Saxophone (2-1 to 2-6, 9-7), Barrel Organ [Miniature] (9-6), Bass Clarinet (1-1 to 1-6, 2-1 to 2-6, 8-2, 8-5, 9-1, 9-4, 9-5, 9-7), Clarinet [B-Flat] (8-5), Clarinet [Eb] (1-1, 1-2, 2-1 to 2-6, 8-1, 8-3, 10-1 to 10-9), Composed By (1-3 to 1-5, 2-1 to 2-6, 4-1 to 4-13, 8-1 to 8-6, 9-1, 9-3 to 9-7, 10-1 to 10-9), Flute (9-6), Tenor Saxophone (2-1 to 2-6, 9-1, 10-1 to 10-9)
- Ab Baars
- Arranged By (47-1, 53-5, 53-11), Clarinet (30-8 to 30-13, 44-1 to 44-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 49-2 to 49-5, 49-7, 49-9, 50-1 to 50-9), Composed By (44-1, 44-2, 44-5, 44-7, 44-13, 47-4, 50.8, 53-2, 53-6), Flute (49-2 to 49-5, 49-7, 49-9), Reeds (32-1 to 32-7, 32-9 to 32-11, 32-13, 33-1 to 33-18, 54-1 to 54-6), Soprano Saxophone (30-8 to 30-13), Tenor Saxophone (30-81 to 30-13, 44-1 to 44-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 49-2 to 49-5, 49-7, 49-9, 50-1 to 50-9, 53-1 to 53-11)
- Misha Mengelberg
- Arranged By (28-12, 29-1 to 29-8, 30-1 to 30-13, 32-2 to 32-7, 48-6, 50.1, 50.9, 54-3, 54-6), Composed By (1-1, 1-2, 3-1, 3-2, 3-4, 6-1 to 6-10, 7-1, 7-2, 11-1, 11-2, 14-1 to 14-6, 15-1 to 15-6, 16-1, 17-2, 19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3, 24-1 to 24-7, 24-11, 25-3, 26-1 to 26-7, 27-1 to 27-6, 28-1 to 28-7, 28-8 to 28-11, 32-1, 32-8 to 32-13, 34-1, 34-2, 35-1, 35-2, 44-1, 44-3 to 44-5, 44-7, 44-13, 46-1 to 46-8, 46-10. 46-11, 46-13 to 46-16, 46-18, 47-2, 47-5 to 47-8, 48-1 to 48-6, 49-2, 49-6, 49-8, 49-9, 50-2 to 50-7, 53-1, 53-4, 53-8, 53-10, 54-1, 54-4), Instruments [Toy] (1-3 to 1-6), Piano (1-1, 1-2, 3-1 to 3-4, 6-1 to 6-10, 7-1, 7-2, 8-2, 11-1, 11-2, 14-1 to 14-6, 15-1 to 15-6, 16-1 to 16-3, 17-1, 17-2, 19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3, 24-1 to 24-11, 25-1 to 25-3, 26-1 to 26-7, 27-1 to 27-6, 28-1 to 28-12, 29-1 to 29-8, 30-1 to 30-13, 32-1 to 32-5, 32-7, 32-8, 32-10, 32-11, 32-13, 33-5, 33-7, 33-8, 33-11 to 33-18, 34-1, 34-2, 35-1, 35-2, 44-1 to 44-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 49-2, 49-6, 49-8, 49-9, 50-1 to 50-9, 53-1 to 53-11, 54-1 to 54-6), Recorded By (17-2, 24-1 to 24-11, 25-1 to 25-3, 30-1 to 30-7), Synthesizer [Putney] (11-1, 11-2), Vocals (19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3, 28-1 to 28-12, 49-2, 49-6, 49-8, 49-9)
- Marcel van den Broek
- Art Direction, Design [Box]
- Han Bennink
