Jazz & Improvisation / All styles

Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…

Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…

Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…

Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…

Roman pianist and film composer Armando Trovajoli scored over 300 feature films during his remarkable career. Starting out in the 1930s as a player in Orchestra Rocco Grasso and Sesto Carlini’s beloved jazz orchestra, in 1949 he represented Italy at the Festival du Jazz de Paris and he began composing films three years later. Jazz Piano, released by RCA in 1959, saw Trovajoli fronting a quartet with three of his regular orchestra members, namely drummer Sergio Conti, bassist/arranger Berto Pisan…

With track titles translating to Song For The Devil and The Witches, Francois Tusques’ rarest commercially released LP casts an early stylistic premonition of the vampire themed improvised soundtracks recorded for director Jean Rollin merely months after its release. Assembling the very same group of musical sorcerers this albums personnel (featuring, amongst others, soprano saxophonist Barney Wilen) reads like a who’s who of France’s early improvised music/free jazz scene resulting in a wholly …

Lamunai Records is proud to announce Philosophy Gang, the 1st opus of the Indonesian master Harry Roesli, a sought-after Indonesian album, musically at the crossroads of psychedelic, soul and jazz, lightly tinted with exotic Indonesian sounds. Expect funky brutal drums, mad organ solos, fuzz guitar brillIiantly mixed to softer sounds. Another gem finally reissued! Political activist, a prominent member of the Tradisi Baru Movement (New Tradition) who emerged in the 1970s, Harry Roesli worked wit…

**Marbled transparent green vinyl** In The Skies (1979) is the second solo album by British Blues Rock inventor Peter Green, who was the founder of Fleetwood Mac and a member from 1967-70. In The Skies was released almost a decade after his first solo stint The End Of The Game (1970). Accompanying Green on this album were several experienced session musicians, including Snowy White, who went on to work with Pink Floyd before joining Thin Lizzy. White contributed some of the lead guitar work on t…

On the jazz front with these blogs I get exposed and in turn expose you to a fair number of names you may not know well. In the free-avant realm that has something to do with the underground nature of much of the music. I am glad to hear the music a great deal of the time--and pass along the news when something seems worthwhile to me.In the instance of Sleepless in Chicago (No Business NBLP 70) we have another in the admirable series of small-quantity release LPs No Business devotes to artists o…

Tenor saxophonist Edward Kidd Jordan and drummer Alvin Fielder have been a fixture in their southern outpost for nigh on forty years, but they've rarely been heard to such good effect as on Trio and Duo in New Orleans. This wonderful two CD set brings together music from three separate dates. The first disc (also available as a double LP) comprises a 70-minute exchange between the American pair and hugely talented peripatetic German bassist Peter Kowald in April 2002, five months before his unti…

A wonderful run of music from the great Steve Lacy – all of the larger group recordings done for the Black Saint/Soul Note label – nearly 20 years of really inventive albums! Lacy's solo and smaller group material were already collected in another excellent box in this series – but this collection shows Steve stepping out in a mode that's not nearly as well-represented on other labels – some of his more intense, complicated efforts – done with both familiar associates, and some surprising choice…

The story of the founding of AACM is repeated often enough that it’s codified into legend: pianists Muhal Richard Abrams and Jodie Christian, drummer Steve McCall and trumpeter Phil Cohran, having come together in Abrams’ Experimental Band, met to lay the groundwork for what would be an independent organization for the production and promotion of creative jazz on Chicago’s South Side. As an organization committed to egalitarianism and self-determination, Abrams’ clear role as the spiritua…

The legendary jazz recordings made by Black Saint/Soul Note make a welcome return to the active catalog with this series of specially-priced boxed sets that highlight some of the label's finest artists. Roscoe Mitchell - The Complete Remastered Recordings features nine discs in slipcases with original album artwork housed in a clamshell box. Included are Mitchell's 3x4 Eye, Roscoe Mitchell and the Sound and Space Ensembles, The Flow of Things, Live at the Knitting Factory, Duets and Solos, This …

