★Mode
Afatsim
** 2021 Stock ** Born in Israel, composer Chaya Czernowin has lived in Germany, Japan and the U.S. Her teachers included Dieter Schnebel, Joan Tower, Brian Ferneyhough and Roger Reynolds. Czernowin’s sound occupies a unique world. Often many instruments are used to become one “composite” instrument. Time is slowed down, so that the slow flow of sound enables one to perceive the smallest details of a texture or a sound. The resulting music can feel fluid, dense or agitated, at times echoing that …
Surface Tension
** 2021 Stock ** What do you get when Erik Satie meets Anton Webern for a cup of tea in England? These delightful miniatures of Howard Skempton might just be it. With their distinctly English vocabulary, witty turns, and spare yet memorable melodies, Surface Tension offers a survey of Skempton’s music in solo through quintet settings from the 1970s through the 90s. Born in Chester, England in 1947, Skempton moved to London to study with Cornelius Cardew in 1967. There, with Cardew, he co-founded…
The Seventh Seed
** 2021 Stock ** Hilda Paredes is among the foremost younger-generation Mexican composers. Schooled in London where she now lives, Paredes studied with Harrison Birtwistle, Franco Donatoni and Peter Maxwell-Davies. Receiving a commission from the Arts Council of Great Britain for a chamber opera and working together with British poet Karen Whiteson, Paredes composed The Seventh Seed centered around the Persephone legend with allusions to Lewis Carroll’s Alice’s Adventures in Wonderland and Throu…
On No On
A CD of duo improvisations by two of Montreal’s great improvisors: bass clarinettist Lori Freedman and drummer/percussionist John Heward. The two have performed together in various ensembles over the years. Both have produced significant discographies. These unedited studio improvisations were recorded in Montreal in 2011. It is the third set of duos featuring John Heward on Mode/Avant. Cover art by John Heward. Liner note by Eric Lewis. Photos by Sylvia Safdie.Lori Freedman, b-flat & bass-clari…
Preludes: Books 1 & 2
It may seem odd to some to find a release of Claude Debussy’s music on Mode Records. But actually not, for Debussy is one of the forefathers of the developments of the second part of the 20th century. This recording of the complete Preludes by Haydée Schvartz had its genesis during her studies with pianist and new music specialist Yvar Mikhashoff. Mikhashoff intrigued Schvartz with the titles of the Preludes, which Debussy curiously placed at the end of each. The lavishly illustrated booklet’s…
Percussion Works
Australian composer Thomas Meadowcroft grew up at a time when Australians viewed their physical distance to supposed cultural roots as immense whether to the high culture of Europe or the popular culture of the U.S.. Meadowcroft has embraced this critically and made it the focus of his work. Instead of looking for ways to join other musical traditions and histories, his music takes the Australian experience of distance as its central subject matter.
Part of it is the exploration or evocation of …
Metamorphoses (Book I) / Five Pieces for Piano
"This historic release couples George Crumb’s earliest work for piano, the Five Pieces for Piano (1962) with his most recent piano cycle, Metamorphoses (2017). Margaret Leng Tan has long been a champion of Crumb’s music, and he composed Metamorphoses (Book 1) for her. This recording is of the German premiere at the legendary Donaueschingen Festival in 2017.Crumb’s Metamorphoses is a natural descendent of his monumental Makrokosmos I & II piano cycle of the early 1970s. With a nod to Mussorgsky’s…
Sextet & Double Sextet
*2022 stock.* "This release couples two of Reich’s “sextets” for the first time: the Sextet of 1984 and the Pulitzer Prize winning Double Sextet of 2007. A striking difference between the two pieces is that the rhythmic world of Sextet mostly consists of a single-meter grooving, while Double Sextet works in the angular, off-kilter shifting meters reminiscent of Reich’s Tehillim (also of Stravinsky). Ekkozone impart a uniquely chamber music feel and color to these works while maintaining their pr…
Kurzwellen
"The performers in Kurzwellen react to the completely unforeseeable events which they receive on short-wave radios while performing on their instruments. But this is not improvisation. Stockhausen’s score instructs them how to transform what they hear: how they imitate and modulate it, make it longer or shorter, how to rhythmically articulate it, higher or lower, louder or softer, darker or more playful. Whether they should play and as solo, duo, trio or quartet, etc.Though not so familiar now, …
Desert Plants
**Essential reading!** Walter Zimmermann interviews Morton Feldman, Christian Wolff, John Cage, Philip Corner, Jim Burton, Phil Glass, Steve Reich, Robert Ashley, Alvin Lucier, Joan La Barbara, Pauline Oliveros, David Rosenboom, Richard Teitelbaum, Larry Austin, James Tenney, J. B. Floyd (about Conlon Nancarrow), La Monte Young, Charlemagne Palestine, Charles Morrow, Garrett List, John Mc Guire and Ben Johnston (about Harry Partch).