- Bass Clarinet (24-1 to 24-11), Clarinet (19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3, 25-1 to 25-3), Composed By (3-1, 3-2, 5-1 to 5-7, 6-1 to 6-10, 11-1, 14-1 to 14-6, 15-1 to 15-6, 16-2, 16-3, 19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3, 25-2, 27-1 to 27-6, 35-1, 35-2, 40-1 to 40-4, 43-2, 43-9, 43-12, 44-1, 44-3, 44-5, 44-7, 44-13, 45-1, 45-2, 49-1 to 49-3, 49-5, 49-9, 53-4), Conch [Conch Trumpet] (5-1 to 5-7), Cover [Box], Cymbal (16-1 to 16-3), Drums (1-1 to 1-6, 2-1 to 2-6, 3-1 to 3-4, 6-1 to 6-10, 8-1 to 8-3, 8-5, 11-1, 11-2, 12 1 to 12-14, 14-1 to 14-6, 15-1 to 15-6, 16-1 to 16-3, 24-1 to 24-11, 18-1 to 18-5, 19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3, 25-1 to 25-3, 27-1 to 27-6, 28-1 to 28-12, 30-1 to 30-13, 31-1, 35-1, 35-2, 37-1 to 37-7, 38-1 to 38-11, 41-1 to 41-4, 43-1 to 43-13, 44-1 to 44-13, 45-1, 45-2, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 49-1 to 49-3, 49-5, 49-9, 50-1 to 50-9, 52-1 to 52-8, 53-1 to 53-11, 54-1 to 54-6), Khene (11-1, 11-2, 12-1 to 12-14), Oboe (5-1 to 5-7), Percussion (9-1 to 9-3, 9-6, 12 1 to 12-14, 26-1 to 26-7, 27-1 to 27-6, 29-1 to 29-8, 31-1, 32-1 to 32-8, 32-11, 32-13, 33-1, 33-4, 33-5, 33-7, 33-8, 33-10 to 33-18), Percussion [Bass Drum, Small & Large Tom Toms, Street Parade Drum, Snare Drum, Tabla, Banya, Vibrapan, Homemade Rattles, Cow & Temple Bells, Chinese 7inch Giant Cymbals, Scraper, Chinese Temple Blocks, Hi-hat, Iron And Wooden Sticks] (2-1 to 2-6), Percussion [Dhung, Rkangling, Log Drums, Vibra-pan, Dhung-dkar, Oe-oe, Elong] (11-1, 11-2 ), Percussion [Homemade Junk, Vibra Pan, Rolmo, Bird Calls + Decoys] (18-1 to 18-5), Percussion [Logs] (16-1 to 16-3), Percussion [Wailophone + Hanrinet(te)] (18-2), Performer [Hanrinet(te), Birds Decoys, Vibrapan] (16-1 to 16-3), Piano [Kaffir Piano] (11-1, 11-2), Recorded By (12 1 to 12-14, 19-1, 20-1, 21-1 to 21-4, 22-1 to 22-3), Saw (16-1 to 16-3), Soprano Saxophone (27-1 to 27-6, 31-1), Trombone (25-1 to 25-3, 27-1 to 27-6), Trombone [Prepared], Kazoo, Tape [Recording Of Brazilian Jungle], Performer [Dhung, Rkangling, Oe-oe, A Fiddle-like Instrument, Mokugyo, Rolmo, Silnyen, Etc.] (12 1 to 12-14), Trumpet (14-1 to 14-6, 15-1 to 15-6), Trumpet [Soft Trumpet] (12 1 to 12-14, 16-1 to 16-3), Voice (2-1 to 2-6, 11-1, 11-2, 12 1 to 12-14, 14-1 to 14-6, 15-1 to 15-6, 16-1 to 16-3, 19-1, 20-1, 21-1 to 21-4, 22-1 to 22- 3), Wind [Gachi] (5-1 to 5-7, 8-6)
- Theo Loevendie
- Bass Clarinet (1-1, 1-2), Composed By (1-6), Soprano Saxophone (1-1, 1-2)
- Hans Essenberg
- Cameraman (39-1)
- Peter Lataster
- Cameraman (39-1)
- Ernst Reijseger
- Cello (29-1 to 29-8, 30-1 to 30-13, 32-1 to 32-13, 33-1 to 33-7, 33-9 to 33-18, 46-1 to 46-18)
- Tristan Honsinger
