A Temperament For Angels
Michael Jon Fink's A Temperament for Angels (written in 1989 and fully revised for this recording in 2003) combines equal measures of beauty and grit in a powerful, kaleidoscopic, elusively shaped textural music that is compelling from its first quie…
Los Tigres De Marte
Frequently shifting focus as its harmonies melt one into another, this swirling piece finds its wildly branching roots touching on many styles of music—from Delius and Debussy to bop to techno. Los Tigres de Marte is sometimes lush and enveloping, so…
The City The Wind Swept Away
The quiet rumbling of trombones and the soft keening of strings haunt the piano’s slow stream of notes. A mosaic, a tapestry. Rich harmonies and simple triads come and go, like the ever-changing, yet ever-similar, landscapes one passes while driving …
The Complete 10-Inch Series From Cold Blue
Back by popular demand (and available for the first time on CD), this boxed set of three CDs collects all the music released on a popular series of 10-inch vinyl records that were put out by Cold Blue in the early 1980s. During the Cold Blue label’s …
An Hour Out Of Desert Center
Chas Smith's An Hour Out of Desert Center is scored for pedal steel guitars, composer-designed-and-built crotales and sound sculptures, zithers, and a 1948 Bigsby lap guitar (a one-of-a-kind instrument that was owned by famed steel player Joaquin Mur…
Awakening At The Inn Of The Birds
Continents of City and Love and Tidal, written 20 years apart, are both arch-form pieces scored for two pianos, synthesizer, string quartet, and double bass. They both feature expanding piano lines that intersect and compliment individually expanding…
Four Voice Canons
Over the past 25 years, Larry Polansky has been composing a series of fascinating mensuration canons (a formal concept dating back to the Renaissance) that run a sonic gamut from wildly boisterous (#6) to serenely introverted (#17, Guitar Canon). Thi…
The Light That Fills The World
These three works exist amid an undeniable esthetic spirit of the times—the embracing of pre-compositional principles and structural processes in the service of a highly personal artistic statement. However, John Luther Adams’s recent work tends to t…
Adams / Cox / Fink / Fox
This album presents four noted West Coast composers—three from Southern California and one from Fairbanks, Alaska—writing haunting, generally quiet, sometimes lyric, occasionally pensive music for clarinet and bass clarinet accompanied by either stri…
Cold Blue
Back by popular demand (and available for the first time as a CD), this essential collection of West Coast new music—an anthology known simply as Cold Blue—is a classic. Originally issued on vinyl in 1984, shortly before the demise of the old Cold Bl…
Aluminum Overcast
Chas Smith's six-movement set of variations that comprise Aluminum Overcast play with the listener’s sense of time—the perceived pace and the clock pace at which musical events take place—as they slowly progress, the spare advancing to the dense.The …
Maria Falling Away
This CD brings together six of Rick Cox’s elegantly sparse, dark, sensuous, vaguely desolate soundscapes in which emotions seem to bubble just below cool surfaces (tracing a history of his work from 1990 through 2001). Most of these pieces display Co…
Dancing On Water
All the music on this album, with the exception of Song(s) of the Sirens, was written specifically for remarkable clarinetist/bass clarinetist Marty Walker. As Is Thought/Aurora, a casually dramatic work for bass clarinet, harp, and vibraphone, is li…
I Hear It In The Rain
Five Pieces for Piano (1997), Two Preludes for Piano (1996-97), and For Celesta (1985)—the latter for an instrument that is very seldom featured in a solo setting—display Michael Jon Fink’s command of crystalline forms that are Debussyian in beauty (…
Nikkowolverine
Nikko Wolverine (1999) is a three-movement piece scored for various bowed and struck metal instruments in non-tempered tunings. These instruments, which were designed and built by the composer, emit tones that are rich in complex harmonics and often …
Last Things
Last Things, for bass clarinet, pedal steel guitar, piano, and electronic keyboards, was written for clarinetist Marty Walker in 1987, and has been subsequently performed (as a piece for bass clarinet and tape) by Walker at concerts across the U.S. S…
Organ Dirges 2016-2017
Small repress available. Unique, engrossing room recordings of Kaliff pipe organ dirges played by composer, sound technician, and multi-instrumentalist Kali Malone, released in early 2018 on a super limited tape run and now finally pressed up on viny…
I'd Rather Be Lucky Than Good
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on inven…
J. Jasmine: My New Music (Songbook)
Original printing of the 1978 J. Jasmine Songbook, which has scores, lyrics and images for all the songs on the "J. Jasmine: My New Music" LP. Printed but never distributed because of the book distribution house going out of business, this is a must-…
Puls-Plus-Puls
Jan Jelinek and legendary jazz percussionist Sven-Åke Johansson probe ideas about the “anthropology of drumming” with entrancing results for Luxembourg’s Ni-Vu-Ni-Connu label. A sterling addition to Jelinek’s catalogue of solo releases and experiment…