Back in stock

Two pieces from 2015, both made for light as much as for sound. In the first, Forsberg leaves the violin hanging on stage listening to itself while she plays only electronics, and the audience stays audible: bodies shifting, someone dropping somethin…

Recorded in a single day in 2022 at McDowall's Brooklyn studio, then mixed and remixed across three years and three cities. There is no organ anywhere on it: the sound is Karplus-Strong synthesis, a filtered delay line modelling a plucked string, tun…

Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.

Six pieces from a concert at Het Apollohuis in December 1987, unearthed by Black Truffle. Guitars and bass tuned by Dreyblatt and played with E-Bows and Panhuysen's motorised plectrums, plus a Mattel toy drum machine, pedal steel harmonics and a bird…

anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of th…

In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale deta…

How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Com…

Big tip! Sarah Davachi returns with “Music for a Bellowing Room”, the first ever release of her audio / visual collaboration with the artists and filmmaker Dicky Bahto, originally commissioned by the Museum of Modern Art in New York. Sprawling to an …

This CD has pieces with an auctioneer, a Kentucky farm with birds & clover, a jazz dancer, a quivering, vibrating, sexually tinged piece full of women saying supplication, a saint dying in flames, a drum piece about frustration, mother/daughter misco…

New double-LP edition of a selection from Saltern's acclaimed collection of recordings surveying the career of renowned, American cellist, Charles Curtis. Features the music of Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, …

On Simoom we hear three of Lois V. Vierk's works for "big instruments," that is, multiples of the same instrument, treated more like single entities than like groups of voices: Go Guitars for five electric guitars tuned microtonally around "E," Cirru…

2015 release ** "Even if the disc's title wasn't known, the attentive listener would be very conscious of air, both as a surrounding factor and with regard to its passage through wooden tubes and pipes. The "flutes" in question are recorders, played …

*2024 stock* Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Cl…

The tamburium is an instrument Hennix built: eighty-eight keys, each one triggering a recording of a precision-tuned four-string tambura. Documented in Berlin in 2017, it was her first solo release since 1976 and came out two months before she died.

Announcing Open Symmetry; New York-based composer Tristan Perich’s first release on Erased Tapes. The 50-minute work for 3 vibraphones and 20-channel 1-bit electronics is performed by the dynamic French group, ensemble 0, who return to Erased Tapes f…

Five pieces for justly tuned piano and electronics. After a trilogy of long-form records, Pitre shortened the pieces, which gave him more harmonic room to move rather than less.

Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.

Developed over a four year period, and entirely funded by a part time job working as a SAT university entrance exam mathematics tutor, Nº2 was composed using synthesizers and a variety of unidentified samples that were manipulated beyond recognition.…

Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the poin…

This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.