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Returning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.
*200 coipes limited edition* “Yet another vital album of enthralling ambient from the prolific Past Inside The Present label head zakè aka Zach Frizzell. Veta is a world veiled in smoky half-tones. As he often does, he fuses modern ambient classical with analogue production and conjures up thoughts of ceremonial divinity, healing and protection and offers a place to go and find solace from the pains of the world.
There are both deft synths and purposefully layered pads that blend the organic and…
For their fifth collaboration Marc Barreca and Kerry Leimer set aside their more abstract creative approaches to composition in favor of basing the music of Arrhythmian on beats. Using rhythm as texture, the tracks gravitate to concussive and bass voices, high bpm rates, and constantly evolving timbres shaped by granular synthesis, sampling, heavy processing, audio manipulation, rich distortion, with the maximum dynamic range vinyl can offer. “We’re always thinking about sound quality, about wha…
*2024 stock* Orphée Aux Enfers is a comic operetta and satirical treatment of the ancient Greek myth of Orpheus by French composer Jacques Offenbach. The classic story of Orpheus concerns a renowned musician who is so distraught over the death of his wife, Eurydice, that he attempts to rescue her from the Underworld, the place of the dead. It’s a myth of enduring love between Orpheus and Eurydice that has inspired artists, writers and composers such as Günter Schlienz.
Rent ist the pseudonym of artist and ecologist Katrin Euller. Rent’s sounds refer to industrial ecosystems, interconnections, dark landscapes and their stories and the stories of those who inhabit these places. At the same time, it is the processes of sound creation itself that emerge in Rent's compositions: sounds influence each other, reinforce each other, cancel each other out, dissolve and become noise, sound like the city, a car alarm for example. Then everything gets lost in the fog again.…
*2024 stock* Billy Roisz has been a driving force in the experimental music scene for many years. She is widely known and has earned critical acclaim for her artistic work, which ranges from cinematic (her films are regularly screened at major film-festivals such as Berlinale-Shorts or the IFF Rotterdam) to pure audio-works, as she presents with this new album. Her last solo-release »Walking The Monkey« dates back to 2012 (Editions Mego) and now she unveils her successor: »BAJO« A sonic explorat…
*35 copies limited edition* The album begins with a reminiscence of the sea, reverberating waves and suspended echoes of distant, almost forgotten territories. Curved vibrations, nocturnal environments mixed with contemporary research attitudes within the world of liminal/drone music. Oblique surfaces bending in the transposition of azimuth, memory and flow becoming the result of a hypothetical jump. A plastic and interpretative configuration of a body movement, the desire to grow consciously vi…
*200 copies limited edition* "Neurotransmitters-Sphere-Music" is Jarl’s sixth album on Reverse Alignment, following on from 2021’s CD release "Spectrum Confusion". And once again Karolina Urbaniak has masterfully created the cover artwork, as she’s done for the five earlier Jarl releases for Reverse Alignment. Neurotransmitters are chemical messengers that help nerve cells communicate with each other. Referring to this concept, "Neurotransmitters Sphere Music" consists of four pieces showcasing …
Enrico Cesaro, the person behind the alias Mace., is back releasing his brand new work in collaboration with viscm and angoisse. "How to be Yourself” is an ode to the ever-changing, untouchable unfolding of the self and the elusive observation of it.
The ensemble of tracks shapes a canvas of individual experiences, family memories and collective uncoscious that suggests - both by blending together and maintaining their own singular character - the hurdle of grasping totality. Unexpected contras…
*2024 stock* In the summer of 2007, Jones visited Foster in South Korea and did a series of shows there and in Japan, both as their duo English and in other combinations. In Tokyo, they made time in their schedule to spend a day recording with Nakamura, and “One Day” documents the results, as captured by recording engineer Taku Unami at Kid Ailack Hall. Three lengthy improvisations showcase a unique collective aesthetic, dense and organic, pointillistic but rough, focused but not overly polished…
Following work with poet Lucy Van (Figures, Purely Physical 2017) and a string of highly alluring sound parcels via her Careful podcast series, the Melbourne-London based producer, DJ, curator, and performer presents two solo pieces of ambience and deftly arranged instrument-voice interplay.
A space is found within a mix of DIY instrumentation, science fiction rumination and the melancholic exotica of possible pasts. The eponymous opener, ‘Like a Gun’ pushes and pulls between a place of pure da…
Greif’s final work of his early cassette era, initially released under Swinging Axe Productions in 1988. Quite the widely-distributed tape, several tracks were featured on V/A compilations by labels such as Epitapes and Harsh Reality Music. Original cover artwork by Damian Bisciglia / Agog has been preserved in addition to new images designed by Mr. Greif himself. Transferred and restored from master tapes at Hex Audio Labs, including an exclusive bonus track.
Original cassette (tracks 1-6) by EE Tapes (ET36, 1996).CD reissue + bonus "Sound Effects Library 22" (tracks 7-21) by EE Tapes, Belgium and Tribe Tapes, USA.Mastering by Grant Richardson, Hex Audio Labs.
Compilation of tracks originally recorded for DSS side projects Opus Vix Inchoatum and A Secret Person during the early 1990s.
All sounds generated with an Ensoniq EPS
Cover photos and artwork by Paolo Beltrame
We are delighted that Kosmoloko 3 becomes a reality on Galakthorrö’s 30th birthday. The concept hasn’t changed: Kosmoloko 3 is still a label sampler. Like its predecessors, it features only artists from the Galakthorrö label. No leftovers, no duplicates, no rehashes, ten tracks of exclusive material, no title has been released in any form before. Karl Runau’s contribution comes as a surprise after countless years with no signs of life. As a colleague from the early days of Galakthorrö, his contr…
The debut EP Kelc’h-Lizher is now followed by Mode In Gliany’s first full-length album Amer Armor on Galakthorrö. The unique synth wave of Boris Völt is freed from all exhilarating characteristics. The minimal wave pleasures of the early days are making way for that melancholy that is inherent in the music of Mode In Gliany anyway. Nourished by Boris Völt’s deep connection to his home on the north coast of Brittany. Instead of blood, the cool water of the seas flows through his veins, cold wave,…
The third album by Da-Sein fits seamlessly into the duo’s previous sphere of work. A gloom-ridden sound panorama, packed full of pulsating bass frequencies, swathes of feverish synths and noise-rhythms, spreads itself out before us. The voice of Kas Visions combines the manifold creative streams of Da-Sein to a cohesive whole. No matter how cold and unemotional the voice is, on this album it’s often the last human signal before the blackness absorbs the listener’s soul. Power electronics violenc…
Sühne Mensch has no musical past history. This is seldom in times when a trace is left behind early, even if it is merely digital. But this debut album is in no way the work of a beginner. The brain behind Sühne Mensch has collected many experiences even if primarily from other musical fields. Now he impressively channels all his knowledge into this very different music. Schmerzportrait is incredibly rounded and mature, complex yet compact, fitting in perfectly with the Galakthorrö style, but po…
I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …