Jazz & Improvisation / Free Improvisation

*In process of stocking* "This is the first release in a series of albums on Smalltown Supersound with Norwegian freeform pianist Anja Lauvdal. On All My Clothes, Lauvdal teams up with her friend, the reclusive and now retired(?) Norwegian drummer Joakim Heibø for a session in the great tradition of piano and drums at Flerbruket Studios, Hemnes outside of Oslo. Anja (born 1987) is from the small town of Flekkefjord in the south of Norway (where Smalltown Supersound was founded) and from the age …

Saved from the dust of time, here is a truly rare and obscure piece of vinyl by one of the most enigmatic bands in the whole history of British Progressive Jazz. Originally released in 200 copies in 1973 and reissued here for the first time, Quincicasm's only release stands as a brilliant document of the 70's British underground electric jazz scene. Somewhere at the crossing of open form jazz and art rock explorations. Ken Eley - saxophone, Dick Pearce - flugelhorn, Julian Marshall -vibraphone. …

* 2022 Small Repress * Over a decade a half after his death, vindication has come to Fela Kuti, Africa’s musical genius. AfroBeat, his gift to the world, is now an international staple on his own uncompromising terms, social content intact. Throughout his life, Fela contended that AfroBeat was a modern form of danceable, African classical music with an urgent message for the planet’s denizens. Created out of a cross-breeding of Funk, Jazz, Salsa and Calypso with Juju, Highlife and African percus…

**200 copies stamped white label** Awesome Free Jazz from Johan Berthling (Fire! Orchestra, Nacka Forum), Andreas Werliin (Fire! Orchestra, Tonbruket), Mattias Ståhl, Alexander Zethson, Eirik Hegdal, Martin Küchen, Mats Äleklint (Fire! Orchestra), Goran Kajfes (Goran Kafjes Subtropic Orchestra, Nacka Forum, Oddjob) and Magnus Broo (Gilbert Holmström New Quintet).

Guitarist and musical organizer Dominique Répécaud has a perfect feel for freerock improvisation, which he has proven especially with his tribal, shape-shifting ensemble Soixante Etages, which often works with sound collages, his former offshoot, the power-trio Etage 34, or the super-quartet Rekmazladzep, featuring saxophonist Daunik Lazro, bastrombonist and trumpeter Thierry Madiot and guitarist Camel Zekri. His most recent activities also include the duo Les Massifs De Fleurs with sound magici…

"There is only one Cyrille solo on this album - the last solo on the last tune - but he is there at every moment of this date.  His timekeeping, his fills, his extraordinary cymbal work, his sense of space, are present in every nook and cranny of this date"

*In process of stocking* Semantics was a jazz supergroup consisting of Elliott Sharp, Ned Rothenberg and Samm Bennett. Elliott Sharp, born in Ohio in 1951, began playing the piano at the age of six and started to perform concerts two years later. He soon gave up the piano, first in favour of the clarinet and later for the guitar. Sharp became intrigued with all types of experimental music, from contemporary classical to free jazz and sophisticated rock. He studied anthropology at Cornell Univers…

*In process of stocking* No Business Records presents Journal Four by Keith Tippett and Howard Riley. Recorded on the 9th March 2016 at ‘The Steinway Spirio Two-Piano Festival’ at the PizzaExpress Jazz Club, Soho, London Audio recording supervision by Cath Longbottom Liner notes by Richard Williams Photos by Cath Longbottom Design by Oskaras Anosovas Howard Riley - piano Keith Tippett - piano

*In process of stocking* NoBusiness Records presents Sonoris Causa.  Recorded on the 31st May, 2003 at Festival Musique Action in Vandoeuvre, France by François Dietz Design by Oskaras Anosovas Daunik Lazro - baritone saxophone Jouk Minor - contrabass sarrusophone Thierry Madiot - bass trombone, telescopic tubes David Chiésa - 5 strings double bass (left channel) Louis-Michel Marion - 5 strings double bass (right channel)

*In process of stocking* No Business Records presents Fertile Garden by Rob Brown (Selfpropelled Music BMI) and Juan Pablo Carletti (BigMateSongs BMI)Recorded on the 25th August, 2020 at Park West Studios (Brooklyn) by Jim ClousePhotos by by Peter Gannushkin Design by Oskaras Anosovas Rob Brown - alto saxophoneJuan Pablo Carletti - drums, cymbals

*In process of stocking* NoBusiness Records presents Caldera by Sam Rivers trio (Sam Rivers, Anthony Cole, Dug Matthews). Recorded on March 9, 2002 at Freeport-McMoRan Theatre, Contemporary Arts Center, New Orleans

Percussionist and composer Okay Temiz scored two underground hits in his native Turkey with “Denizaltı Rüzgarları” (translation: “Submarine Winds”) and Dokuz Sekiz. The songs are slinky, eerie funk/psych/jazz hybrid that marries Temiz‘ impeccable chops as a percussionist to a lute-like Turkish saz and some truly otherworldly sounding Moog riffing. They're both purely instrumental and almost appear to borrow elements from Brazilian music and in particular Tropicalia, though the melody is clearly …

The first concert of Brötzmann / Van Hove / Bennink in East Germany – 4.11.1974, Deutsches Theater, Berlin recorded by the Radio for the series "Jazz in der Kammer" Nr 71. Linernotes by Bert Noglik, Translation by Jep Bishop.

