Jazz /
Live at L'Usine
Using prepared piano (Anthony Pateras), prepared guitar (David Brown) and drums (Sean Baxter) this live concert of two improvisations was captured at l’Usine in Geneva, Switzerland in 2006, an exploratory conversation of dynamic structures and sound that implicitly references modern compositional approaches to keyboard, strings and percussion.
Formed in 2002 Pateras-Baxter-Brown have performed countless concerts throughout Australia, New Zealand and Europe, developing a worldwide reputation for …
Generative Themes
very rare, long out of print studio recording from 1982. This marks the recording debut of John Tilbury (piano) in the group, plus the now reunited core of Prévost and Keith Rowe (guitar, electronics). Absolutely stunning improvisational "noise" from a very serious standpoint ensemble. One copy only available, new and unplayed
Live At The I.C.A. / Retrospective
The English free jazz improvisation scene of the late 60s and early 70s was an incestuous breeding ground. Robert Fripp was producing albums by Keith Tippet, Brian Eno was using Derek Bailey and Evan Parker on albums of odd Russian electronic music on Island, and labels like EMI and RCA were actually taking a stab at selling this music to a large market. Amidst all this was Ray Russell, a popular session guitarist, also playing in John Barry's group, also reputed to be the first guitarist in Eng…
Nord
Kaoru Abe's duo with legendary free bassist Motoharu Yoshizawa, nord, stands as a critical summit between two of the major forces in japanese jazz at the time. recorded in december 1975 and released in 1981 by Kojima, it reveals a different side to Abe.the two had apparently been playing together since the late '60s - Yoshizawa had, for various reasons, and it's probably due to yoshizawa's undeniable heavyweight status that this dialogue is conducted largely on his terms, with abe toning down hi…
Mort a Credit
Mort à Credit shows Kaoru Abe in a fascinating period of transition, moving forth to something complexly and identifiably new, yet intransigently rooted in what had come before. It consists of two alto improvs from a show on October 18, 1975, and five more (three on alto, two on sopranino) from another performance a couple of days earlier. Released by Kojima on 2LP in 1976, it can be said to mark a significant change in Abe's style. Abe is here a little soften from his usual urgency - this can p…
Light Upon Light
*2022 stock.* Trumpeter, multi-instrumentalist, improviser and theoretician, Wadada Leo Smith is one of the most important composers of our time. An original member of Chicago's AACM, his exciting pieces blending composition and mprovisation have been performed by many of the world's most important ensembles and soloists. Featuring an exotic composition for chamber ensemble and gamelan quartet, a beautiful solo piece for viola, a bass concerto written for virtuoso Bert Turetzky and two electroni…
Human Music
"This 1969 avant-garde collaboration between trumpeter Don Cherry and electronics pioneer Jon Appleton was originally released on legendary jazz producer Bob Thiele's Flying Dutchman label. Consisting of four compositions with the titles 'Boa,' 'Oba,' 'Abo,' and 'Bao,' Human Music finds Cherry stretching out on various flutes and African percussion instruments in addition to pocket trumpet. Original artwork. Detailed liner notes." Includes two bonus tracks, "Don" and "Jon".At the dawn of the 197…
Mottomo Otomo – Unlimited XIII
The legendary Unlimited Festival in Wels, Austria in 1999 was curated by Otomo Yoshihide (Ground Zero). We are happy to release this sampler that captures the great musicians, bands and projects: Otomo Yoshihide solo, Radian, Incapacitants, Kaffe Matthews / Neumann / Krebs, Tetreault / Labrosse, Nagata Kazunao, Novo Tono, Keith Rowe / Taku / Otomo, Poire_Z, O.Y. New Jazz Quintet (their first performance ever!!), Hoahio, O.Y. solo (finale).
Mercury Concert
Digital concert recording Colchester (Mercury Theatre) - 1998 June 24 All of the music of the concert is included unedited, in the order of performance. All instruments were used without amplification or other electronics.
The Issue at Hand
The musicians who perform together on this CD are as unlikely a group of individuals that you are ever likely to find. Yoshikazu Iwamoto brings a cultural past that has deep aesthetic roots in Japanese Buddhism, while John Tilbury's classical European training brings a sensibility that has matured through contract with cultivated traditions of learning and discipline. Eddie Prévost by his presence draws everything together into an indivisible whole, through responses that have been honed from ye…
Filth Pharmacy
Recorded at Garaget, Solna, Sweden; Tracks 1-8 recorded on 6/7 August 2003 Track 9 recorded on 6 August 2002
Most Materiall
"Double album, double solos of two distinctive musicians, becoming duets in a relatively rare space between solo playing and ensemble. Reed and percussion start at different places, the working through breath, the other pulse of materials being struck, one typically characterised by line, the other by attack, producing in the first pitch configurations, in the second beat patterns (Eddie Prévost doesn't use the specifically pitched mallet instruments). Each player comes with a distinctive sonic …
Dentro
Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and extensive post production processing composition.
Duo/Deep sea
Precious document of early Japanese improvised music scene. Tensional performance of heavy sounds from reeds and bass.
Windows: The Music Of Steve Lacy
What a pleasant surprise! The Swedish multi-reed maestro, he of the coruscatingly wild fluteophone attacks, turns to the relatively calm and linear world of Steve Lacy and finds a very happy medium in this solo release. While he treats Lacy's deadpan and deceptively simple melodies with clear respect, he uses them as jumping off points for his own idiosyncratic deconstructions. On "Deadline," he navigates into a territory of ultra-soft percussive clicks and taps, creating a fascinating spatial f…
The contest of pleasures - Tempestuous
Having used extensive editing and some remixing for the second of their two excellent Potlatch CDs, Albi Days, Contest of Pleasures – the trio of John Butcher (tenor and soprano saxophones), Xavier Charles (clarinet) and Axel Dorner (trumpet) – returns to its initial acoustic position with Tempestuous, which launches the new British label, Another Timbre. Recorded late on a stormy November night in an old church during the 2006 Huddersfield Contemporary Music Festival,Tempestuous moves between t…
Frankfurt 1991
Outside of Peter Brotzmann and Derek Bailey, I am not certain there are many players, European or otherwise, that maintain such sustained reverence from their peers as Paul Rutherford. And deservedly so, since I know of very few musicians as uncompromising as the British trombonist.While the trombone has languished in mediocrity over the past three decades, with the exception of a select number, on American shores, the European improvisers who call the trombone their home have continued its forw…