- Cello (24-1 to 24-11, 33-8, 37-1 to 37-7, 38-1 to 38-11, 40-1 to 40-8, 43-1 to 43-13, 44-1 to 44-13, 47-1 to 47-8, 48-1 to 48-6, 49.2, 49-3, 49-5, 49-7 to 49-9, 50-1 to 50-9, 52-1 to 52-8, 53-1 to 53-11, 54-1 to 54-6), Composed By (37-3, 37-5, 37-6, 38-1 to 38-3, 38-6, 38-9 to 38-11, 40-1 to 40-8, 43-2, 43-8, 43-9, 43-12, 44-1, 44-3, 44-5, 44-8 to 44-13, 47-2, 49.2, 49-3, 49-5, 49-7 to 49-9, 52-1 to 52-8, 53-6, 54-2), Voice (40-1 to 40-8, 49-2, 49-3, 49-5, 49-7 to 49-9)
- Eric Dolphy
- Clarinet (17-1)
- Tobias Delius
- Clarinet (43-1 to 43-13, 47-1 to 47-8, 50-1 to 50-9), Composed By (37-1, 37-2, 37-4, 37-7, 38-1, 38-2, 38-4 to 38-6 , 38-8, 38-11, 43-1 to 43-6, 43-11, 43-13, 47-4, 52-1 to 52-8), Reeds (54-1 to 54-6), Tenor Saxophone (37-1 to 37-7, 38-1 to 38-1, 43-1 to 43-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 50-1 to 50-9, 52-1 to 52-8, 53-1 to 53-11)
- Alessandra Patrucco
- Composed By (49-1 to 49-9), Voice (49-1 to 49-9)
- Bert Koppelaar
- Composed By (24-8), Trombone (8-2, 24-1 to 24-11)
- Cor Fuhler
- Composed By (51-2)
- Derek Bailey
- Composed By (5-1 to 5-7, 6-1 to 6-10, 7-1, 7-2, 12 1 to 12-14), Guitar (5-1 to 5-7, 6-1 to 6-10, 7-1, 7-2)
- Duke Ellington
- Composed By (28-12, 30-1 to 30-7, 32-2 to 32-7, 47-1, 50.1, 54-3)
- Ernst Glerum
- Composed By (44-1, 44-3, 44-5, 44-7, 44-13, 53-9), Double Bass (32-1 to 32-7, 44-1 to 44-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 50-1 to 50-9, 53-1 to 53-11, 54-1 to 54-6)
- Evan Parker
- Composed By (7-1, 7-2), Tenor Saxophone (7-1, 7-2)
- Herbie Nichols
- Composed By (29-1 to 29-8, 30-8 to 30-13, 50.9, 53-5)
- Hilary Jeffery
- Composed By (51-3)
- Hoagy Carmichael
- Composed By (46-9, 54-5)
- Joe Williamson
- Composed By (38-5 to 38-7, 43-2, 43-7, 43-9, 43-12 ), Double Bass (37-1 to 37-7, 38-1 to 38-11, 43-1 to 43-13, 52-1 to 52-8)
- Maarten Van Regteren Altena
- Composed By (13-1 to 13-8, 23-1 to 23-13), Double Bass (1-1 to 1-6, 9-3, 10-1 to 10-9, 13-1 to 13-8, 18-1 to 18-5, 23-1 to 23-13)
- Mary Oliver
- Composed By (42-1 to 42-11, 44-1, 44-5, 44-7, 44-13, 45-1, 45-2, 47-2, 51-1,51- 4, 51-5, 51-7 to 51-10, 53-4, 53-9), Viola (42-1 to 42-11, 44-1 to 44-13, 45-1, 45-2, 46-1 to 46-18, 48-1 to 48-6, 50-1 to 50-9, 51-1 to 51-11, 53-1 to 53-11, 54-1 to 54-6), Violin (42-1 to 42-11, 44-1 to 44-13, 45-1, 45-2, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 50-1 to 50-9, 51-1 to 51-11, 53-1 to 53-11, 54-1 to 54-6)
- Maurice Horsthuis
- Composed By (28-12), Viola (28-1 to 28-12, 29-1 to 29-8, 30-1 to 30-13, 32-8 to 32-13)
- Paul Rutherford
- Composed By (7-1, 7-2), Trombone (7-1, 7-2)
- Rozemarie Heggen
- Composed By (51-1,51- 4, 51-5, 51-7 to 51-10), Double Bass (51-1 to 51-11)
