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Frode Gjerstad, Alexander von Schlippenbach, and Dag Magnus Narvesen's first trio recording is powerful convergence of avant-garde improvisation and deep jazz sensibilities. Gjerstad’s fearless saxophone work, Schlippenbach’s adventurous piano explor…
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in…
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The piece…
"I had the privilege of meeting Wadada Leo Smith after a show, ‘Everyone thinks the trumpet is made out of brass — it’s really made out of air.' This recording is my exploration of that concept."
“Looking back I remember still” is a graffito I saw on an electrical box near my house and as I prepared for this recording I reflected on my time living in New York and my involvement in the improvised music scene there. My decision to include the …
I recorded Open Space with in a single continuous take: my cello, an amp, and a distortion pedal. I was watching a film that was a static shot across a very large canyon, the light slowly shifting. I hope it offers the listener room to breathe and dr…
The music of Exhaust unfolds through real-time exploration, where quick reflexes and deep listening shape each performance. Nebbia’s powerful saxophone voice drives the ensemble with intensity, while Downes reveals a side of his playing that leans in…
This is free improvised music with two saxophones and two drum sets. The theme of the music is about identity that is linked to the region and culture, especially a specific folksy and indigenous characteristic in the Korean peninsula from long ago. …
See You When I Get There is Amy Cimini’s first solo viola album. While playing in noise bands and experimental projects for over 25 years, she has developed a sonic palette for the amplified viola that combines overtone-rich distortion with percussiv…
Hyperboreal Trio’s debut album unites the distinct voices of Signe Emmeluth, Ingebrigt Håker Flaten, and Axel Filip—three seasoned improvisers bridging the musical extremes of the north and south through raw, yet meticulously crafted pieces.
On their debut release, Foster shifts fluidly between tongue slaps, overblown tones, and powerful tenor saxophone screams, while Crawford alternates between non-idiomatic splatter, frenzied banjo maneuvers, and dense, elusive bursts of tangled noise.…
Tip! Over the past decade, saxophonist Makoto Kawashima has consistently established himself as one of the most compelling improvisers in contemporary music. His unique approach to solo performance aligns him with the tradition of groundbreaking Japa…
Lao Dan's innovative approach to music seamlessly intertwines elements of rock, free jazz, and noise with textures of Chinese folk music, creating a unique tapestry characterized by improvisational and aesthetic tension. His fearless transgression of…
Paula Sanchez is a musician working with sound in the intersection of experimental music, improvisation and performance art. Putting the body and materials to the limit, in the destruction, composition/decomposition of a mutable sound space. In the p…
Vagabondage comes from my idle wandering through the city and my inner relationship with it - where the unexpected takes me – I take it - desire driven. Assuming the discourse between the ruins of my memory and my present idleness, I seek to let the …
Listening closely to the duo of Elliott Sharp and Scott Fields one can hear a compact history of modern composition and improvisation. Although the duo has a sound all its own, under the surface you can sense traces of “New Music,” minimalism, free j…
In a spontaneous studio session, alto saxophonist Tim Berne met fellow saxophonist Masayo Koketsu and percussionist Nava Dunkelman for the first time, setting the stage for an improvisational encounter full of contrasts and surprising cohesion. Berne…
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Through the years, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Six pieces of alto and tenor saxophone steeped in …