* 2021 Stock. English version * Transcript of four lectures given in Leipzig in 2010 regarding an installation Olaf Nicolai made in Paris back in 1998. This publication revolves around the theme of the labyrinth and its various manifestations and associations—from the Minotaur to geographical maps and Ikea's assembly instructions.
In 1998, Olaf Nicolai took green plastic brooms used by Parisian municipal employees to build a labyrinth in the “Art Grandeur Nature” exhibition at Parc de La Courneu…
* 2021 Stock. English edition. * Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe. Judy Chicago says she wants to live as long as possible; not to transcend her mortal condition, but to be around as her works successively find recognition. A woman holding out against all odds: such is the image of an artist more a visionary than the pioneer she has so often been described as. Unlike the pioneers, Chica…
30 Meters Stretch is an extension of a series of works, correspondingly titled 500 Meters Stretch, 480 Meters Stretch and so on, by Seiji Morimoto, a Japanese sound artist based in Berlin. It consists of a spool of 30 meters long, 5 cm wide, lightweight fabric, to be stretched out between trees or poles in any open space. As these long lines wave, rattle and flutter according to the wind, they make air both visible and audible.
The object’s aim is to bring the listening experience outside the a…
* Edition of 300 * Arbitrary presents the 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson. Originally released as limited edition C30 tape on Plant Migration Records in 2014, the four pieces on Nielsen’s first solo release are based on short orchestral and percussive samples manipulated by various synthesizer modules and effects processors. Variations are created by emphasizing …
Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition. In 2016, Sébastien Roux presents Succession of timbres with one partial in common as part of the exhibition Max Feed – Work and Heritage of Max Neuhaus, organized by Daniele Balit at Frac Franche-Comté. The title refers to and summarizes two sentences written by Neuhaus in the text that accompanies the drawing, and thus immediately reveals the influence of the Southwest St…
Together with George Bures Miller, this renowned Canadian duo's audio and video works and installations examine the complexity and vertiginous nature of subjectivity in a technological world, where man is caught between present and the loss of self, between memory and experience, perception and imagination. Janet Cardiff and Miller create interactive pieces in which the visitor is invited to touch, listen, smell and move about freely.
One of today's most prominent conceptual artists, Cosima von Bonin (born 1962) uses a wide range of media but is particularly known for her work with textiles. This volume compiles the most comprehensive index of von Bonin's oeuvre to date.
In the spring of 2008, Stockholm-based artist Carsten Höller presented four major works at Austria's Kunsthaus Bregenz--some for the first time. Together, they created a "labyrinth of seduction and doubt," according to the museum--a sort of carousel of circular motion and irritated perception.
Working since the late 1970s among the downtown New York music and art overlaps, video artist Tony Oursler (born 1957) is famed internationally for his immersive installations. In the summer of 2001, Oursler staged a spectacular installation at the Kunsthaus Bregenz. Titled Flucht, it involved projections onto the building's glass façade and an audio component with actors speaking in a range of dialects.
LOCK 2,4,6 was developed over a number of years in conjunction with Eckhardt Schneider and t…
* Limited and Numbered Deluxe Edition. Housed in a rigid 12 x 10 box. Contains a 64 Page Plexiglas bound book with essay by Brian Eno plus rare and previously unseen photographs from his various exhibitions from 1986 to the present. Box Set designed with Nick Robertson. Contains download code * Music For Installations is a collection of new, rare and previously unreleased music, all of which was recorded by Brian Eno for use in his installations covering the period from 1986 until the present (…
**Edition of 300. Limited Edition CD. Hand-numbered edition of 300. 6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal. Printed in Indonesia** Akio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and performance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the infinite and variegated possibilities of sound. Suzuki and Onda often u…
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Ob…
**200 copies** Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.
For more than 20 years, while listening to the environment, Éric La Casa (born 1968, Tours, lives and works in Paris) has been questioning the perception of reality and has expanded the notion of what's musical today. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music. As a result o…
**100 copies** Rie Nakajima: a handle of Japanese sliding door (fusuma) from her grandmother’s house, Japanese rice bowls, coils, jars, shells, flower pots, plastic bags, tin foil, tin cans, chopsticks, a bamboo pot, stones, cups, and kinetic objects made by Rie herself.
"Playing Piano features a partially deconstructed upright player piano prepared in the spirit of John Cage. This fully mechanized 1920’s player piano is animated by a motor and pneumatics (as opposed to being played by a person). A perforated paper roll, the physical translation of the musical score, controls the mechanized elements.
