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pre-purchase all the next volumes - 3 thru volume 11 (with the exception of vol 6, 1, and 2) of the Arkestra IUCC series… save on shipping and guarantee yourself a complete set! Each volume contains a separate “last Sunday of the month” recording of PAPA @ the IUCC. presented in full as raw transfers of the reels..Releases will be in gatefold wallets with exclusive photos and featuring liner notes by Mark Weber… the entire series comprises roughly 18 hours of recorded material, all volumes in th…
*2023 stock* Recorded in Royal Alzheimer Hall, Thessaloniki, Greece, January 2015, Limited release of 500 unique record covers for the 500 hand-numbered copies of the Basenezmen music project. Two of the most important musicians in Greece are currently together for the first time to present ‘basenezmen’ project. They improvise under rythmic structures in form of jazz, rock, ambient and folk music.
*2023 stock* Lakis Tzimkas and Milcho Leviev came in contact in 2002 during their first common performance. Ever since, a special bond has been created in both personal and artistic levels. One of the outcomes of this common progression is this recording, five years before Milco Leviev had passed (1937-2019). This CD features compositions by both. The style oscillates between the classical and jazz music bordering the cinematic. Musical narrations create a tension that births the sense of depth,…
*2023 stock* "Almost two years of inactivity have passed. The main reason was the pandemic, of course, but there was also a second one, an eight-month period when I could not use my left arm because of a shoulder fracture. But still, on the 21st of October 2021, I performed solo at the Open Jazz events of Demetria Festival. In one of the old warehouses in the port of Thessaloniki which have been converted into cinema halls. Right across the port authority where I served for three years. The tens…
*2023 stock* The Orange Blue Green band improvises freely in the true sense of the word. An improvisation initiating from the very first sound produced without any prior coordination regarding the style, structure or anything relating to the overall musical form. An acoustic, almost classical trio that has embraced the fundamental features of the sound of chamber music, along with the various musical idioms and experiences of the members’ multi-dimensional course. Their music features a primal e…
The first duet album by Rhys Chatham and David Fenech, two well-known musicians of the experimental scene. It is a long piece of music in a minimalist spirit, where the two guitarists meet and merge with Rhys’ trumpets, flutes and vocals and David’s small percussion.This record has an organic feel and natural development that makes it unique. Tomorrow starts tonight !
Rhys Chatham is best known for his compositions for electric guitar orchestra… he began his musical career as a harpsichord tuner…
Michael Fischer is an Austrian musician, composer and instant composition conductor. He works on the immanence of language within sounds, their sculptural and dramatic evidence, on the tenor saxophone, the violin, on cd-player setting and conducted instant compositions, in improvised and experimental music. Since 1999 he connects the electro-acoustic phenomenon feedback with acoustic instrumentation by creating and playing the feedback saxophone. He also collaborations with literary writers, dan…
GBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both…
Blurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine. Shortly thereafter Jake …
Tip! Recorded a month after Outspan No 1, this album offers up four more sonic delights from the core trio of Brötzmann, Van Hove, and Bennink. Rarely has free jazz/Euro improv/circus music/[your identifier here] sounded so unfettered and delightful -- adventurous without seeming self-serious, silly yet not without gravity. A must for any fan of these three maestros.
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Bo…
Enshrined in the Penguin Jazz Guide’s "Core Collection", this quintessential platter of Sun Ra’s late 1950s Chicago ensemble showcases the brilliant tenor sax stylings of John Gilmore, and introduces Arkestra mainstays Marshall Allen, Pat Patrick, and Ronnie Boykins. Recorded and issued in 1959, it marks a coda for the bandleader’s bebop/hard-bop stage, as his interstellar traveler persona began to transform the band (and the music). Many of the early works on these recordings would remain stapl…
A suite of four new compositions from Johnny Hunter, performed beautifully, stylishly, and most creatively by this trio of great players. The music treads a fine line between free jazz and free improvisation, areas where these musicians live easily and naturally. By turns exciting, textural, sensual, joyously cool. Johnny writes "The recording came off the back of the trio's tour where they were performing purely Free Improvisation. The interest is in how they would now treat some composed mater…
11th Street Fire Suite is a post-BAG (Black Artists Group) classic. An emotionally ranging set of blues-drenched duets by alto saxophonist Luther Thomas and flutist Luther C. Petty, it's one of the great documents of the St. Louis creative music diaspora, a wild ride through turbulent and beautiful terrain on a slab of vinyl that's as rare as hen's teeth in its original form. Relocated from their midwestern hometown to New York City, Thomas and Petty entered the studio in 1978 with a fellow musi…
Paris, marked by the passage of time - Paris, alive and cosmopolitan -Paris, inspiration to poets - The City of Light!
“3D@Paris” interweaves music with the sounds of everyday life in Paris. Let yourself be swept along on a dreamy stroll through the city. The charm of murmuring voices. The fascinating musicality of crumpling paper, the rhythmical beat of the Metro. The musicians respond, enhance, offset. There is a beguiling story being told here.
As a composer, Cécile Broché proposes a complete…
Two mountains, three meditations, and three murmurations, interwoven in dynamic duo performance, presented in order of emergence at the time of the music’s making. Tromans and Sanders have worked together on a number of projects in the last decade, including Tromans’ Birmingham-Chicago Improvisers’ Ensemble (as featured on BBC Radio 3) and Sid Peacock’s acclaimed Surge Orchestra, but this is the first time they have recorded together in a duo setting. The session was suggested by Sanders in earl…
Conducted by Mats Gustafsson for two 9 piece chamber ensembles, 4 soloists, tape machine, turntable. Recorded at the Avant Art festival, Warsaw, Poland, 2022. The monumental composition for 27 musicians by Swedish saxophonist, improviser and composer Mats Gustafsson is an in-depth exploration and continuation of the previous piece Hidros o.T. (2019), commissioned by NyMusikk Trondheim, inspired by the mirrored forms and visual structures of artist Mathias Pöschl. Controlling 3 different groups o…
'The initial idea behind Ensemble E was to combine traditions of Contemporary Music, Noise, Improvised music, Free Jazz and other experimental music fields and traditions with the deeper music traditions. This is deeper research of traditional and non-traditional ways of expressing folk music of Scandinavia, Portugal, Poland, Ukraine and more. Much more. By putting them next to each other/ on top of each other/ inside of each other. Creating new ways. The instrumentation of Ensemble E is spectac…