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The Mahler (in/a) Cage field recording work involves the recording, in situ, from the Casetta di composizione (Composition house) in Dobbiaco/Toblach (Bozen), of the soundscape in which Gustav Mahler composed his last works from 1909 to 1911 and in particular The Song of the Earth (Das Lied von der Erde). The recording session took place over two summer days, from July to August 2020 from 5 am onwards, in the period of the year in which Mahler himself resided in Dobbiaco to compose at the beginn…
Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment. Array is a companion piece to Polar Force, a performance-installation work by Philip Samartzis and Eugene Ughetti, presented by Speak Percussion. Array features recordings of radar and scientific instrumentation used for upper atmospheric r…
* Edition of 300 copies, 180g black vinyl with Engraving on side B, incl. printed innersleeve * Does returning to a place have a sound? Can the ear have a memory? And what if places which we return to are just empty shells? Choreographed rooms which we need to play, fill from scratch each time with fragments from the past and present, layer upon layer, familiar and still somehow always new and differently assembled. Paula Schopf’s Espacios en Soledad are acoustic walks around present day Santiag…
Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.
"How does the present time, physically so unspecified, become so unique for us? " - Etienne Klein"During these past years, exploring my daily environment and also my archives, I have discovered a missing part of my listening : beyond the threshold of my hearing, or my measure. I was intereste…
*Limited edition of 300 copies*
During Spring 2015, Eamon Sprod and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.
For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.
Salmon Run (Kye, 2007) is an exercise in listening, a contemplation of the sounds that permeate everyday life. In Salmon Run, available now on LP for the first time, Graham Lambkin's field recordings are profoundly democratic, collecting bits of classical music playing in the background, remnants of domestic routines and childrearing, and bird calls, chimes, and rushing water alike. The resulting fragments, manipulated and assembled by Lambkin, form a strikingly intimate sonic assemblage -- an e…
Taped largely in a Honda Civic, Amateur Doubles (Kye, 2011) is a portrait of an oft-overlooked domestic stage: the car. Graham Lambkin captures the sounds of a family in-motion as they fiddle with windows, play with toys, bicker, pass traffic, and listen, as the song titles note, to French prog artists Besombes/Rizet and Philippe Grancher. While the set-up at first appears simple -- a car ride taken by the artist and his family through upstate New York -- Lambkin subtly and slyly manipulates the…
"I made the basic recordings of Tim Goss's voice during a recent return trip to England. Despite some initial reservations Tim ended up giving an animated and robust reading, drawn exclusively from work of his own creation. These tapes were then transported back to Poughkeepsie, NY, where the project was teased to completion." (Original LP sleeve notes)
A study in anticipation, Softly Softly Copy Copy (Kye, 2009) repurposes the expectant rumblings of an audience-in-waiting, lifted by Graham Lambkin from various concert recordings of the German kosmische band Tangerine Dream. These bootlegged clips provide a skeleton for various sonic scraps and interludes—including distorted and abandoned fragments from Lambkin’s archive, new recordings on guitar and violin by Austin Argentieri and Samara Lubelski, respectively—that, together, form a compositio…
* Glossy heavy cardboard mini-gatefold, with 16 page booklet * Irreal definition is -- not real. "In order to imagine, a consciousness must be able to posit an object as irreal' -- nonexistent, absent -- Jean Paul Sartre Irreal is a selection of recordings from different situations encountered in Austria, Russia, South Korea and The Benelux. The range of sound is as wide as is the emotional impact which slides from the unnerving to the shimmering and gorgeous. Doors, bells, birds, wet snow falli…
* Edition of 300, hand-humbered + Obi * Fore Main Mizzen is made entirely from sound recordings taken on visits to Southend-on-Sea and Sheerness that are specifically focused on The SS Richard Montgomery, a ship that sank in the Thames estuary during World War Two. It is lying on a sandbank packed full of the high explosives it was transporting. At low tide its masts are visible from Southend and Sheerness either side of the water. The ship is corroding in the salt water and it is unknown when i…
Stephen Conford is a media artist who works primarily by re-engineering consumer electronics into expressive and reflexive devices as a means of critiquing the ideologies they embody. "A state of enclosure” was recorded May 2020 for Amplify 2020: quarantine. “A finite number of rooms” was recorded June 2020 for the ‘Building A Better Reality’ Black Lives Matter benefit compilation on JMY Music. Both are loosely based pages from ‘A Score for Piano’ written by Sarah Hughes in 2010. “After their de…
**80 copies** The Yorkshire based tape splicer and improvisor Stuart Chalmers has been using found cassettes to create his own sounds since his days playing with Cube Orchestra in Bristol. After moving to north east England, he has focused more on nature and sonic spirits – his latest effort for Ikuissuus has been recorded around various forests, mountains, bothies, shooting huts and old barns. "To truly understand nature you must lose yourself in it, but its then you actually find yourself. The…
Last copies The soundtrack for Aki Onda's the first major solo exhibition "A Letter from Souls of The Dead" at Portland Institute for Contemporary Art (PICA) from July 10 – September 4, 2021. Commissioned by PICA and curated by Kristan Kennedy, Artistic Director and Curator of Visual Art, this exhibition will feature collections of found objects such as bells, surplus electronics, photographs, and old-fashioned slide projections.
The soundtrack for this exhibition was composed by Onda in collab…
* Matte laminate sleeve, insert card and artist book featuring essays and photographs from the Polar Force project. * From Eugene Ughetti: as Philip Samartzis was preparing to leave for his second Australian Antarctic Division residency, he invited me to lunch to discuss the possibility of collaborating on a new work. He recounted his first experience on the ice, where the surrounding landscapes seemed to articulate avant-garde percussion works of an epic scale. On this visit, he wanted his fiel…
Leo Okagawa is a Japanese sound artist who lives and works in Japan. For this album Leo Okagawa uses field recordings from various metro stations during the quarantine period & sounds by radio stations.
Music For The Williamson Tunnels: A Collection Of The Sound Of Dripping Water As Brian Eno made music for environments rather than from them (Music For Airports) these CDs are best listened to within the strange damp world of the Williamson Tunnels in Liverpool. The ceilings of these caverns are thin and the sound of dripping water can frequently be heard, but not necessarily seen. It is a sound that has intrigued artists for nigh on a century and this collection brings together historical piece…
* 2021 stock *Edition of 300 copies in red-colored 180gr vinyl, housed in 300gsm reverse board jackets with red inner sleeves, including download code. Three years after the danceable field recordings of her "L'Ange Le Sage" debut LP, the Parisian sound artist, activist and musician Gaël Segalen delivers her third album, "Sofia Says", picking up where her "Memoir of My Manor" cassette stopped. Gaël connects here to a complex mythological entity, Sofia, in a spontaneous mediumnic way - and throu…