*200 copies limited release. Inside a reverse-board printed sleeve, flooded pocket, in black inner-sleeve. with inserts* Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier…

** 200 copies limited edition. inside a die cut craft sleeve, flooded pocket, in printed inner sleeve. with insert ** Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know. Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing…

Trost presents: Ame - Live At Artacts 2020 by Uruk. Recorded live at Artacts, Alte Gerberei, St.Johann, March 7th 2020. Mastering by Martin Siewert released April 8, 2022 Isabelle Duthoit – clarinet, voice Franz Hautzinger – quarter-tone trumpet Hamid Drake – percussion, frame drum, voice Michael Zerang – percussion, frame drum

*250 copies limited edition* Limited vinyl release on Raw Tonk Records. John Edwards : double bass Andrew Lisle : percussion Dirk Serries : acoustic guitar Colin Webster : alto sax Recorded at the Dave Hunt Studio, London on February 8th 2020. Mixed by Dave Hunt. Mastered at Sunny Side Inc. Studio. Artwork by Colin Webster. Layout by Rutger Zuydervelt

"Fantastic studio recording, caught by Taylor Hales at Chicago's legendary Electrical Audio, documenting the first full meeting of all the players on this album. Mako Sica, at this point in time revolve around the core duo of Przemyslaw Krys Drazek (electric trumpet, mandolin, electric guitar) and Brent Fuscaldo (vocals, electric bass, harmonica, thumb piano, gong, percussion). For this session, these two are joined once again by Chicago's always-revelatory percussionist, Hamid Drake, with whom …

* Last copies, sold-out at source * Gatefold triple LP (5 sides of music). Limited pressing of 500 worldwide. Includes new liner notes from Susan Mannheimer, the host of the 1975 event * This recently unearthed recording captures Alan Braufman with his five-piece band in an early 1975 live radio session soon after recording his debut album Valley of Search for the India Navigation label. This was the first meeting for William Parker and Cooper-Moore, whose musical partnership has flourished ever…

*In process of stocking* A collection of four concerts, each presented on a single CD, from the chamber-oriented and technically superb trio of Tim Trevor-Briscoe on alto saxophone & clarinet, Szilard Mezei on viola and Nicola Guazzaloca on piano, captured at at Korzo Zenehaz in Hungary; Cultural Centre of Vojvodina in Novi Sad Serbi; Regional Creative Atelier in Serbia; and Harom Hollo in Budapest. "These recordings just flow on and on with an ease that is a pleasure to listen to, to share with…

*In process of stocking* Barcelona pianist Agustí Fernández and Polish bass guitarist Rafał Mazur correspond through solo tracks recorded in their respective studios, each missive an unusual and impressive free improvisation using extended techniques, inside playing and inexplicable exclamation, in a five-part exchange where each message is alternately addressed "Dear Agusti" and "Dear Rafał".

*In process of stocking* "Ballister is a transatlantic powerhouse. This free-wheeling trio first came together at a closed session in 2009, and as any fan of improvised music can imagine, the band hit hard from the first note and hasn't looked back since. The unabashed energy of Rempis and PNL, coupled with the electrified cello antics of Lonberg-Holm, make for a powerful listening experience that combines driving grooves with noisy textures and occasional melodic interjections. These sliding an…

*2022 stock* Futura Marge presents Crosscurrent / Live at Jazz Unité by Sam Rivers quartet. Sam Rivers (tenor & soprano saxophones, flute, piano & voice), Jerry Byrd (guitar), Rael Wesley Grant (electric bass) & Steve Ellington (drums). Recorded live on 4 April 1981 at Jazz Unité (Paris-La Défense)

Phil Ranelin's first record as a leader is worlds away from his later 1976 offering, Vibes From the Tribe. The Time Is Now is a vanguard jazz record, full of the spirit, determination, and innovation inspired by John Coltrane, Eric Dolphy, Cecil Taylor, Pharoah Sanders, and Archie Shepp. Recorded in 1973 and 1974 and released at the end of 1974, the set shows Ranelin to be an imposing composer and frightfully good trombonist. The original album contained six compositions that are a deep musical …