In the Complete Remastered Recordings on Black Saint & Soul Note box set series, Steve Lacy's Solos, Duos, Trios volume is a standout. These recordings are not arranged chronologically, but according to the number of personnel involved on their individual dates. The set commences with 1985's Only Monk and is followed by More Monk from 1989. These are both brilliant recitals by the man who was one of the Thelonious Monk's greatest interpreters. The programs are a balance of canonical and lesser-k…

The tenth Conference Call album and the first with drummer Dieter Ulrich taking over for former drummers Matt Wilson, Han Bennink, George Schuller and Gerry Hemingway, the 20 years journey for this transatlantic band leading to this album captured in the studio in Central NY while on tour, performing 3 original compositions from Ullman, 2 from Fonda, and 2 from Stevens. "The gift of playing music together with the same people over 20 years is priceless. A long-standing musical ensemble becomes a…

As the title implies, this McCoy Tyner release is a low-key, after-hours affair. Far removed from the intensity of work with then-boss John Coltrane, Tyner stretches out on a fine mix of standards and bebop classics. The pianist, of course, always had his own fleet and rich way with ballads, in spite of the galvanizing marathon solos he became known for on live dates and his later experimental recordings with Coltrane. His ballad style is even touched with a bit of sentimentality, which thankful…

The six tracks include originals by Ervin "Scoochie", pianist Ronnie Mathews "Dorian" and "Honeydew", and Haynes "Bad News Blues" as well as tremendous versions of Randy Weston's "Sketch of Melba" and Hubert Giraud's "Under Paris Skies." Recorded at Rudy Van Gelder's studio in Englewood Cliffs, NJ on April 6, 1963, this soulful and adventurous album deserves a place in any modern jazz collection. Personnel: Booker Ervin - tenor saxophone;  Ronnie Matthews - piano; Larry Ridley - bass; Roy Haynes…

House Party is the fourteenth album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and 1958 and released on the Blue Note label. Rudy Van Gelder used the Manhattan Towers Hotel Ballroom in New York City for recording sessions in 1957-1958, while he was still using his parents' Hackensack, N.J. home studio to record artists for Blue Note. House Party was the first of two Smith albums recorded on two dates, the second was Smith's next album The Sermon!, released in 1…

A very welcomed reissue of this long out of print and hard to find Turrentine's Live album. Originally released on Blue Note as two separate volumes, "Up at Mintons' catches the Stanley Turrentine quintet live at the mythical Minton Club in NY, in 1961, when the tenor saxophonist was leading a super tight quintet featuring Grant Green - guitar, Horace Parlan - piano, George Tucker - bass and Al Harewood - drums. This is hard swinging soulful Jazz at its Best!

This great document consists of two different 1956, Hollywood, studio sessions with the young John Coltrane leading a true Jazz delegation from the east, in other words a NY/ Philly based quartet featuring young lions such as pianist Kenny Drew, bassist Paul Chambers and drummer Philly Joe Jones. These are good solid blowing sessions, originally not even scheduled for a release and consisting of fine and surprising renditions of Charlie Parker's "Dexterity", Benny Golson's "Stablemates" and Cole…

What style of piano does Elmo Hope play? It would be easy to answer “The same as Bud Powell,” but this would not do justice to a musician who, while coming along the same route as Bud for so many years, is now ploughing a separate path for himself, though in a similar general neighborhood. His original material, though it has the intense, rapt quality of Bud’s, remains personal, whether it be the relatively serene approach of Happy Hour or the minor Moroccan mood of Stars Over Marakech. When you…

The date took place just a week before Brownie took off for Europe, as a member of that vast edifice built by the master of multiple decibels, the Lionel Hampton orchestra. Like Gigi Gryce, the alto saxophonist and fellow-Hamptonian whom Brownie pressed into service for this session, the young hornman found the occasions for expressing his individual personality few and far between in so large and monolithic an organization. The opportunity to record with a small, compact group, aimed at the cre…

Typical Chico genius of the era. This is one of only two recordings by Chico's fourth quintet lineup, Bye Bye Birdie - Irma la Douce being the other. Featuring Charles Lloyd on alto sax and flute. The numbers featuring Lloyd on flute (like "Autumn Leaves", "New Rhumba" and "Afternoon of a Breeze") are especially cool.

