We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Steve Lacy in Berlin: the 1975 solo soprano recordings of the Stabs LP, plus the 1977 quintet with Steve Potts, Irène Aebi, Kent Carter and Oliver Johnson playing Esteem and Follies at the Workshop Freie Musik.
Irène Schweizer, Rüdiger Carl and Louis Moholo: the LP Messer, live in Moers and in the FMP studio in 1975, followed by Tuned Boots, the twenty-minute trio piece recorded in Graz in 1977.
Fred Van Hove alone at the piano: Prosper, recorded live at Flöz in Berlin in 1981, and Die Letzte, recorded at Studio Casablanca in 1986, the two SAJ solo LPs on one CD.
Peter Brötzmann's Die Like a Dog Quartet with Toshinori Kondo, William Parker and Hamid Drake, live at the Total Music Meeting in Berlin in November 1994: two long pieces, Close Up (Man) and Close Up (Woman).
Radu Malfatti on trombone and Stephan Wittwer on guitar in Innsbruck, February 1977: the duo LP Und? plus Untitled?, a fourteen-minute piece from the same tapes released here for the first time.
Peter Kowald solo on double bass and voice, live at Podewil in Berlin in November 2000 and edited by Kowald himself in June 2002: a concert version of his solo album Was da ist, in seven parts.
Cellist Tristan Honsinger and guitarist Olaf Rupp in their first recorded duo, Berlin, March 2010: one hour-long improvisation, Can You Imagine a Conversation Between a Table and a Chair?, in eight parts.
Manuela+, the quartet of Rüdiger Carl, Jin Hi Kim on komungo, Hans Reichel on guitar and daxophone and Carlos Zingaro on violin, live at the Total Music Meeting in Berlin in 1999: an hour-long improvisation in seven parts.
Brussels-based producer, composer, and field recordist Le Motel has developed a distinct body of work rooted in environmental sound, collage, and immersive electronic composition. Across releases, collaborations, and audiovisual projects, his music b…
Worriedaboutsatan return with Outland, an eight-track album from Bradford, UK musician Gavin Miller. The record moves between expansive ambient passages, electronic textures, and shorter, more fragmented pieces, creating a shifting landscape that unf…
IKSRE (I Keep Seeing Rainbows Everywhere / Phoebe Dubar) presents "in all her forms (sound meditations vol. 2)", a deeply immersive one-hour sound bath album where water functions as both physical element and guiding metaphor for transformation.Acros…
r beny returns with feedback memory, a new five-track album that moves through delicate textures, melodic fragments, and gradual shifts in atmosphere.The album opens with the concise title track, “feedback memory,” followed by “suspended in the lilt …
Doug Carn created a personalized strain of jazz music that expressed a loving hopefulness. He found a home at the Black Jazz label, where African-Americans called the shots and, of course, racial tension was nonexistent. Who was this 22-year-old whos…
With confident touch, a solid sense of swing, and emotion seeping through its dynamism, Ryo Fukui lands in New York and approaches the essence of bebop alongside the rhythm section of his mentor, Barry Harris.
Ryo Fukui, who passed away in 2016 after…
Seychelles is the debut solo album by Japanese guitarist and composer Masayoshi Takanaka, released on Kitty Records in July 1976. Named after the Indian Ocean archipelago, it introduced the bright, melodic fusion sound that would become his signature…
Recorded in a water-closet. Berlin, 2026. Cut up, mixed and mastered in a closet. Paris, 2026. Cover art by Pakhom, design and layout by Agendathnethaim.
*40 copies limited edition* Recorded and mastered by Wassily Bosch. Design and layout by NeNe. Thanks to Secret Place crew and everyone who came to listen.
The idea for this record was inspired by a short script I read about ten years ago. It stayed with me, and I found myself wondering what might have happened beyond the small window it provided. I liked the idea of creating a score for an imagined nar…
Since his 2013 debut album, Body Issues, Max Ravitz—better known to you and me as Patricia—has been zeroing in on the kernel of an idea. Across seven albums for labels like Opal Tapes, Spectral Sound/Ghostly International, and Acid Test, he’s applied…