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Curacao + Red Marbled LP. The Swedish quartet Goran Kajfeš Tropiques share their new music We Jazz Records on May 3rd. Tell Us, an album consisting of three long pieces composed by the group, is "slow music" to the bone, a deep body of work utilising the language of jazz as its core mode of communication but echoing way beyond. The quartet is expanded with strings, adding wings to the music and helping it lift off the ground in a personal, highly engaging manner. The Tropiques quartet consists o…
Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound.
One-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the…
Erratum Musical, Studio Forum and C.A.R.E. are very pleased to announce the release of this groundbreaking historical LP from 1976 recorded in Los Angeles. First ever recordings of sounds by Serge Modular System + Z’EV + Will Jackson!
TO was founded in 1976 in San Francisco by Will E. Jackson (1945-2019) & Stefan “Z’EV” Weisser(1951-2017), occasionally performing under the code name “Center for Inter-Species communication”. The real missing link between works by California’s modular synthesizers…
The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makha…
** Edition of 250 ** In his essay ‘The Meaning of My Avant-Garde Hillbilly and Blues Music’, Henry Flynt talks about how his music should be analysed as an intellectual tribute to the music of the autochtone, setting aside plain folk references, but adopting academic insights to mold the music one makes as a folk creature. Much of Flynt’s discourse applies to the music of Glen Steenkiste’s Hellvete. Over the past twenty years he has been thoroughly investigating both the ethnic musical language …
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
*2023 stock* "This album marks the beginning of an ongoing and fruitful relationship between Tunisian oud master/composer Anouar Brahem and the ECM label. From the exhilarating solo “Raf Raf,” we know we are in the presence of someone whose sense of touch, rhythm, melody, and atmosphere speaks straight to the heart from the mind of a visionary. This first track puts us into a time and place where only melody speaks, and the sands of time flow like blood in an infinitely chambered heart. The titl…
Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually mov…
Uusi Aika is a fresh new ensemble from Finland. Their self-titled debut album will be released by We Jazz Records. The band's music could be described as introspective and meditative, but that's only a part of the story. The instrumentation is acoustic and their sound organic to the bone, but the music's slowly unfolding character brings to mind some deep abstract electronic music or experimental dub explorations at times. That is, there's power just under the surface, just beautifully out of fo…
Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
CD Edition. of Dauner's famous release 'Rischka's Soul'! Recorded in November, 1969 and first released as a so called private pressing the recordings had a second release nearly three years later on famous German label Brain (1016, 1972). Dauner with his strong sidemen Sigi Schwab, guitar and Eberhard Weber, bass and cello with two drummers (Braceful and Wittich) played cool jazz fusion with fluiding organ play from Dauner, sometimes heavy, sometimes dreamy and psychedelic guitar eruptions from …
1994 release ** "Ivo Janssen recorded these works more than 30 years ago. The album presents music by Dutch composers written between 1964 and 1991. Janssen plays these pieces with great authority. "Men Go Their Ways", by Ton de Leeuw,consists of 5 movements and is inspired by a Haiku poem. It is dedicated to Xenakis. I think the piece would be best heard in a resonant, small concert hall in which the delicate reverberated effects could come alive more effectively than over speakers. The movemen…
1992 release ** "In 1984, Joe Gallivan settled in London and organized the avant-garde big band Soldiers of the Road, featuring Elton Dean, Evan Parker, Marcio Mattos, and, later, Ashley Slater, Paul Rutherford, Jim Dvorak, Claude Deppa, and Guy Barker. This ensemble recorded eight pieces for the BBC, performed often in London including at the London Jazz Festival, and, in 1992, made a critically acclaimed CD, Innocence."
2011 release ** The departure from Volume 1 starts here! Found sounds, field recordings and and more, echoing to you from way back in 1992. Straight out of Aachen! Second in this on-going series of collaborative works recorded in the early 90’s by christoph heemann & jim o’rourke, later conceptually aligned with the mythos of noel scott “walker” engel ... contrasting vol. 1’s “synth freakout” bluster entirely, this is instead a single, extended musique concrète piece (heavily reminiscent of luc …
The Last Temple is a live recording of this extraordinary trio at the Alchemia in Krakow. Since the concert was quite long, we divided it into 3 formats: 1) The Last Temple vol. 1 - vinyl 9" EP 2) (this one) The Last Temple vol. 2 CD 3)The Last Temple vol. 3 vinyl 12" LP (180g black vinyl) The Trzaska, Haker Flaten, Nilsen Love trio played a concert tour in Poland in March 2024. A combination of one of the most famous sections of the world's intuitive jazz (e.g. The Thing) and one of the most fa…
August & November are two albums by Mike Majkowski. One acoustic and one electronic, both with their own distinctive atmosphere. Each album contains pieces which are closely linked in terms of approach and structure. Listeners are invited to delve into the pieces and explore the details and subtleties. The titles of the two albums refer to the cover art, by Łukasz Rychlicki. Two photos taken from the same place at different times. One in August, and one in November.
Mike Majkowski is a double ba…
Alain Goraguer's all-time classic psychedelic funk soundtrack to René Laloux's 1973 animated masterpiece 'La Planète Sauvage' here on an expanded Digipack CD