Complete Piano Works
This release brings all of Morton Subotnick’s piano music together on one album for the first time, along with four first recordings, all supervised by the composer.Liquid Strata is an important work in Subotnick’s oeuvre. Here the electronic component is what he calls “ghost electronics,” and this is the first of 11 Ghost Pieces. In these works, Subotnick sought to address technology in a way that highlights rather than compromises the inherent features and strengths of acoustical instruments. …
Dispersion
"Working with forces unknown to me has always been an exciting challenge,” says Elliott Sharp, “especially when those forces are in the form of younger musicians, highly skilled and enthusiastic.” For his work with the musicians of the Veni Academy, he chose three previously composed works that would be easily adaptable to a large ensemble whose instrumentation was not the result of prior design plus one newly composed for the occasion. The chosen pieces were based on well-defined processes that…
The Works for Piano 10
"The Solo for Piano is part of the legendary Concert for Piano and Orchestra. It is an indeterminate work, consisting of 63 pages made of 84 different types of composition, each appearing as its own type of notation. The performer creates his own performance by choosing which pages to play and in which order; pages can also be omitted. John Cage began by choosing, using chance operations, a way of composing based on either his Music for Piano series – single notes, or on Winter Music – chords, o…
Killer Instincts
Sarah Maria Sun’s "Killer Instincts" is a gloriously creative and colorful collection of songs about bad people doing bad things. It is also a concept album — a pleasurable journey in bad people’s shoes.
Absence
"The main focus of Gerald Eckert’s music is frequently not placed on a centrally triggered event or center of action, but on what has been triggered by this event and how the consequences are subsequently developed. In other words, he focuses his sights on what an impulse is followed by. For Außen, von tief innen (Outside, from Deep Within), the consistent subtle and quiet tonal structure of the work is the fine delineation of multiphonics in bass flute and double bass clarinet alongside the ton…
Works for Flute
"Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna.As with Fabbriciani’s preceeding Clementi and Maderna releases, this Pousseur release marks the first time Pousseur’s works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer.The s…
Negoum
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…
For Bunita Marcus
"For Bunita Marcus opens with a clear call to our attention. With these first six notes, we step over the threshold and into the journey of the piece. We know that we are in this for the long haul: Morton Feldman’s late works are notorious for being marathons. He composed For Bunita Marcus in 1985, immediately after his four-hour For Philip Guston, and two years after his six-hour String Quartet (II) These earlier works make an hour-long solo piano piece seem short. Still, it is a long time to …
The Complete Cello Works
"This album collects for the first time four of the most important works from Horatiu Radulescu’s later period, all composed for cello, and all performed by his widow Catherine Marie Tunnell. Radulescu and Tunnell began working together almost immediately upon meeting in 1995. By the time they were married in 1997, Radulescu had already composed for her two of the pieces on this disc (the solo Lux Animae and the cello sonata L’Exil Intérieur), and revised and rededicated her a third, older work …
Works for Organ & for Cello
"Mode’s Horatiu Radulescu Edition, curated with Radulescu’s widow Catherine Marie Tunnell and his publisher Lucero Press, continues with a collection of his works for organ and works with cello.Radulescu’s complete organ works are performed here by German organist Christoph Maria Moosmann, a long-time Radulescu collaborator with a great understanding of his music and sonic goals. Some of the works were written for or dedicated to him. Further definitive recordings are guaranteed by performances …