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An anthroposophical striptease of the soul, between dystopian chansons, primordial mantras, and musique concrète—both timeless and masterful.„So COME OUT, you rotten cocksucker, here's your fucking POP SONG.“After fourteen band albums that range from old to new music, improvised to experimental, folklore to industrial, Maja Osojnik is releasing her first solo album LET THEM GROW, in which she searches for the simple song that combines all of these elements both in herself and in its sound.LET TH…
In most European cities you can find many canals that have been covered. Often though, underneath the cement and our frenetic lives, they still run. Constantly flowing water, unknown to us. Maybe we feel it. Maybe it influences us and we do not know it. It would be nice to lie down in between a 19th Century tram track among the windows of stores up for rent and wine bars offering refuge and put an ear to the cobblestones, like they used to do in the prairies to hear if a train was coming. I am s…
ini.itu is releasing a new vinyl LP, composed by Masayuki Imanishi. Masayuki is a Japanese sound artist using paper, a microphone, a radio, field recordings, various objects and any other things which catch his interest. He has collaborated with Leif Elggren, Kouhei Matsunaga, Vampillia, The Body and many others. . This LP “Tone” was built using radio, paper, tapes, debris and other objects. It is based on an experimental approach that aims at repeating the dismantling, rebuilding, amplification…
ini.itu is releasing a new vinyl LP, composed by Wíeman ( Roel Meelkop and Frans de Waard ). Roel Meelkop studied visual arts and art theory at the Willem de Kooning Academy in Rotterdam, The Netherlands. He is a member of Goem, Kapotte Muziek and THU20. In the last couple of years, Meelkop has focused on solo works in composition and installation work. Frans de Waard is making music since more than 25 years under many aliases and in different line-ups, the most well-known being Kapotte Muziek, …
The latest transmission from Joachim Montessuis curated Erratum imprint sees the return of the inimitable Charlemagne Palestine, casting a spellbinding invocation of organ ritual music. A self-described “maximalist composer”, Palestine originally developed his organ technique in 1964 with a debut performance as an organist in New York City, after decades of recognition since the 1960s, as a leading Minimalist composer and visual artist. He has long been fascinated by drones, rituals, repetition…
Though their music was beyond the ordinary, they were never able to release an album during their short lifetime. Pazop was formed at the end of 1971 by vocalist and flautist Dirk Bogaert, keyboardist Frank Wuyts, violinist Kuba Szczepansky, bassist Patrick Cogneaux, and drummer Jacky Mauer. Wuyts and Szczepanski had just left progressive rock band Wallace Collection, Wuyts had previously been involved with Bogaert, Cogneaux, and Mauer had been in another short-lived prog band,Waterloo. Cognea…
Though their music was beyond the ordinary, they were never able to release an album during their short lifetime. Pazop was formed at the end of 1971 by vocalist and flautist Dirk Bogaert, keyboardist Frank Wuyts, violinist Kuba Szczepansky, bassist Patrick Cogneaux, and drummer Jacky Mauer. Wuyts and Szczepanski had just left progressive rock band Wallace Collection, Wuyts had previously been involved with Bogaert, Cogneaux, and Mauer had been in another short-lived prog band, Waterloo. Cogneau…
Reissue of the 2nd Moving Gelatine Plates album, originally issued in 1972; with 5 bonus tracks from 1980. "The World of Genius Hans is often given the nod over Moving Gelatine Plates' self-titled debut album as their defining moment, which is surprising considering both albums are extremely close in quality. Certainly, the second release by this band is a continuation stylistically, perhaps more compositionally refined and taken a step further.
