One of our records of 2021.
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With bands like Cabaret Voltaire leading the way, Sheffield, in the north of England, has long been known for pioneering the hybrid zone between punk and electronic music during the late 1970s. Among the first of them all was Clock DVA, founded in 1978 by Adi Newton from the ashes of an earlier project, The Future, whose other members would go on to find fame in The Human League and Heaven 17. Clock DVA produced dozens of visionary underground releases that have remained tragically obscure and are long overdue for reappraisal. Thankfully, VOD has done just that with Horology - Anthology Vol. 1-3, gathering an astounding 15 CDs of material within a stunning box set edition, covering their earliest and arguably wildest years.
Formed in Sheffield in 1978, around the core lineup of Adi Newton, Steven Turner, David Hammond, and Simon Elliot-Kemp, rather than many of the pop temperaments that would form around electronic music in their city, Clock DVA belonged to the same creative temperament and scene as their London based peers, Throbbing Gristle, embracing moral and political deviance as means toward sonic liberation. Like TG, they are among the early pioneers of the UK’s first wave of industrial music.
The first volume within VOD’s Clock DVA Anthology Vol. 1-3, Horology I - DVAtion 78/79/80, stretching across 6 CDs, covers the bulk of the band’s available output during their first three years. Channeling ideas taken from Aleister Crowley, Marquis De Sade, Kenneth Grant, Antonin Artaud or Charles Baudelaire against a pallet of primordial electronics and glamour of acoustic interventions, a glimpse of one of the most uncompromising pioneers of the late '70s and early '80s comes sharply into focus; a thrilling, sludgy, and engrossing landscape of sonic mayhem that feels radical more than 40 years after they were first laid to tape.
The second volume of Clock DVA Anthology Vol. 1-3, Horology II - The Future & Radiophonic Dvations, dives even further back to 1977, with an entire disc dedicated to recordings by The Future - Newton, Martyn Ware, and Ian Craig Marsh - prior to the trio dissolving into The Human League and Clock DVA, gathering songs ranging from industrial synth-pop to pulsating proto-techno, and in the process capturing one of the earliest chapters in Sheffield's hugely influential electronic scene.
The remainder of the volume’s 4 discs comprise solo recording by Newton, delving into abstract zones inspired by esoteric elements, from psychoacoustics to early acousmatic technique, the occult, and infrasound, it offers up some of the most introspective and dark moments of the entire collection.
The final volume, Horology III - Tape, Reel - Recordings & Art 1978-1980, document rarely heard experiments made within Adi Newton’s Sheffield studio, capturing the foundations at the root of their sound. A stunning expanse of tape loops, EMS synthi, electric violin, bass, guitar and various devices, often falling far closer to '60s electronic avant-gardism than anything you’d expect from the industrial scene.
Nothing short of a towering accomplishment, bringing one of England’s most important but neglected musical pioneers the attention they rightfully deserve, Clock DVA Horology - Anthology Vol. 1-3 sprawls to an incredible 15 CDs of material, issued in a stunning box coming as a deluxe book-like folder and including with a t-shirt. This one can’t be believed until it’s heard.
Horology I - DVAtion 78/79/80
CD01 Lomticks Of Time
CD02/03 2nd - I
CD04 Sex Works Beyond Entanglement
CD05 Deep Floor
CD06 Fragment
Horology II - The Future & Radiophonic Dvations
CD07 The Future
CD08 Radiophonic Dvations 1
CD09 Radiophonic Dvations 2
CD10 Radiophonic Dvations 3
CD11 Radiophonic Dvations 4
Horology III - Tape, Reel - Recordings & Art 1978-1980
CD12 Tape, Reel_Recordings & Art 1
CD13 Tape, Reel_Recordings & Art 2
CD14 Tape, Reel_Recordings & Art 3
CD15 Tape, Reel_Recordings & Art 4
Epic 15 CD box set, coming as a deluxe book-like folder, compiles all the Clock DVA material previously issued by Vinyl-On-Demand on the three vinyl-only box sets Horology, Horology II and Horology III. Includes t-shirt.
