Orchestral Works
The second CD of col legno's Wien Modern Edition is dedicated to Luciano Berio, who throughout his life kept on searching for new sounds, and new instrumental and orchestral organizing principles in his work. His Sequences for solo instruments are among the most important landmarks in recent music; later on, Berio decided to "comment" on some of these notoriously complex solo works from an orchestral perspective. Chemins and Chemins IIb are adaptations of the Sequences for harp and viola. "The b…
Musica Viva 11
Today, the piano concertos by Béla Bartók are regarded as works of classic modernism and are considered suitable even for conservative audiences. Musica Viva, the concert series for contemporary music in Munich, included the piano concertos in their program back in 1957, a time when it was by no means a matter of course to hear this music in established concert halls. The man at the piano was one of the greatest of his trade: Géza Anda, a fervent and uncompromising advocate of Bartók's oeuvre, w…
100 Transcendental Studies For Piano 1-25
Sorabji's style was deeply indebted to the music of the Middle East, some forms of which, during performance, last for hours or days at a time: his piano writing is typically elaborate from the torrential upward sweep in Mouvementé (I) via the wild and spiky V to the grotesque hammering angularity of XXV - a fantastic Medtnerian march. The dramatic and passionate writing in between …
Ghosts
This is the extraordinary sequence of composers selected by Marino Formenti for his solo piano cycle Kurtág’s Ghosts, which examines how major composers from the fourteenth to the twentieth century have influenced the Hungarian composer György Kurtág. Formenti has performed the seamless cycle of seventy compositions live to considerable acclaim, and it is now available as a 2 CD set from the Vienna-based label Kairos.A typical Kurtág’s Ghosts sequence is 46 seconds of Kurtág's Hommage à Stockhau…
Kafka-Fragments
A wonderful CD, recorded under Kurtag's supervision: the hour-long Kafka Fragments, completed in 1986, is his biggest work to date: it's a characteristic cycle of 40 tiny movements, scored for soprano voice and violin, that adds up to something far greater than the sum of its parts.The text is a mosaic of quotations from Kafka's writings, diaries and letters. The cycle is divided into four parts, articulated by the two longest movements; they draw a huge range of expression from soprano Juliane …
Works for Soprano
Kurtág's attachment to speech is also to be sensed in the works from this first period of maturity, something which emerged more concretely in this CD maily cenetered around the Russian language, which he learned especially in order to read Dostoevsky, and which is almost "sacred" for him, in the way that Latin was for Stravinsky. In his Russian works, opp 16 to 19, Kurtág's response to Russian prosody transforms his musical dialect with a poignant lyricism; this is to be heard both in the works…
Works
An amazing introduction to Kurtag's complex work, this cd Gyorgy Kurtag is a modern master of the musical miniature, this 66-minute disc, containing six works, is split into nearly forty tracks, absolutely essential!
Alpenglühen
Is there an 'Austrian identity' in contemporary music? The ensemble Intégrales, intent on securing evidence, commissioned five original, or even out-of-the-ordinary, composers to come up with made-to-measure outfits for the ensemble. And lo and behold!, there they are, these identities of Austrian sound languages. The new 'alpenglow' on the musical horizon combines five pieces that defy any standard modern music evaluation criteria and explore wholly new spaces of sound with their musical gestur…
Prometeo, Tragedia dell\'ascolto
One of the most significant musical works of the twentieth century is now available in an archive-quality recording. Only now, using surround-sound technology can the twenty-six channels be balanced out and distributed, spatially and dynamically, with minute accuracy across the five speakers: a time-consuming and fascinating task, evoking the optimist Sisyphus. With this double SACD, André Richard and Peter Hirsch’s team, who had already worked on the first performance of the then new Prometeo i…
Quando Stanno Morendo
Works of art are often triggered by private events. Sarà dolce tacere (1960), for example, was written on the occasion of the 40th birthday of Bruno Maderna, Nono's (former) teacher and close friend; and also in 1960 Nono wrote Ha venido for his daughter's first birthday. Djamila Boupachà (1962), ¿Dónde estás, hermano? (1982) and Quando stanno morendo (1982), on the other hand, are clearly expressions attributable to the politically involved, the committed cosmopolitan Nono.
