Includes an 8-page booklet with lyrics in English and Arabic. Nancy Mounir’s debut album, Nozhet El Nofous, is a remarkable communion with ghosts. Moody, hypnotic, and sneakily catchy, the album - whose title means “Promenade of the Souls'' in Arabic - explores microtonality, non-metered rhythms, and bold vulnerability through a musical dialogue between Mounir’s own arrangements and the sounds of archival recordings of once-famed singers from Egypt at the turn of the 20th century. Adding her own…
Holidays Records is on fire! Hot on the heels of their recent incredible vinyl releases of the Italian sound artist and musician Ezio Piermattei’s “Gran trotto” and the duo Acchiappashpirt’s “Ninulla”, they return with one of their most important and captivating releases to date: Hartmut Geerken’s “Requiem for the Snake of Maidan”, a mind-blowing body of archival recordings from the 1970s, made on a stony ridge in the Hindukush mountains of Afghanistan, encountering the artist locked in a sprawl…
Sonic Youth on Superior Viaduct!!! In October 1987, four months after the release of their critically acclaimed Sister LP, Sonic Youth showcased their latest work in a blistering set at Cabaret Metro, Chicago. The concert was introduced by Big Black's Steve Albini (who at the time was banned from the venue) and subsequently released as a semi-official bootleg under the title Hold That Tiger on writer/provocateur Byron Coley's impishly Geffen-baiting label Goofin' (years later the band would use …
*100 copies limited edition* Label head Kobermann returns with a cast of local associates, mostly all new names to us, clustering a varied batch of styles / sounds that skirt round the very edge of the dance floor and bleeds out into the aether. The title ‘Dunstkreis’ or ‘Haze Circle’ for the non-Deutsch speakers, captures it beautifully, with Voyage Futur’s mellow Rhodes chord opener and the cosmic smog of Blacklight Chameleon fogging out the room. Sparring partners and regular ANF favourites…
A historical live recording by Blaine L. Reininger and Steven Brown, founders of legendary post-punk band Tuxedomoon, here in their parallel guise as a classical piano and violin duo, one they have maintained throughout the decades.
This is the "other" 1989 Blaine and Steven concert in Portugal, performed two days after the Lisbon gig immortalised many moons ago on "One Hundred Years of Music". "Live in Porto 1989" is undoubtedly the better of the two gigs (just listen to "Iberia"!…), but the oc…
Rare original 1977 release of breathtaking solo music for flute and organ by composer and member of the Philip Glass Ensemble on Galss' private Chatham Square label. EDP pressing.
Original 1973 first press of the second LP issued by Glass on his own Chatham Square label. A dizzying and glowing hypnotic mass of classical minimal avant-garde.
CD Edition. Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus. Originally debuted in 1976 at the festival Brouwer's Lattice at Stockholm's Moderna Museet, The Electric Harpsichord has steadily mystified fans and students of Western minimalist music for its implacable, transformative qualities, and the long-hel…
Limited edition hand-numbered split 10" with the odd pairing of minimalism master Tony Conrad with the wonderful Legendary Pink Dots' Edward Ka-Spel. Complete with all inserts.
Unplayed mint copy of rare first edition limited to 500 copies with bonus disc and folded poster sleeve of split EP shared by the master Tony Conrad and his pupils Jim O'Roure and David Grubbs.
The second volume of Sub Rosa's Fluxus edition, built around a broken piano now left to decay in the open air in Prague. New and old works, scores and improvisations from a Fluxus who's who (Knizak, La Monte Young, Cage, Paik, Ono, Brecht and more), with booklets of essays and photographs. Double CD
"Halki pilvien - transl. Trough the clouds - brings exactly what one expects from the clouds. It is a collection of soft and gentle movements, as playful as a ‘Jan Anderzén type of music’ is always. A collection of patterns that solidify for just a brief moment in time, before sublimating in the back of the mind. This album is in constant motion. Push play. A warped piano and cartoonish SFX’s might foretell a hyperreal approach to music. Yet while the champion of hyperrealism, Noah Creshevsky, d…
*300 copies limited release* It Deel is the multi-year project of the Kleefstra Bros together with Popfabryk; production house for Frisian pop culture.For It Deel III the Kleefstra Bros have entered into a collaboration with the Belgian multi-instrumentalist Karen Willems. Together they worked in the Thomaskerk in Katlijk on new material that was released on vinyl by Moving Furniture Records.