The preparations to Playing Piano include various machines which strum and press a pie plate against the strings, whistle using the air of the pneumatics and amplif…
**in process of stocking** "As part of the 20th Kamuna (Karlsruhe Museum Night), so-called ›in-situ performances‹ took place at three locations in Karlsruhe on August 4, 2018: The project room ßpace, the artist-run space Halo ARS and the pedestrian zone Kaiserstraße were connected to the ZKM via an outgoing audio data stream. At ßpace, sound artist Lasse-Marc Riek condensed naturalistic field recordings, noise and soundscape recordings into a sonic live collage. The live electronic duo Lintu + R…
Edition of 300 copies. Comes in a bespoke dye-cut sleeve, cover art by Monika Baer. The LP was mastered by Taylor Deupree and includes an essay by François J. Bonnet aka Kassel Jaeger, director of the GRM. New York’s Fridman gallery re-activates its record imprint with this absorbing collaboration between Ben Vida (fresh from his stunning 4 hour 'Reducing The Tempo To Zero’ opus for Shelter Press), and noted composer for dance, Marina Rosenfeld - whose collaborative album with Warrior Queen and …
**Monograph about american Conceptual and Fluxus Artist Terry Fox (1943-2008) curated by Arnold Dreyblatt.** What is the common denominator between such different elements as the purring of cats, fishes, cigarette smoke, flour, water, yeast, and an artist’s own body? The answer is that they are all on Terry Fox’s “list of art ingredients” for his work. Elemental Gestures presents a comprehensive overview of this artist’s oeuvre and it offers fascinating and compelling insights into the multi-fac…
**Special edition of 50 numbered copies. Includes signed photograph (13x18 cm) and reproduction of the score of "Liquid Piece“ (245g linen-stock, 29,7 x 42 cm) handcoloured with china ink by Christina Kubisch, signed & numbered.** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zon…
**Edition of 300. Also available as a 50 copies special Art edition** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zones which are yet to be claimed by the known. Of those artists who have taken on such a task, it is hard to call to mind any as important as the German composer, …
In process of restock **300 copies, 2020 stock** This LP marks the first ever release of Sverre Larssen’s infamous wind harp recordings from the late 1970s – tonal long-form drone music akin to the works of Paul Panhuysen and Ellen Fullman.In the early 1970s the Norwegian businessman Sverre Larssen decided to construct a wind harp at his cabin at Sele, Jæren on the west coast of Norway. Using his free imagination and amateur engineering skills, Larssen constructed a harp with 12-strings, which w…
Renowned EVP expert and dark interpreter CM von Hausswolff gets down to the nitty gritty of morality in art with a fascinating, newly augmented collection of sound installation recordings made 2001-2003 in response to Stockhausen’s controversial comments on 9/11 and now released by Sähko. ‘Addressing the Fallen Spirit’ employs an oblique collage of recordings from various installation works as the vehicle for Carl Michael Von Hausswolff’s thoughts on the intersection of art and morality. It’s o…
Two incredible sonic artworks by Susanne Skog’s work within sound art and composition has its roots in narrative art forms, experimental radio, radio drama and documentaries. Her artwork evolves from her own recordings from around the world, sonic material which she turns into new shapes and expressions, frictions and correlations, often considering movements and spatialisation as a vital element. Siberia is based on recordings from a 205 hour / 9288 kilometer trip by train from Moscow to Vladiv…
Double 12" exploring wave phenomena in all their forms - sound waves, water waves, the wave as universal principle. Site-specific installations captured on vinyl.
Edition of 300 copies. Throughout the installation, designed with Hala Wardé, Nan Goldin and Soundwalk Collective work with underground waterworks, walls and sculptures to highlight the historical moment. The power of the women marching, their memory frozen in the surroundings are evoked in the sound installation using the voices of well-known women (Isabelle Adjani, Élodie Bouchez, Laetitia Casta, Catherine Deneuve, Charlotte Gainsbourg, Nan Goldin, Isabelle Huppert, Isild Le Besco, Anna Mougl…
Edition of 300. Comes with 16pp booklet. The work presented here for the very first time is the full documentation of Japanese sound artist and instruments builder Akio Suzuki’s solo works performed as part of ‘Resonant Spaces’, a tour with UK saxophonist John Butcher arranged in 2006 by the Arika organisation. ‘Resonant Spaces’ allowed people to experience sound in some of the remotest regions of Scotland for a series of site-specific performances in natural, prehistoric, manmade and industria…
Edition of 200. American interdisciplinary artist and composer Yann Novak returns to 901 Editions with his 4th edition for the label following ‘Blue.Hour' (2013), ‘Undefined' (with Richard Chartier, 2013), and ‘Liminality' (with Fabio Perletta, 2014). His new venture takes the form of a book and CD documenting the history of his series of works ‘Stillness' (2010–2017) through essays, photographs, and an audio CD. Stillness takes its inspiration from the two climates Novak has inhabited: Subtropi…
The first collection of works by solo artist "Radio ensembles Aiida" by female artist A. Mizuki has been completed, performing a performance using multiple BCL radios. As recorded in the title "IIn A Room (Radio of the Day #1)", all the recordings were done in her room. An everyday ensemble called Diary, which captures everything from the morning bird cries, to the rain, to the last train, to the electromagnetic waves emitted by PCs and various appliances, etc., which surround her every day. The…
