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Szilard Mezei

Februari Fedontes (LP)

Label: NoBusiness Records

Format: LP

Genre: Jazz

In stock

€18.00
VAT exempt
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This is the first recording of Szilard Mezei released on LP. Synthesis of free jazz with some elements of folk music makes it an intrigue and challenging recording.
"Februári Fadöntés documents a fairly rare appearance on wax of Serbian-Hungarian violist / composer Szilárd Mezei, who's worked in formats ranging from string trio to orchestra, mostly in situations that allow a commingling of Hungarian folk forms (he also plays traditional music) and free improvisation. He's joined here on three suites by tenorman/clarinetist Péter Bede, bassist Ernö Hock and drummer Hunor G. Szabó. The sidelong piece which opens the record, "Akkorra / By Then", starts with a lilting melody played by unison tenor and viola, moving toward a swirling lament underscored by the chug of bass and drums. It's closer in feel to a Billy Bang loft-jazz unit than to the modern-classical camp with which Mezei is often associated. Painterly arco swabs (both sweeping and microscopic) hang in direct parallel to Bede's backwards-leaning Gerd Dudek-like peals. While not flashy, the rhythm section is substantive and gives constant nudge to the front line with blocky, unison bounce. The side closes with a gentle atonal theme, allowing areas of sparse clatter and gutsy push-pull between bass, viola and tenor amidst its funereal calls. The flip opens with "Pákák / Sedges," a measured environment for Mezei's languid bowing, hushed clarinet burble, and brushy outlines. The quartet moves in and out of short written passages, reflecting and gradually expanding on snatches of thematic material into flits, whispers, trills and tiptoes. The closing title track has a jagged, rondo-like swing that hinges on repetition; as Bede stretches out on tenor, the rhythm section adopts a cascading roll to match his funky, Rollins-like spurts. Taking the second solo, Mezei works through structural cells that make clear a compositional intent present throughout the entire set. Equal footing is given to tuneful heft and open-ended propulsion, making for an exciting and cohesive listen."

Details
Cat. number: NBLP28
Year: 2010
Mezei pens substantive themes drawing on Balkan folk traditions though not subservient to them, which provide material aplenty for the players to seize, soaring and roiling within their boundaries, but never arbitrarily elbowing past themRead more

Serbian-born, Hungarian violist Szilard Mezei leads a quartet of his countrymen through a satisfying program of three multi-sectioned compositions on this limited edition LP. Mezei has become increasingly visible on the international scene, with a string of releases from ensembles of different sizes, and a guest appearance with the The Fonda/Stevens Group. This new foursome features the attractive frontline blend of viola and Peter Bede's tenor saxophone, recalling the pairing of Billy Bang and Frank Lowe in the Jazz Doctors, but with fewer blues inflections, while the rhythm team of bassist Erno Hock and drummer Hunor Szabo capably shifts between high energy and understatement.

Mezei pens substantive themes drawing on Balkan folk traditions though not subservient to them, which provide material aplenty for the players to seize, soaring and roiling within their boundaries, but never arbitrarily elbowing past them. Evoking haughty but faded grandeur, "Akkora/By Then" creates tension from the off, pitching a slow moving melody against a clattering rubato undercurrent. Tenor and viola launch into the first of many exciting simultaneous flights in what is one of this group's hallmarks. Mezei is by turns excitable, uncompromising and grandiloquent.

By contrast "Pakak/Sedges" is open and spacious, sketched by viola and clarinet in loose conversation. Mezei steps out, darkly emotional, with lovely accents and shadings on his sustained notes, while Bede's woody lower register ruminations culminate in multiphonic shrieks. Hock also gets the opportunity to shine here plying a lexicon of arco scrapes, harmonics and percussive taps. The title track is a mid-tempo bounce boasting a tenor outing of jazzy asymmetric phrases and an angular viola offering painted in broad impasto, before more intense interplay. Pulsing pizzicato bass variations, accompanied by off kilter tapping presage a reprise of the head with humorous syncopation to finish off this fine album on a sweet note.

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