The opening title track showcases the band's abi…
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
The new work by Gianfranco Pernaiachi is based on a re- working/re-thinking of a previous piano score: Abendland. This new work, passing thru a series of "actions" and further writings, became a completely different piece. Most important it's became an "open form" piece, expected to be interpretated by different people in different ways and, more important, with different artistic means. This edition contains 5 possible "interpretations": two musical ones, a piano verision by Pernaiachi himself …
Eggstream is Pak Yan Lau, Norberto Lobo and Giovanni Di Domenico. Brussels-based João Lobo (1981) represents a new generation of jazz musicians and throughout his career he played with international top figures, namely Roswell Rudd, Julian Arguelles, Chris Corsano, Akira Sakata, Nate Wooley, Scott Fields, Fred Lomberg-Holm, and many others. In Portugal Lobo has collaborated with Carlos Bica, the late Bernardo Sassetti, Mário Laginha, Carlos Barretto, João Paulo Esteves da Silva, Júlio Rese…
Ian Brighton is an improvising guitarist known mostly for his work between the 70s and the early 90s playing alongside Lol Coxhill, Philipp Wachsmann, Marcio Mattos, Trevor Taylor, Frank Perry, Radu Malfatti Veryan Weston and Larry Stabbins. He also was part of the Spontaneous Music Ensemble with John Stevens, Trevor Watts and Evan Parker, the Tony Oxley Quartet and co-founder, with Trevor Taylor, of the Alternative Music Orchestra. After an absence of nearly 30 years, interest was expressed whe…
Schall und Rausch was formed by accident, a considered accident with some intentions. Johan Arrias was in Berlin the summer of 2014 and we took that opportunity to work together and thought about possible combinations. Axel was free and Kai was also open to the idea to play a house concert together. It was warm, free, and immediately there was a sense that the music was asking questions and answering them in equal measure. There was a sense of joy that appears when possibilities reveal themselve…
Recorded live at Ftarri on 16th October 2013. Recorded & mastered by Taku Unami. ".... it was October 2013 ... Radu, Klaus and Nikos came to Japan. The last day of their tour, Ftarri was booked but it was uncertain what would be done there … so we decided to invite all our friends to join just a few days before." (Taku Unami)
Tetuzi Akiyama : acoustic guitar
Moé Kamura : voice
Radu Malfatti : trombone
Kazushige Kinoshita : violin
Masahiko Okura : tube
Nikos Veliotis : cello
Taku Unami : electric…
Cremaster: Ferran Fages - feedback mixing board, electro-acoustic devices / Alfredo Costa Monteiro - objects on electric guitar, electro-acoustic devices & Sophie Agnel: piano. Recorded separately in Barcelona and Montreuil between 2009 and 2011. Final assemblage in March 2012. Mastered by Ferran Fages. Between 2010 and 2012 Cremaster started a series of collaborations with Sophie Agnel and Angharad Davies. After more than 10 years dealing with electro-acoustic devices they wanted to go further,…
A side, piano, live at Roulette, New York, 2013. Mostly inside piano in a dense stream.B side, clavinet, live at High Zero, Baltimore, 2013. The electric piano becomes like an electric guitar with lot of preparations! Based in Berlin, Magda Mayas doesn't so much play the piano as push it to its utmost limits. Both in her performance and compositions, Mayas jumps as freely between the free jazz and experimental genres as she does record labels. Records described by critics as powerful and breatht…
Alan Licht: guitar, electronics. Tetuzi Akiyama: guitar. Oren Ambarchi: guitar on 'Blues Deceiver'. Rob Mazurek: cornet on 'Tomorrow Outside Tomorrow'.Recorded by Makoto Oshiro, Tokyo, Nov 4, 2014. Mixed by Ted Young & Alan Licht at Outer Space, Brooklyn, July 15, 2015. Over the years Alan Licht (USA) and Tetuzi Akiyama (Japan) have individually explored the lines that divide improvisation, composition, folk, blues and experimental music. It was inevitable their careers and styles would cross pa…
Prolific Japanese artist Masami Akita aka Merzbow teams up with session musician, producer, and singer-songwriter Eiko Ishibashi for a work that showcases yet another side to Akita's monumental catalog. Kouen Kyoudai consists of two side-long tracks that could be read as a contemporary take on the traditional avant-garde. With its skittering electronics, percussion, piano, doom, and noise, Kouen Kyoudai seamlessly incorporates many strands of experimental thought and practice. The tension th…
Superficie is the first album of the collaborative project between Maurizio Abate on electric guitar and Alberto Boccardi on electronics and percussions. The first raw elements of the work were recorded during a 6-days studio sessions in January 15, the materials then has been processed with the support of Gianmaria Aprile across Spring. Alberto produces electronic textures and lean effective rhythmic patterns through the use of modular and analog synth and acoustic drums, while Maurizio transfi…