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Experimental /

Club Moral
Club Moral emerged on January 1st, 1981, in Antwerp, Belgium, as both a collective and a challenge. Founded by artists Anne-Mie Van Kerckhoven (AMVK) and Danny Devos (DDV), it operated as an industrial band, a performance platform, and a venue that became a magnet for Europe's most uncompromising voices. Between 1981 and 1987, the Antwerp space hosted exhibitions, happenings and live shows featuring Produktion, Boyd Rice, John Duncan, Coupe de Grace and others—turning the city into a crucial out…
Opera
The experimental landmark Opera by FNTC returns in a remastered CD edition, nearly forty years after its original cassette release on Staalplaat in 1987. A striking document of Europe's late 80s cassette underground, Opera captures the collective at their most adventurous - merging spontaneous composition, sound collage and performance art into a single immersive experience. As a member of the Fluxus movement, Willem de Ridder brought his conceptual sensibility to the project, pushing the bounda…
Live At Teater Tribunalen
Huge Tip! ** Edition of 300.** The long overdue first proper jazz album on Discreet Music! After years of releasing experimental electronics, drone, and avant-garde sound art, the Swedish label finally documents what's been happening in their own backyard: ferocious, life-elevating free jazz performed by three of Sweden's leading improvisers. Niklas Persson Trio - saxophonist Niklas Persson, double bassist Patric Thorman, and drummer Raymond Strid - started ten years ago on Thorman's initiative.…
For a Moment the Sky Knew My Name
With For a Moment the Sky Knew My Name, Peter Knight extends his fascination with the porous relationship between body, instrument, and environment into one of his most personal and immersive solo works. Due for release in November 2025 on Room40, the album takes its cue from extended fieldwork and improvisations undertaken near Yeerung River on Krowathunkooloong land, where Knight spent much of his early life. Each of the album’s pieces grew organically from direct encounters with that setting—…
Uranian Void
Uranian Void by Jessika Kenney is a radiant synthesis of voice, mystic poetry, and Javanese gamelan textures. Recorded in Los Angeles and produced by Kou Records, the album entwines Persian and Indonesian texts in a transcendent meditation on annihilation, devotion, and rebirth, revealing Kenney’s voice as both ritual conduit and cosmic instrument.
Tulpa
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Riparian
Riparian by Eyvind Kang is a two-part, 37-minute suite for viola and ensemble that meditates on the meeting point of water and land. Produced by Randall Dunn for Kou Records, the album explores blurred musical boundaries and organic flow, using Kang’s signature blend of experimental chamber forms and subtle, textural improvisation to evoke riparian landscapes.
Ratsnake
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.
Unterhaltungen mit Larven und Überresten
Unterhaltungen mit Larven und Überresten by Läuten der Seele (Christian Schoppik) unfolds as a haunting electroacoustic collage. Looping fragments from vintage “Heimatfilme,” field recordings, and diverse instruments evoke a surreal, dream-prone nostalgia. The album balances hypnotic repetition with spectral detail, drifting between tenderness and uncanny unease.
Standing / Engraving
Standing / Engraving by Jean D.L. is a meditative suite where solo guitar sketches and field recordings fold into a chiaroscuro of memory and texture. Drawing from experimental folk and nocturnal ambient, the album patiently sculpts sound and silence into subtle vignettes, inviting the listener into an immersive domain of reflection and suspended time.
Pièces Monophoniques
Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.
