Caperea
Two familiar faces within the Kohlhaas fold—Stefano Calderano as part of the trio McCorman (2023), and Giovanni Di Domenico through his solo works "Polvere di rabbia" (2021) and "Stella Maris" (2025)—join now forces on "Caperea". Bridging Rome and Br…
Volume 1
Weekend With Friends is a collective featuring Jacopo Buda (trumpet, electronics), Alberto Brutti (double bass, electronics), Mattia Bellei (clarinet, electronics), and Demetrio Cecchitelli (flute, guitar, electronics). At its core, the project thriv…
Prisoner's Cinema
Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.
Symphony of Waste
What happens over the lifecycle of a commodity? Where do its components come from? How are they extracted, processed and put together? Where does it travel? How is it used, thrown away, re-used, broken apart and reconstituted? These are the questions…
Spartiti Spariti
Tip! Spartiti Spariti is a composition in which diverse practices and experiences converge and overlap: the processing of ‘concrete’ sounds, magnetic-tape collage, field recording and the manipulation of acoustic instruments. At its core lies a profo…
Fall In A Hole
The Fall live in Auckland, August 1982, recorded by Chris Knox for Flying Nun: Marc Riley's last tour, two drummers, feedback-drenched rarities and Hex Enduction-era favourites. First vinyl reissue, with poster and notes by Roy Montgomery.
77 - Early Years - 79
The Fall's first four Step-Forward singles, 1977-79, plus Dice Man from Dragnet: Mark E. Smith's early art punk of atonal guitar, looping bass and combo organ, back on vinyl for the first time with liner notes by Stephen Malkmus.
The Dream Will Freeze In Midwinter’s Memories
John Clyde-Evans played in that formidable band called Hood in the early 90s. In the years that followed, he was one of the most adventurous figures in the incredibly diverse British underground scene. His productions from that era ranged from blissf…
Boundary
4 tracks recorded in 2025 and 2026 by young mancunian duo Hewn, whose music Jack Davidson (Noise not music) once described as "frail but nonetheless flesh-and-blood ambient". Still about there...
Varier: Berlin
Renowned saxophonist, woodwind player, bandleader and composer Tamar Osborn stands at the heart of the UK’s forward-thinking music movement. A multi-instrumentalist whose genre-slipping creativity has made her the go-to voice for artists within the n…
I
Oruma is a trio formed by Ola Rzepka (drums, zither, percussion), Artur Rumiński (electric guitar) and Mat Barski (electric guitar). At its foundation is the musical dialogue previously developed by Rumiński and Barski as a guitar duo and documented …
From Red Black to Black, from Blue Black to Black
David Grubbs' commissioned music for Josiah McElheny's singing paintings, wall works with hand-blown glass discs that resonate sound: one 30-minute piece for lap steel, electric guitar and Serge synthesizer, built on microtonal slide.
In Sore Bless
With In Sore Bless, Cecilia and Ali emerge as The Discretes, following and cultivating diverse veins of sound. Post-noise ballads, distilled jams, fragments of Anatolian-Trip-Hop and other genre-amalgams, all become a supplicant at St. Cecilia’s alta…
Dancing with Dragonflies
Confront Recordings announces the release of Dancing with Dragonflies, a compelling new collaboration between double bassist Alan Niblock and percussionist Mark Wastell.
Hyper possibility
Is art artificial, is it a rhythm, or is it an algorithm—this is the question Ulf Herold poses, and the answer sounds rather affirmative: the two are not necessarily to be understood as opposites, but as dynamic counter-poles—this becomes evident in …
A Cold Night in Rome
On A Cold Night in Rome, Gregorio Bardini turns a 2007 Cold Spring event into a ritual of noise, flute, voice and historical residue. Ezra Pound’s metallic ghost, bagpipes, violin, distorted guitar and ethnic percussion converge in a live document th…
Death of a century
On Death Of A Century, Milusic turns the wreckage of twentieth-century culture into a feverish post-industrial radio play. Roberto Migliussi and David Granziera splice spectral voices, drum-machine pressure, occult atmospheres and found-sound absurdi…
Nouvelles Ethnologiques de l’Obscur Museum
On Nouvelles Ethnologiques de l’Obscur Museum, NEO Museum forge a fierce, finely cut collision of free jazz, radical rock and European avant-garde composition. Born in mid-80s Vandœuvre-lès-Nancy, the trio turns saxophone, guitar and drums into a com…
Anuraaqtuq
Inuit singer Tanya Tagaq live at Victoriaville in May 2010 with Jean Martin on drums and computer and Jesse Zubot on violin: throat singing, cries and breath stretched into an hour of raw, physical improvisation.
Élektrik Toboggan
René Lussier and Martin Tétreault meet Otomo Yoshihide at Victoriaville on 19 May 2008: two electric guitars, three turntables and a spy microphone in the trio's first performance together.