Recorded at Capitol Studios in Los Angeles in August 1954, this is the first Emarcy recording of the legendary Brown & Roach Quintet featuring the great Harold Land on tenor sax, Richie Powell on piano and George Morrow on bass. Under the direction of two modern Jazz masters such as trumpeter Clifford Brown and drummer Max Roach the quintet shines through a fine set of classic standards, including "Stompin' at the Savoy", Cole Porter's "I Get a Kick out of You" and a couple of Brown-Roach origin…

Here's a true West Coast soul-jazz gem originally released on pacific jazz in 1961. Les McCann's warm and emotional singing shines over some gorgeous big band arrangements signed by the great conductor and bandleader Gerald Wilson. McCann's usual trio with Herbie Lewis on bass and Ron Jefferson on drums is augmented by a phenomenal bunch of West Coast top musicians including clarinetist Buddy Collette, tenor sax lions Charles Lloyd, Teddy Edward, and Harold Land, and two absolute guest stars: te…

Harold Land, one of the greatest West Coast tenor saxophone voices of all time. A strong player rooted in Bop language, famous for his role in the legendary Max Roach and Clifford Brown quintet and later as part of another great Los Angeles based combo such as bassist's Curtis Counce group. The Fox is a 1960 album originally released on the Hifijazz label and reissued by Contemporary in 1969. Here Land is at the head of a marvelous quintet, some sort of who's who of the LA jazz scene: Dupree Bol…

Released on Riverside records in 1962, "Letter from Home" was the debut album of Jazz vocalist Eddie Jefferson. Often credited as the founder of vocalese, Jefferson wrote memorable lyrics to classic jazz standards including "Parker's Mood.", "Lady Be Good," "So What," "Freedom Jazz Dance,"...  Eddie Jefferson is backed here by a bunch of Jazz heavyweights, all at the top of their game. Among them: tenor sax masters Johnny Griffin and James Moody, trumpeter Clark Terry, pianists, Winton Kelly, an…

Earl Palmer the man behind the evolution of the backbeat from Jazz and R&B to Rock 'n' Roll. One of the great figures in the New Orleans music scene and one of the most-recorded drummers ever. His highly dynamic drums style has served hundreds of hitmakers such as Fats Domino, Little Richard, Sam Cooke, Ray Charles, The Beach Boys, Eddie Cochran, Dinah Washington, Dizzy Gillespie, you name it. "Drumsville" originally released on Liberty Records in 1961 features a selection of rare gems produced …

Musically born in the great tradition of Charlie Parker, Sonny Stitt was one of the alto sax giants in Jazz history. Recorded in 1963 and originally released on the Roost label, "Stitt goes Latin" catches him at the head of an all-star line-up, a highly distinctive combo in full Latin mood, featuring Thad Jones on trumpet, a young Chick Corea on piano, Larry Gales on bass and a fabulous drums + percussion section with the great Willie Bobo on drums, Carlos "Patato" Valdes - congas, bongos and Os…

**Edition of 200 copies. This is the sixth release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound** In the context of European free improvised music, it would be hard to find a name that towers to the heights of Peter Brötzmann. Trained as a visual artist, the saxophonist turned toward music during the second half of 1960s, and quickly became a focussed, creative lens for the…

**Edition of 200 copies.** For fans of European free jazz, Globe Unity Orchestra needs little introduction. The project is nothing short of legendary, carving a path over the last half century. Formed as with a commission received by Alexander von Schlippenbach in 1966 - debuting at the Berliner Philharmonie late in that year - it joined three of the most powerful forces in German freely improvised music as a single unit - Gunter Hampel's quartet, Manfred Schoof's quintet, and Peter Brötzmann's …

