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* Repress: Embossed cover artwork, incl. printed inner sleeve * A student of both Pierre Schaeffer and Eliane Radigue, since her emergence during the 1970s, the French composer, Michèle Bokanowski, has carved a fascinating trajectory with the fields …
First complete recording of Bernard Parmegiani's Stries (1980) for three synthesizers and tape, reconstructed and performed by Colette Broeckaert, Sebastian Berweck and Martin Lorenz from the original score and tapes in the INA/GRM archives.
Five first recordings of chamber works by Hilda Paredes, written between 1995 and 2013: Señales with Irvine Arditti and Ensemble Signal, solo pieces for piano and for bass clarinet, and two works played by ensemble recherche.
Two multi-channel electronic works by Iannis Xenakis from the 1970s, Hibiki Hana Ma and Polytope de Cluny, restored from the original tapes and mixed for 5.1 surround and stereo by Gerard Pape.
This bundle collects the two most recent Recollection GRM releases:Michèle Bokanowski "Rhapsodia / Battements Solaires" (LP)Lionel Marchetti "La grande vallee / Micro-climat" (LP)Since the mid-2010s, Recollection GRM - the celebrated vinyl only impri…
A 49-minute work in nine movements by Chantal Dumas, commissioned by Deutschlandfunk Kultur and premiered in 2018, on the undulating motions of the Earth: earthquakes, mantle convection, geysers, earth tides, geomagnetism and the Mid-Atlantic Ridge.
Five acousmatic works by Stéphane Roy from 2008 to 2019, from the hurtling machine pulse of Train d’enfer to Les aurores pourpres, shaped with an infrared hand sensor from sound banks he made at Stanford in the early 1990s.
Seven works by the Argentine composer Elsa Justel from 2001 to 2017, from radio pieces and a danceable electroacoustic tango to commissions for the GRM and Musiques & Recherches, and Yegl, a lost file haunting everyday machines.
Six acousmatic works by Belgian composer Todor Todoroff from 1991 to 2017, from the quadraphonic Baudelaire piece Obsession and a computer-simulated pendulum to Requiem for a City, written after the Paris attacks of November 2015.
2020 repress, originally released in 2013. Recollection GRM assembles Greek experimental composer Iannis Xenakis' works for Groupe de Recherches Musicales circa 1957-1962. "Concret PH" (1958) was assembled for the Brussels World Fair. The industriali…
Another remarkable reissue from the hallowed GRM archive, three major works of ultra-vivid, immersive and inventive music by Bernard Parmegiani, one of the 20th century's most revered and important electro-acoustic composers
Five field-recording based works by Annie Mahtani from 2008 to 2019: the Black Country Living Museum, Amazon nights from the Mamori Sound Project, thousands of ice sculptures by Néle Azevedo, wind in the Cheviot Hills, and a piece for her sister.
Eight works by Nikos Stavropoulos from 2003 to 2017 on intimate, close-up acoustic space, several conceived in 5.1 or ambisonics, among them Topophilia, Karst Grotto and Granicus, written for percussionist Alexander Pepelasis, who plays it here.
The first album by the Lausanne-born, Brussels-based Sophie Delafontaine: six acousmatic works from 2013 to 2018 drawing on Hesiod, Ovid’s Echo, the Jura cliffs of Creux-du-Van and the spiral spring at the heart of a watch.
Unreleased before collection from French electroacoustician Régis Renouard Larivière. Contrée is an LP of quizzical, sometimes eerie voyages into unknown noise. "Allégeance Volatile" and "Esquive" each tackle the same issue in their own way. Overcomi…
Seven fixed-medium works from 1998 to 2013 by Glasgow-based Alistair MacDonald, arranged as a cabinet of curiosities: Glasgow streets, Carrie Fertig's glass instruments, a tribute to Delia Derbyshire, building bricks and the jungle explored by Alfred…
David Berezan’s Nautical Cycle, five multichannel acousmatic pieces from 2011 to 2017 built from sea buoys, unmanned light vessels, mooring chains in Visby harbour and the bass clarinet of Marij van Gorkom, including the Klang ! first prize winner Li…
Three fixed-media works by eRikm from 2013 to 2016: an Icelandic crossing built around a folk tale, New Year’s Eve fireworks on a Berlin street, and a fire-retardant scar on the hills above Marseille, with a text by psychiatrist Georges Yoram Federma…
Two long works by Monique Jean: T.A.G. (2013), mostly synthesized sound shaped by crowds of demonstrators, and Out of Joint (2009-11), a hybrid of Shakespeare's Macbeth and the films, stagings and rewrites it inspired, mastered by Christian Bouchard.
Six acousmatic works by Adam Stanović from 2015 to 2017, made mostly in Sheffield: a remix that lost its source, a parody of the metal-sound cliché, traffic around an old steel furnace, and a birthday homage to Beatriz Ferreyra.