CD edition, comes in mini LP replica with obi & Japanese insert. Media Dream is a live recording of the Sun Ra Quartet, from January of 1978 in Italy (all the quartet recordings were done that month). It's a mostly free date, with "Constellation" and "Media Dreams" being the only tunes that seem to have been pre-composed (they are also the longest tracks on the album). The album starts with a keyboard showcase, with Ra supplying some super low tones along with some very queasy sounding organ. Th…

We Jazz Records presents "Pu:", the boundary-breaking solo debut of bass player Ville Herrala. Herrala utilises only the double bass but approaches the instrument from various different perspectives. The end result is an inspired set of 14 miniatures, each pushing the concept forward in a highly personal way. The first single "Pu: 12" presents a rhythmic approach with echoes of from the world of minimal classical music and electronic music. Bowed tracks such as "Pu: 2" offer another perspective,…

From Jean-Marc Foussat own Fou Records, comes one of the most striking archival releases of the year, “Concert 2009”, capturing a meeting between the French electroacoustic free improv trio, Marteau Rouge, and Japanese noise giant Keiji Haino. Pushing far beyond expectations of free improvisation, the group weaves blistering passages that incorporate touchstones from prog, punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward…

*50 copies limited edition* Unlearned free jazz recorded to magnetic tape in an oblong, steel box. Storage Music Unit is: Derek Dunn - guitar, contact mics Zachary Hickerson - alto saxophone, game calls Syoma Klochko - drums, percussion, miscellaneous instruments. Recorded on reel-to-reel tape by Derek Dunn in October 2020

"Garden of Secrets is a very successful and varied disc with electronic-folk-jazz-progressive soundscapes, and thus another remarkable album from the Discus, which is highly recommended for friends of electronic sound journeys around the world." – Achim Breiling An electroacoustic work by Hervé Perez taking the form of a suite of compositions which combine Hervé's software based sounds with a host of beautiful and unusual sounds from a wide range of instruments played by Hervé and collaborator …

Dirar Kalash is an improvising musician currently based in his native Ramallah, in the state of Palestine. Opportunities to perform are non-existent. Even access to an instrument is impossible at the current time. On a rare visit to the UK early in 2020, we are fortunate that Dirar found an opportunity to record with the master sound engineer Simon Reynell, on a fine instrument in the beautiful acoustic of St Paul’s Hall at the University Of Huddersfield. The plan had been to record some compos…

"The group plays a ground breaking mix of psychedelic progressive rock, mesmerizing electronics, avant-garde classical and jazz improvisation. Effortlessly combines acoustic and electric instruments along with captivating vocals to deliver a fascinating set of adventurous musical pieces." - Progressive Rock Central The fifth album by this adventurous improvising rock group. This time round an expanded 8 piece version of the band improvised in the studio for two days in October 2019. These live r…

An exciting live performance recorded at the festival Konfrontationen Nickelsdorf in 2006, featuring six early compositions by Anthony Braxton arranged for the band by Pat Thomas. When Discus Music asked Pat what recording he had in his personal archive that he would most like to see released, this one was the first choice. Pat’s arrangements of these angular melodies allow Alex Ward’s stratospheric clarinet to fly over the band’s churning grooves, and much excitement was generated in the proces…

"This is a delight. Treppenwitz are a jazz trio for the new age, but with an intimacy and skill that is just perfect." - Mr Olivetti

Tip! In the first years of its existence, starting in 1997, the Peter Brötzmann Chicago Tentet worked as a collective, inviting all and any of its participants to contribute compositions to the band's repertoire.  Eventually, the Tentet would jettison scores and pre-planned structures altogether, opting for free improvisation, but on their early tours and initial recordings they played pieces written by the various band members.  A marathon set of summer studio sessions in 2002, just off a U.S. …

Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …

'During the first lockdown of the Covid era in spring 2020 my creative fire was still burning. All concerts were cancelled, but I still wanted to play and improvise. That's were the idea for long-distance improvisation came up. I sent emails to some of my friends and other musicians who I admired and hoped that they might be interested in doing such a project. I'm really happy that some of the best improvisers in Europe were happy to participate in this project. I'm such a fan of all these playe…

Ferocious JP / US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs & liner notes by Alan Cummings.

Famed free jazz concert registration of an early New Direction for the Art performance. Recorded in 1971. Old-style Gatefold LP, with rare photographs & extensive liner notes by Alan Cummings.

A live (first class quality) recording of the duo from 2002 - from the personal archives of Tony Oxley.

When I proposed this trio it was intentional to create an instrumentation which closely matched that of the classic Leo Smith Trio of the 1970s – a line up which allows space and fire to co-exist. Of course, the fact that Martin Pyne doubles on both vibraphone and drums gives us a few extra sonic possibilities, and these have all been exploited by the suite of 12 compositions which the 3 of us have created together. While my own music output veers off into a wide range of bands and territories, …