- Steve Beresford
- Composed By (41-1 to 41-4), Electronics (41-1 to 41-4), Piano (41-1 to 41-4), Toy [Toys] (41-1 to 41-4)
- Steve Lacy
- Composed By (18-1 to 18-5), Soprano Saxophone (18-1 to 18-5, 29-1 to 29-8, 30-1 to 30-7)
- Ted Curson
- Composed By (53-7)
- Thelonious Monk
- Composed By (17-1, 30-1 to 30-7, 47-3)
- Thomas Heberer
- Composed By (46-12, 46-17), Trumpet (44-1 to 44-13, 46-1 to 46-18, 47-1 to 47-8, 48-1 to 48-6, 50-1 to 50-9, 53-1 to 53-11, 54-1 to 54-6)
- Thomas Lehn
- Composed By (45-1, 45-2), Synthesizer (45-1, 45-2)
- Yannis Kyriakides
- Composed By (51-11)
- Etienne Siebens
- Conductor (48-1 to 48-6)
- Wessel Dekker
- Conductor (8-4)
- Anthony Braxton
- Contrabass Clarinet (9-5)
- Jolien Plat
- Coordinator [Project]
- Manfred Schoof
- Cornet, Flugelhorn (1-1, 1-2), Trumpet (1-6)
- Alan Silva
- Double Bass (24-1 to 24-11)
- Antonio Borghini
- Double Bass (48-1 to 48-6)
- Jacques Scholz
- Double Bass (17-1)
- Roberto Bonati
- Double Bass (48-1 to 48-6)
- Michel Waisvisz
- Electronics [Crackle Box] (24-1 to 24-11), Synthesizer (18-1 to 18-5)
- Thomas Heijmans
- Engineer [VHS To Digital Conversion]
- Asko Ensemble
- Ensemble (48-1 to 48-6)
- ICP Tentet
- Ensemble (24-1 to 24-11)
- Wouter Hasebos
- Film Producer, Edited By (39-1)
- Rien de Reede
- Flute (9-3)
- Rob du Bois
- Glockenspiel (8-1), Organ (8-1, 8-6, 9-1, 9-6), Piano (8-3, 8-5, 9-1 to 9-3, 9-6, 9-7)
- Wim Overgaauw
- Guitar (9-3)
- Jaap van der Baan
- Lighting (39-1)
- Tonny Pels-Waarlé
- Mandolin (8-2)
- Maurits de Weert
- Mastered By [Additional Mastering, Vinyl Restauration]
- Mandolin Orkest 'Caecilla' O.S.V
- Orchestra (8-4)
- Steve McCall
- Percussion (9-5)
- Remko Edelaar
- Performer [Bassoon] (48-1 to 48-6)
- Örs Köszeghy
- Performer [Cello] (48-1 to 48-6)
- David Kweksiber
- Performer [Clarinet, Saxophone] (48-1 to 48-6)
- Peter Rikkers
- Performer [Double-Bass] (48-1 to 48-6)
- Jeannette Landré
- Performer [Flute, Piccolo, Ocarina] (48-1 to 48-6)
- Jan Harshagen
- Performer [Horn] (48-1 to 48-6)
- Marieke Schut
- Performer [Oboe] (48-1 to 48-6)
- Niels Meliefste
- Performer [Percussion] (48-1 to 48-6)
- Gerard Bouwhuis
- Performer [Piano] (48-1 to 48-6)
- Toon van Ulsen
- Performer [Trombone] (48-1 to 48-6)
- Hendrik Jan Lindhout
- Performer [Trumpet] (48-1 to 48-6)
- Martina Forni
- Performer [Viola] (48-1 to 48-6)
- Heleen Hulst
- Performer [Violin] (48-1 to 48-6)
- Jan Erik van Regteren Altena
- Performer [Violin] (48-1 to 48-6)
- Ank Sillem
- Piccolo Flute (8-2)
- Ab Jansen
- Recorded By (8-5)
- Alwin Mulder