Limited edition of 500 copies. Packaged in a 16-sleeve card wallet contained within a card slipcase. The sixteenth wallet sleeve contains three photos in a cellophane envelope. A pouch in the back of the wallet holds a 36 page booklet, also in a cellophane envelope. With extra t-shirt.
| Horology 1 - A Chronology Of DVAtion 1978-1980 | |||
| Lomticks Of Time | |||
| 1-1 | Extreme Frequency Manipulation Experiment | 5:34 | |
| 1-2 | Film Of Our Death (Intro Sequence) | 3:56 | |
| 1-3 | Lomticks Of Time | 3:30 | |
| 1-4 | Clockverge | 3:09 | |
| 1-5 | Oeudipus | 3:49 | |
| 1-6 | And Then He | 2:20 | |
| 1-7 | Plastic | 2:54 | |
| 1-8 | Alien Tapes | 3:23 | |
| 1-9 | Art Meckanics | 4:44 | |
| 1-10 | Antipathy | 4:25 | |
| 1-11 | Film Of Our Death (End Sequence) | 3:58 | |
| 2nd-I | |||
| 2-1 | Edge | 2:56 | |
| 2-2 | 1958 | 3:32 | |
| 2-3 | Mass | 6:18 | |
| 2-4 | Le Viol | 7:02 | |
| 2-5 | Constructivists | 4:07 | |
| 2-6 | Sonambulists | 6:40 | |
| 2-7 | Female Mirror | 4:56 | |
| 2-8 | Sexual Overture | 5:59 | |
| 2-9 | Reel 1 | 3:33 | |
| 2nd - II | |||
| 3-1 | Otto M | 13:47 | |
| 3-2 | Genitals & Genosis (The Texture Of Two Tape Recording) | 11:58 | |
| 3-3 | Soundtrack For The Theatre Of Eroticism | 16:03 | |
| 3-4 | Now Haag | 4:00 | |
| Sex Works Beyond Entanglement | |||
| 4-1 | 1.30 | 1:19 | |
| 4-2 | 7 DC (Seven Day Cycle) | 3:46 | |
| 4-3 | Antigone | 4:15 | |
| 4-4 | Extreme Frequency Manipulation Experiment 2 | 4:08 | |
| 4-5 | The Pop Hell (First Version) | 6:32 | |
| 4-6 | The Horla | 2:48 | |
| 4-7 | The Pop Hell 2 | 5:20 | |
| 4-8 | Throbbing Sweeping Obscene | 6:17 | |
| 4-9 | 1958 (First Version) | 4:15 | |
| 4-10 | The Edge (First Version) | 3:20 | |
| 4-11 | Constructivists (First Version) | 5:02 | |
| Deep Floor | |||
| 5-1 | Prior To Intercourse | 7:52 | |
| 5-2 | Through Latex Mirrors | 9:23 | |
| 5-3 | Porn Time | 8:09 | |
| 5-4 | A Vorticists Assemblage Of Cylinder | 8:01 | |
| 5-5 | Primal Eroticism | 2:43 | |
| 5-6 | The Obscene | 5:57 | |
| 5-7 | Time Come | 3:51 | |
| 5-8 | 2 Figures Through Glass | 4:25 | |
| Fragment | |||
| 6-1 | Ghost Trio No. 2 | 5:28 | |
| 6-2 | Cage | 7:44 | |
| 6-3 | You're Without Sound | 4:15 | |
| 6-4 | Brigade | 3:36 | |
| 6-5 | Formlessness | 3:41 | |
| 6-6 | Prepared Piano 2 | 2:35 | |
| 6-7 | Fragment Of Hysteria (Charcot Institute) Film Soundtrack | 22:53 | |
| Horology 2 - Clock DVA, The Future & Radiophonic DVAtions | |||
| The Future | |||
| 7-1 | Blank Clocks | 3:20 | |
| 7-2 | Looking For The Black Haired Girl | 3:38 | |
| 7-3 | Pulse Lovers | 3:59 | |
| 7-4 | Dada Dada Duchamp Vortex | 5:49 | |
| 7-5 | Almost Medieval Future Version | 3:30 | |
| 7-6 | DAZ | 3:38 | |
| 7-7 | Dancevision (Future Version) | 3:33 | |
| 7-8 | Future Religion | 3:40 | |
| 7-9 | Cairo | 3:09 | |
| Radiophonic DVAtions 1 | |||
| 8-1 | Zone | 10:27 | |
| 8-2 | Montage | 6:11 | |
| 8-3 | Textures | 6:54 | |
| 8-4 | Interference | 14:17 | |
| 8-5 | Ambivalence | 10:02 | |
| Radiophonic DVAtions 2 | |||