The Kleefstra Bros are poet Jan Kleefstra and guitarist Romke Kleefstra, both also members of Piiptsjill…
300 copies only! First-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and mastering by Marta Salogni.
Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrat…
In celebration of the 10th anniversary of Tomaga's debut album, 'Futura Grotesk', Hands in the Dark are re-releasing the long sold out record in a limited edition of 500 copies. The reissue is accompanied by the first-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and 300 units available. Both records have been remastered by Marta Salogni for the occasion.
Always in search of exploration, with an obvious obsession for deconstruction their norm…
In November 2020 Phill Niblock sent out an email informing a group of us that Experimental Intermedia planned to have their usual December concert series. However, due to the Covid pandemic, the series was set to be streamed online via Zoom or Vimeo Live. I, along with Earl Howard, Marcia Bassett & Bob Bellerue, Gill Arno, Mike Bullock, Lars Åkerlund, Matthias Kaiser & Hans Tammen and Austin Larkin were asked to perform from our own home/studio/space either live or prerecorded. At the time, I wa…
*150 copies limited edition* Jeremy Barnes began Human Error while teaching music to kids: incarcerated teens at the YDDC juvenile detention center in Albuquerque, as well online classes in recording and songwriting to refugee youth in New Mexico from Iraq, Afghanistan, Syria, Tanzania.
The recording techniques and music composition aspect was all computer based, and so, Barnes began to write music in that way. And often, while the students were working, he was also working on little tunes as a …
Exactly what it says on the tin - a full orchestra of FEEDBACK! Controlled chaos, dense textures, screaming harmonics bouncing off church walls. This is group improvisation at its most radical and physical. The acoustic space of the Zwingli-Kirche becomes an instrument itself. Raw power and delicate interplay - simultaneously brutal and beautiful!
“I hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment. The sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomo…
Inside Automatic Popular Music there are two people sitting in a room, their backs to each other. One plays a piano with no particular attention to detail and tuning of the instrument, and another, sitting behind him, claps his hands on his own legs. They do not see each other, they never look at each other, they can only listen to each other, look around. The room is large enough, it is daytime, there are four windows through which enough light enters to illuminate the objects and furniture wit…
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…
Isak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over. A polymath of undeniable musicality, Isak is a constant, alw…
Heirloom is the first Lisa Ullén solo recording to appear on LP and exploits the two-sided nature of the physical format with two variations of the same three-part suite, exploring what it means to be ‘in between’ — be it genre, method or identity. The combination of Ullén’s deft control, patience and unconventional technique makes ‘Heirloom’ a sublime, ravishing listen. The LP is pressed on clear vinyl in an edition of 300 copies and housed with a photo of the small box of the possessions she b…
“The score aims to evoke the experience of proximity to the sun—a dual force that can be soothing one moment and hazardous the next. Sunkiss embodies this duality, where the sun's radiant energy sustains life's flourishing while also capable of devastating destruction. To be kissed by the sun signifies both blessing and curse, illuminating the fragile balance between vitality and peril that defines life on Earth.”
Sunkissed is a live recording of a four-hour performance directed by Mylan Hoezen …
««Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories.» Ludwig Berger’s ‘fictional’ debut album «Garden Ediacara» unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fant…
2008 release. The Compromise Is Not Possible was composed at the end of the 2004 by Slobodan Kajkut. It was commissioned by Hoerfest, a festival of contemporary and experimental music. Composed with the concept of combining contemporary techniques with heavy metal elements, the piece brings crushing guitar/drums parts with various screamings of voice, combined with silent high and low organ drones.
Once again, five years took Kajkyt to accomplish his new work. Unlike his previous work KRST, which was single 75-minutes piece, II shows Kajkyt's interest in more structured forms, almost "pop songs". Still focused primary on his voice, Kajkyt continue to deliever heavy beats and bass lines, accompained with large spectrum of droning and ambiesque sounds. In some way, a book of extremes: hard industrial clashes and beautiful nature of silence, which was always his trademark...
No one ever accused the Trux of being one-sided. You're living in the fabled land of knobs. UnEarth'd: half-formed diamonds swimming in sludgebuckets from the time of the Ultra-Dinosaurs! Nugs of 90s Ur-glam; in the light of this new century, they opalesce an eerie gleam. Trux forever, haters whatever! One sided LP.
Another five years were necessary for Kajkyt to destroy old and develop completely new musical concept. III explores territories of complete alienation, abstraction, degradation. A four-part process of pulses that increase to complete reduction and secession.