Jazz /
Gnu High
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
The New Quartet
As well as being the great vibraphone innovator of the era, Gary Burton is known for his unparalleled intuition as a talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would soon become one of the most in-demand session players across all genres. “It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work,” wrote Melody Maker. Guitarist Mick Goodrick also emerged as a player to watc…
Saudades
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Old And New Dreams
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
Complete Communion: Live in Stuttgart 1966
The legendary Don Cherry with his great 1966 quintet featuring Gato Barbieri (tenor sax) Karl Berger (piano) Bo Stief (bass) Aldo Romano (drums) which can also be heard on three fine releases on ESP-Disk, and with the New York Total Music Company in 1968. His quintet was on very fine form at this time, it captures a crucial stage of Cherry’s journey from free jazz to yet wilder territories. The recording was made for radio broadcast and is nice and clear: this is the first time it has been is…
Gift
Recorded on December 1, 2009 at the Instants Chavirés in Montreuil. Marteau Rouge, legendary band composed of Jean-Marc Foussat (VCS3 synthesizer, toy voices), Jean François Pauvros (guitars, voices) and Makoto Sato (percussions). And the tenor saxophonist and soprano Evan Parker with whom Marteau Rouge had already recorded a CD, “ LIVE”, the year before, released by In Situ in 2009.Hammer Rouge is a trio focused in the tellurical, electric noise with Pauvros’s saturated and electrocuted guitar …
L'Ile des Trésors
Jean-Jacques Duerinckx: baritone and sopranino saxophonesJean-Marc Foussat: AKS synth, piano, toys and voiceRecorded live at Haekem Theatre. Brussels, the 16th of May 2023 by Jean-Marc Foussat
East Meets West
Huge Tip! Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Ma…
A Part
*2024 repress* Recorded on 29 September and 1 October, 1970 at TSC Japan. Rare and rich contents from 1970s Japanese jazz which is now gathering global attention, originally released on Terumasa Hino's private label Love Records and distributed by a Japanese major label. Representing "Ode To Workman" from J Jazz : Deep Modern Jazz From Japan 1969-1984 released on BBE, in his session with local NY musicians, Peace And Love along with three other reissues are so important pieces in 1970s independe…
Love Nature
*2024 repress* Rare and rich contents from 1970s Japanese jazz which is now gathering global attention, originally released on Terumasa Hino's private label Love Records and distributed by a Japanese major label. Representing "Ode To Workman" from J Jazz : Deep Modern Jazz From Japan 1969-1984 released on BBE, in his session with local NY musicians, Love Nature along with three other reissues are so important pieces in 1970s independent jazz. The fourth and last work form Terumasa Hino's Love Re…
Day By Day
Wicked, soul-jazz album from the mid 70s with touches of 60s pop / psychedelia! First ever reissue of this privately-pressed obscurity.
Live at the Hillcrest Club 1958
This record marks a turning point in jazz history. It may be the earliest recorded example of what Ornette Coleman later called "free jazz," and it represents the first rumblings of the revolutionary movement which eventually shifted jazz thinking away from bebop. This double LP includes the complete show recorded live at The Hillcrest Club of Los Angeles in 1958.
Ballet Etudes
Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism.…
Hip Harp / On A Minor Groove
Doxy present a combined reissue of legendary jazz harpist and poly-instrumentalist Dorothy Ashby's Hip Harp and In A Minor Groove, both released separately in 1958. Both albums feature Frank Wess. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene a…
Nasty Gal
* Metallic Gold Wax * In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty pave…
Live At Cafe Oto London
"I've been listening to Christoph Gallio and the various incarnations of Day & Taxi for over three decades – almost since its inception. On this album, however, the Swiss saxophonist makes a debut with a different trio, featuring British improvisers Dominic Lash and Mark Sanders. The result is pungent, powerful music on the cusp of free jazz and free improv – a dichotomy that helps define Gallio's work, though he also composes. Listening to this wonderful album invites re-consideration of the rh…
The Legendary Trio At Birdland 1960 „Revisited"
"This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
Volume 2
*200 copies limited edition* Volume 2 is the long awaited followup from the all-star Chicago trio of Quin Kirchner, Daniel Van Duerm & Matthew Lux. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on "Absent Crash," Kirchner's steady & insisten…
Maelström
Founded in the vibrant musical haven of Brussels in 2015, Azmari have been crafting a truly unique tapestry of musical exploration. Melding intricate jazz textures with intoxicating oriental influences, mesmerizing ethio grooves, enigmatic dark funk, and the pulsating beats of dub music, Azmari defies conventional labels to weave a narrative of sonic innovation and artistic liberation. Influences range from an eclectic array of artists, including Okay Temiz, Heliocentrics, Whitefield Brothers, S…
Live in Paris - 1971 (The ORTF Recordings)
"Don Cherry delves into Turkish rhythms, accompanied by his long-time Don Cherry Trio members: Turkish drummer Okay Temiz and South African bassist Johnny Dyani. The vinyl LP is manufactured in Istanbul under the guidance of Mr. Okay Temiz, the only living member of this iteration of the Don Cherry Trio. The LP has been remastered from original material housed in BYG Records' vaults by Okay Temiz & Mert Ucer and licensed from BYG Records, France.
This LP features the recording by the Don Cherry …