| 9-1 | Psychoactive Magnetic Fields | 5:45 | |
| 9-2 | After The Future | 4:56 | |
| 9-3 | Kontour | 5:34 | |
| 9-4 | The Aether | 6:34 | |
| 9-5 | Subliminal Suggestion | 9:38 | |
| 9-6 | Simulation | 3:46 | |
| 9-7 | Excercise In Magnetic Tape No 4 | 5:14 | |
| 9-8 | Simulacra | 4:47 | |
| Radiophonic DVAtions 3 | |||
| 10-1 | The Hour | 7:21 | |
| 10-2 | Nue Decade | 5:08 | |
| 10-3 | Symptoms | 4:24 | |
| 10-4 | New Time | 7:18 | |
| 10-5 | Windscale | 9:48 | |
| 10-6 | Electromagnetic Ganzfeld | 13:55 | |
| Radiophonic DVAtions 4 | |||
| 11-1 | Opening Sequence | 3:33 | |
| 11-2 | Coil | 8:10 | |
| 11-3 | Ouedipus Rex Complex | 6:37 | |
| 11-4 | Time | 6:07 | |
| 11-5 | Sick Tone | 7:58 | |
| 11-6 | Psychotronic Variation | 9:14 | |
| 11-7 | Quatermass Psychotronic Variation | 5:42 | |
| Horology 3 - Tape, Reel - Recordings 1979-1980 | |||
| Volume 1 | |||
| 12-1 | PTI (Through Latex Mirrors) | 7:35 | |
| 12-2 | Theatre Of Eroticism 2 | 6:04 | |
| 12-3 | Reversal Of Light | 3:32 | |
| 12-4 | TSO (Throbbing Sweeping Obscene) | 5:55 | |
| 12-5 | Time Loops (The Texture Of Two Tape Recordings Genitals & Genosis) | 1:45 | |
| 12-6 | Butcher Bacon Window Pain | 2:42 | |
| 12-7 | Fragment 3 Through Later Mirrors PTI Soundtrack | 4:04 | |
| 12-8 | Mass | 5:14 | |
| 12-9 | Resonator | 13:15 | |
| 12-10 | Chronons | 1:17 | |
| Volume 2 | |||
| 13-1 | Tape Treatment | 0:54 | |
| 13-2 | The Time Come | 5:30 | |
| 13-3 | The Transfiguration Of Memory By Liquid Pain | 7:30 | |
| 13-4 | Installation Section 1 (Genitals And Genosis / The Texture Of Two Tape Recordings) | 10:02 | |
| 13-5 | Fragment 1 Through Latex Mirrors PTI Soundtrack | 2:03 | |
| 13-6 | Fragment 2 Through Latex Mirrors PTI Soundtrack | 0:29 | |
| 13-7 | Oedipus | 2:17 | |
| 13-8 | The Girl | 3:44 | |
| 13-9 | Room | 4:29 | |
| 13-10 | The Theatre Of Erotism (Extract) | 6:16 | |
| 13-11 | Post Future Theme 1 | 4:29 | |
| 13-12 | 1.51 | 1:51 | |
| 13-13 | Ocean | 3:39 | |
| Volume 3 | |||
| 14-1 | Windscale | 2:43 | |
| 14-2 | Film Of Our Death | 2:50 | |
| 14-3 | Synchromesh | 1:54 | |
| 14-4 | Plastic | 3:07 | |
| 14-5 | Sex Textures | 4:11 | |
| 14-6 | Lomticks Of Time | 5:10 | |
| 14-7 | Post Future Theme 2 | 4:47 | |
| 14-8 | Susan's Party | 3:28 | |
| 14-9 | Somnambulist | 6:11 | |
| 14-10 | Tape Treatment 2 | 1:36 | |
| 14-11 | Mass 2 | 4:32 | |
| 14-12 | Mechanism | 2:35 | |
| 14-13 | Live Intro Chainsaw Massacre Treated Excerpt | 7:30 | |
| Volume 4 | |||
| 15-1 | 2.28 | 2:28 | |
| 15-2 | Pretty Strangely Girl | 4:10 | |
| 15-3 | Primal Synthesis | 4:41 | |
| 15-4 | I Am David The One | 2:32 | |
| 15-5 | Post Future Theme 3 | 2:42 | |
| 15-6 | Film Of Our Death V2 | 2:52 | |
| 15-7 | Clockwork People V2 | 1:53 | |
| 15-8 | Chronons Pt 2 | 0:55 | |
| 15-9 | Lomticks Of Time Instrumental | 5:10 | |
| 15-10 | Throbbing Sweeping Obscene End Sequence | 0:38 | |
| 15-11 | Oedipus | 2:43 | |
| 15-12 | Post Future Theme 4 | 3:29 | |
| 15-13 | The Time Come Instrumental | 2:42 | |
| 15-14 | 1958 | 4:03 | |