Cadaverous Condition – Destroying the Night Sky
**Marbled Black Smoke Vinyl & Inlay, issued to 230 copies. Cover and Inlay artwork done by Steven Stapleton.** The Circle Music proudly presents: Cadaverous Condition – Destroying The Night Sky. Many years ago Death Metal band Cadaverous Condition invited a stellar line up of experimental artists to completely dismember, rearrange and reconstruct songs of their “To The Night Sky” album. The result being “Destroying The Night Sky”, one of the weirdest collaborative albums ever assembled. Extreme …
Fistful of Ivy
Fistful of Ivy is the debut LP by a loosely floating aggregation of individuals, brought together by musician/producer Kevin S. McMahon, at whose New Paltz NY studio it was recorded. The concept for Pelican Movement arose a quarter century ago, but the only previous graspable evidence of its existence is half of an obscure 7" from 2015. Fistful of Ivy will be most listeners' introduction to Pelican Movement's sound/image, and the LP is as fine an intro to anything as could be imagined. The album…
Live at The Tavern
While we wait for Aaron Rosenblum to finish up his album of field recordings, we sometimes ask him about various tapes he has recorded of other artists. These, he tends to provide more quickly. Thus, here is the first of what we hope to be a series of live shows by various artists, documented by Mr. Aaron. The artist in Pat Gubler, aka PG Six. The venue is The Tavern at Hampshire College. The date is March 30, 2001. This was still an early point in Pat's solo journey, but the aesthetic documente…
Live at Epsilon Spires
Feeding Tube Records is excited to present the first North American release by this amazing Japanese sound artist. Yosuke Fujita goes by the name FUJI|||||||||||TA, perhaps so he won't be mistaken for the guitarist of the same name who plays with Better Days, or perhaps because he just likes to hear people try to figure out how to say, 'FUJI|||||||||||TA,' properly. Either way, FUJI|||||||||||TA is a wonderful avant-garde project that has been active for almost two decades. In its current iterat…
Circuits Of Omission - Sonaten Für Synthetisierten Klang (Opus 60)
Herewith is an extraordinary 45 RPM album of solo electronic music by NZ's great contrarian, Bruce Russell. The pieces were all created using machines built by Clinton Williams, whose musical work under the OMIT moniker has long been championed by Bruce. Unlike many of Williams's own recordings, which contain kosmiche extensions recalling the '70s work of Klaus Schulze, the 15 improvised Sonatas presented here mix a few of those sorts of sonorities with a variety of more harshly-edged tones. The…
The Language Shadow
Reissue of the very limited debut LP by this Massachusetts-based musician. We first ran into Kass's Good Cry label when she put out Jordan Perry's eponymous debut, which we promptly reissued (FTR 376LP). And we are well pleased to be able to do the same for The Language Shadow -- a most excellent album by all known metrics. Kass (who works with Meg Remy's U.S. Girls) sings and plays guitar, dulcimer and small instrument-style percussion. Recorded at Montreal's Hotel2Tango, her music has the clea…
Elvehjem
Recorded in Madison Wisconsin a year after In The River, the latest record from this amazing trio (Troy Schafer, Patrick Best, Mikel Dimmick) breaks a bit with Spiral Joy's drone-dominant tradition. There is a crackling, noise energy curtain surrounding much of the playing here that makes me remember the sound of the Richmond VA trio, Pelt, from whom Spiral Joy Band draw specific inspiration (as well as two members). The listed instruments are bowed gong, gong, bowed bowls, electric guitar, bowe…
Kin
Over the years Sharron Kraus's musical career has pulled her in many directions and seen her collaborate with artists, poets, writers, and researchers, creating soundtracks, podcasts, musical accompaniments, and responses. She is an intuitive improviser, a compelling performer and a weaver of musical spells. The spine supporting this body of work is songwriting, though, and it is to this most natural combination of words and music that she always returns. If prose writing is a tool for analysis …
Reflect And Oppose
Albany, New York's Sky Furrows -- guitarist Mike Griffin, bassist Eric Hardiman, drummer Phil Donnelly and poet/vocalist Karen Schoemer -- release their second album, Relect and Oppose. Recorded in 2022 with Justin Pizzoferrato at Sonelab Studios and Pete Donnelly at Katonah Sound, the album's eight songs crush and crunch, agitate and sprawl. All songs were written by Schoemer/Grifin and arranged by Sky Furrows, except for "Koba Grozny," with music by Grifin and words adapted by Schoemer from Ma…