- Recorded By (4-1 to 4-13, 7-1, 7-2, 9-1, 10-1 to 10-9, 13-1 to 13-8, 23-1 to 23-13)
- André van de Water
- Recorded By (5-1 to 5-7, 6-1 to 6-10, 8-1, 8-3, 8-4, 8-6, 9-2, 9-3, 9-5 to 9-7)
- Bart Thieme
- Recorded By (31-1)
- Bettino Celsa
- Recorded By (26-1 to 26-7)
- Dick Lucas
- Recorded By (27-1 to 27-6, 29-1 to 29-8, 30-1 to 30-13, 32-1 to 32-13, 33-1 to 33-18, 34-1, 34-2, 35-1, 35-2, 36-1 to 36-3, 37-1 to 37-7, 38-1 to 38-11, 40-1 to 40-8, 41-1 to 41-4, 42-1 to 42-11, 44-1 to 44-13, 46-1 to 46-18, 49-1 to 49-9, 51-1 to 51-11)
- Gerard van Beusekom
- Recorded By (2-1 to 2-6)
- John Blaker
- Recorded By (9-2)
- Jost Gebers
- Recorded By (16-1 to 16-3)
- Jurre Wieman
- Recorded By (53-1, 53-5, 53-10, 53-11)
- Karel Gulickx
- Recorded By (47-1 to 47-8)
- Klaus Büttermann
- Recorded By (43-1 to 43-13)
- Marc Schots
- Recorded By (45-1, 45-2)
- Micha de Kanter
- Recorded By (50-1 to 50-9, 52-1 to 52-8, 53-2, 53-4, 53-7, 53-8)
- Michael W. Huon
- Recorded By (53-3, 53,-6, 53-9, 54-2, 54-5, 54-6)
- Nico Bes
- Recorded By (18-1 to 18-5)
- Onno Scholtze
- Recorded By (3-1 to 3-4, 7-1, 7-2, 11-1, 11-2)
- Peter Vink
- Recorded By (9-4)
- Radio Wereld Omroep
- Recorded By (8-2)
- VARA
- Recorded By (1-1 to 1-6)
- Wilbert de Joode
- Recorded By (43-1 to 43-13)
- Renato Geremia
- Soprano Saxophone (26-1 to 26-7), Tenor Saxophone (26-1 to 26-7), Violin (26-1 to 26-7)
- Henry Ronde
- Steel Drums (1-3 to 1-6)
- Garret List
- Trombone (29-1 to 29-8, 30-1 to 30-7)
- George Lewis
- Trombone (30-5 to 30-6, 32-8, 32-11, 32-13)
- Giancarlo Schiaffini
- Trombone (26-1 to 26-7)
- Joep Maessen
- Trombone (28-1 to 28-12)
- Willem van Manen
- Trombone (8-1, 8-3, 8-5, 8-6, 9-2, 9-7, 10-1 to 10-9)
- Wolter Wierbos
- Trombone (28-1 to 28-12, 29-1 to 29-8, 30-1 to 30-13, 32-1 to 32-7, 32-9 to 32-11, 32-13, 33-1 to 33-18, 36-1 to 36-3, 44-1 to 44-13, 46-1 to 46-18, 48-1 to 48-6, 50-1 to 50-9, 53-1 to 53-11, 54-1 to 54-6)
- Enrico Rava
- Trumpet (26-1 to 26-7)
- Evert Hekkema
- Trumpet (32-2 to 32-7, 33-1, 33-3 to 33-5, 33-15, 33-16)
- Gerard van der Vlist
- Trumpet (8-1, 8-3, 9-2)
- Toon de Gouw
- Trumpet (29-1 to 29-8, 30-1 to 30-7)
- Toshinori Kondo
- Trumpet (28-1 to 28-12), Voice (28-1 to 28-12)
- Larry Fishkind
- Tuba (26-1 to 26-7, 28-1 to 28-12, 29-1 to 29-8, 30-1 to 30-7)
- Gunter Hampel
- Vibraphone (9-5)
- Hasso van der Westen
- Viola (1-3 to 1-6)
- Lodewijk de Boer
- Viola (1-3 to 1-6)
- Maartje ten Hoorn
- Violin (32-3, 32-6, 32-7, 33-8 to 33-15, 33-17)
- Jeanne Lee
- Vocals (9-5)


















































