Variazioni canoniche sulla serie dell\' op. 41 di Arnold Schoenb
"All my works always start out from a human incentive: an event, an experience, a text in our lives leads to my instinct and my conscience and wants me to bear witness, as a musician and as a man." This is how Nono, in 1960, described his motivation as a composer, the incentive inducing him to speak up through his music. His opus 1, the Canonic variations on the series of op. 41 by Arnold Schönberg, is based on the twelve-tone series used in Schönberg's composition; it actually takes effect in t…
Canti Del Capricorno
Original copy, the title of Scelsi's song cycle possibly refers to the fact that the sign of the Capricorn corresponds with an area of the Earth stretching from India to South America and includes, most significantly, the Amazon. The Amazon, as Scelsi noted, is a place where a pre-historic human culture survives. Scelsi's Songs (19) of the Capricorn, reduce the concept of "song" to poetically loaded vocal utterances imaginatively recalling the conditions of music and language in humankind's dist…
Natura renovatur
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and elusive composer.There are particular reasons why the Scelsi CD in the latest, indispensable batch from Kairos prompted a trawl of my files. Scelsi applauded my analysis of his piano music and we had a cordial correspondence, after which I met him tw…
Complete Works for Flûte and Clarinet
The Complete Works for Flute and Clarinet: In both original works and transcriptions, the Ebony Duo explores Scelsi’s use of special sound colors and his coloring of sound. Transcriptions especially prepared by the clarinetist (and pianist) Michael Raster provide the basis for some of the works on the present album. Yet Scelsi’s original intentions incurred no damage as a result of this recrafting. To the contrary! “The formidable technical demands that playing on two strings with in part opposi…
Suite N° 10 \"Ka\" / Suite N° 9 \"Ttai\"
Scelsi's works usually originated as transcribed improvisations; therefore they are never based on superficialities of form or compositional technique but always directly reveal the core of their message. Pianist Marianne Schroeder reports that Scelsi recommended daily improvisational practice as a method for discovering one's own creativity; and on his Suite No. 9 "Ttai" the composer is said to have commented: "Play it whenever you're sad. And when you're in high spirits." In Ttai, which links …
Quattro illustrazioni / Suite N° 8 \"Bot-Ba\" / Cinque incantesi
Crazy about the sound: the composer as a medium fHis bizarre way of composing earned Giacinto Scelsi not only fame and respect; he was also mockingly accused of dilettantism. Scelsi regarded himself not as a composer in the traditional sense, i.e. one to combine form, rhythm, pitch and sound in an intelligent way and note the result down on paper, but as a tool. His music was created during periods of meditative contemplation recorded by him on tape, to be noted down only afterwards. Eastern rel…
Flying White
'String Quartet No. 2' mind rock (2000) for Richard Long. 'String Quartet No. 4' flying white (2003) for Brice Marden. Binaural recording. 'String Quartet No. 5' poids de l'ombre (2004) for Stéphane Brunner. 'String Quartet No. 3' mond see (2001) for Inge Dick. Binaural recording. Klangforum Wien String Quartet: Annette Bik and Sophie Schaffleitner, violins. Dimitrios Polisoidis, viola. Andreas Lindenbaum, violoncello. 'For his third CD on Mode, composer, trombonist, improvisor Roland Dahinden e…
Consciously
This compilation is a sort of 1970's alternative social history in song. An eclectic mixture of previously unreleased songs, with widely differing styles, performed by a diverse grouping of musicians. This all combines into a unique experience. Musicians: Cornelius Cardew; Pete Devenport, Vicky Silva, Laurie Baker, Hugh Shrapenl, Chris Thompson, Keith Rowe, John Marcangelo, Evan Parker, Pip Pyle, Dave Smith, Hamilton DeGale, John Tilbury, Alec Hill, Huw Warren, Nick Connors, Geoff Pearce, Robert…
Steve Reich: Tehillim The Desert Music
Two Reich masterpieces, definitively recorded, featuring a crystalline, high-energy Tehillim with the ONLY RECORDING of the newly revised version of The Desert Music. A must for Reich fans. For freshness and focus, the new recording of Tehillim surpasses the 1981 recording by Mr. Reich & his own ensemble.
Hommage Au Sauvage - A Portrait
This portrait of renowned composer Henri Pousseur arrives just days after his death at the hands of bronchial pneumonia, aged 79. The documentary goes some way towards conveying Pousseur's warmth and openness as well as giving some impression of the breadth of his career and its accomplishments. The film documents Pousseur taking one last trip to Basel's Fondation Paul Sacher, to which he's donated his full archive of sound materials, research and memos. In addition to spending time during the j…