The recording of the last show ever in the legendary NYC club was only available in a limited run of semi-official cd-bootlegs. Now mastered for vinyl, screenprinted cover - design of course by Peter Brötzmann, handnumbered. Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Recording by Bruno Soria, Ulrich Petereit. Mixed and mastered by Martin Siewert in Vienna. Artwork by …

Born in Paris, raised in Vienna, resident in Ibiza, saxophonist and composer Muriel Grossmann embodies the borderless, pan-continental energies of contemporary European jazz. Her music emerges from the lineage of European jazz that’s absorbed the progressive music of Coltrane, Dolphy and Sanders. Today, she cites players such as Illinois Jacquet and Lester Young in the same breath as the masters of the avant-garde, and her playing marries the directness and eloquence of the older generation with…

Luca Mannutza, born in Cagliari, Sardinia, in 1968, has spent more than half of his entire life as a jazz musician, under multiple roles: from being a simple passionate listener and a researcher he soon became interpreter, composer, arranger and producer, everything in the name of a musical genre that since the early ’90s has literally obscured anything else. Therefore, we find Mannutza debuting alongside big personalities such as Paolo Fresu, Emanuele Cisi, Maurizio Giammarco and Bebo Ferra, an…

The enchanting atmospheres, the daydreams, the sketches and the caricatures of some other legendary film scenes. This and much more will live in one of the most anticipated records of the year: “Enchantment, the spell of Nino Rota”, the Tribute to Nino Rota, gentle and sweet man, always smiling, as brilliant in writing music as much as modest in all other aspects of life, that Fabrizio Bosso pays to him with the extraordinary participation of the London Symphony Orchestra, on arrangements and di…

Starring the multi-awarded vocalist Cleveland Watkiss and pianist Antonio Figura, “Ukitusa” was recorded in July 2011 in an open, mountainous region of Northern Italy in a peaceful town in the vicinity of Udine. Five musicians from three different countries came together with open ears and hearts to create a special collection of music. The genesis of the band was interesting. Through Antonio Figura, the nuclear member of the group, each of the musicians had some prior contact with at least one …

Lunar is a journey into the magical freedom of Lorenzo Tucci and Luca Mannutza. Hardly ever happens in jazz music to be caught by a charming madness, a folly vein whose effect is so attractive as disarming. It’s not about listening to an improvvisation, which is something unexpected by its nature. It’s about the true freedom of expression of a journey into sound whose route is shaped by this madness, something that can be unleashed without fear only by someone with strong skills and total contro…

In today’s jazz scene it’s pretty much common knowledge that maintaining a stable group of working musicians is no small task. All too often economics dictate that in order to survive in the creative jungle, a working musician must keep his options open. So with this in mind one can take heart when many such in-demand musicians through their own desire make time in their very busy lives to return to a project that they hold close to their creative souls. It is precisely this center of gravity th…

“Antonio knows how to exploit the dynamic qualities of the piano, and he honours the spaces between the notes. He’s achieved a truly timeless trio sound that really gives your imagination space to wander. His trio both play with empathy and unleash the fire when necessary, and the high production values on this record also make it a real aural treat”- Soweto Kinch “Strong Place”, out in January 2010, features the Afro-American rhythm section of Herbie Hancock, one of the most famous in the New Y…

**CD Digipak issued with 28 page book and a slip case** This album of waltzes by the Clarke-Boland band is a compilation of pieces from four different sessions, the first of which, in February 1966, produced the album Swing, Waltz, Swing. This LP was one of a series of recordings made by the Philips company, under the direction of label manager and jazz producer Siegfried Loch, to be sold with twen, the Cologne-based magazine for young people, published by Hans Hermann Koper. Says C-BBB founder …