2017 Release. Installation Sounds For Voltage Controlled Broken Analog Tv comprises the first installation exhibition at Contemporary Heights, and the sound of the third exhibition from here Art & Space 2016. (The sound of the second exhibition, Ginza kitchen, has not been recorded because the sound source is lost.)Recordings at Contemporary Heights include conversations in cafe spaces and classical in-store BGM. Unintended ambient feeling exudes a mysterious balance. Although the machine has no…
2015 Release. Includes an insert with liner notes by Stephen Cornford (Japanese translation by Nao Nishihara and Yoko Sato) and Minoru Hatanaka (English translation by Yoko Sato and Stéphane Shibatsuji-Perrin, and an 8-page booklet with black and white photos by Stephen Cornford. CD compiling recordings of installation works for musical instruments made between 2006 and 2010. Stephen Cornford’s practice exists at the junction between sculpture and music, using sound and noise to investigate the …
Electronic musicians Jean-Benoît Dunckel (of Air fame) and Jonathan Fitoussi have joined forces to release Mirages, a sonic exploration of analogue synthesis, released on The Vinyl Factory. Born inside the studio which Xavier Veilhan built as part of the 57th Venice Biennale in 2017, the album was finished in Dunckel’s Paris-based studio, and features synthesisers amassed over several years, including an Arp 2600, PPG Wave, Synthi A, Buchla, Yamaha CS60, Korg MS20. Moving from the minimal to the…
Edition of 300 copies. Soundwalk Collective was given unprecedented access to the halls of the emblematic nightclub Berghain, Berlin. A re-incarnation of the legendary Ostgut club, the focal point of Berlin’s techno subculture. The Berghain building is a former East German power plant that is remarkable for its enormous dimensions, 18m high dance floor and minimalist constitution of steel, glass and concrete. An architectural space that facilitates experiences of sacredness, collective oneness a…
Invited to explore the archive of the seminal French director Jean-Luc Godard, NYC and Berlin-based group Soundwalk Collective release their new album, What We Leave Behind. Drawing on Godard’s personal collection of shot film, reel-to-reels and historical ephemera, the recordings reveal the moments before and after the camera rolls, from stage directions and on-set asides to rehearsals, false stars and outtakes.“There are boxes filled with sounds, words, chaos, and also silence. For Godard soun…
The soundtrack to Hito Steyerl’s new film installation Power Plants features a new collaboration between UK star Kojey Radical and one of the world’s most influential and important visual artists and thinkers, and a beatific ambient classic by late Japanese producer Susumu Yokota.Exhibited at The Serpentine from April to May 2019, Power Plants features a new film work in an immersive installation that expands throughout the building, it revolves around anticipating the future in unpredictable wa…
Gasworks by Gerald Fiebig collects his sound installations, radiophonic compositions, and live performances relating to the former gasworks in Augsburg-Oberhausen. They were created between 2010 and 2016, some in collaboration with colleagues EMERGE and Christian Z. Müller. Among the compositional materials of the album are processed recordings of the sounds of gas and industrial machinery, stories told by a former gasworks employee, and live improvisations in the echo chamber of the large gas t…
This LP documents two compositions that are part of Olaf Nicolai’s work Carillon: Isabel Mundry’s Outisde In, a piece for 15 cowbells, and Carillon, the field recording of a freeform composition created by 15 grazing cows.Carillon was conceived for Museion in Bolzano on the occasion of the 10th anniversary of the new museum building. The first step was the production of 15 cowbells especially for this purpose. Each cowbell is different and has its own unique sound. Nicolai had commissioned the c…
A collection of music pieces composed and performed by Enrico Serotti (of Confusional Quartet fame) for the works of Eva Marisaldi. "Museum/Art" edition including 16 page coloured inner booklet with introduction by Guido Molinari.
** 2020 Stock. Art Edition of 99 copies on white vinyl. LP box with 31 sound recordings of dildos and vibrators - a noble, stamped and numbered binder made of bookcardboard with 31 illustrations by Tabea Blumenschein and 31 reviews by Katrin Kämpf on natural paper - Infotext by Wolfgang Müller in German and English.** Die Tödliche Doris are back, no kiddin': in the sound spectrum of thirty-one contemporary dildos and vibrators, we are residing in 2019 with a resurrection of The Deadly Doris. She…
Edition of 50 copies, signed and dated by the artist. Anna Schimkat (b 1974) is a Darmstadt born media artist and trained sculptress, living and working in Leipzig, Saxony since 2006. The first side of this release documents one of Schimkat's site specific sound installations, one of her main fields of work during the past years. »Spinhouse« is based on a 4-channel live installation, which took place in Dresden in 2014. The piece was created from and with the inherent sounds of the office build…
Clear vinyl, silk-screened sleeve, 100 hand-numbered copies. Jasmine Guffond follows from her memorably exquisite ‘Traced’ LP for Sonic Pieces with the multi-timbral iridescence of ‘Degradation Loops’ for Karl Records - plotting an increasingly obfuscated descent into the grain and ether of processed field recordings and electronics, documenting a 16 day process of sonic destruction created for an art exhibition.““Degradation Loops” started out as a sixteen day long composition for an exhibition…