We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!
play
Out of stock
1
2

R.A. Cantius

Playing in the Dirt (Lp)

Great back-story - reprinted below - on this LP, issuing the home-recorded experimental music of Bob "R.A." Cantius, an instrument builder/performer and Electronic Music Composer working out of my own former stomping grounds of Northern New Jersey in the mid-late 60s.

Sonically, there's a commonality with kindred trawlers such as Charlie Nothing, Allan Bryant - specifically the latter's "Space Guitars" LP - and even Harry Partch's inimitable constructs, all wrapped in the same grand "Aleatoric Tape Collage" spec that yielded such classics as Dub Taylor's "Lumière" & Luis De Pablo's We (Nosotros);" some of the spoken asides remind me heavily of Jon Appleton's "Newark Airport Rock" - mainly in their banality, but also in the way they ebb & flow in & out of the sea of creaking strings & tape-speed ambience. (Mimaroglu)

"This LP exists through an act of sheerest serendipity. Scott Seward of John Doe Jr. Records up in Greenfield, MA, was talking to one of his regulars, an Amherst-based photographer named Bob Cantius. In the course of their conversations, Scott learned that Bob had -- in a former life -- done some experimental sound recording, portions of which featured his own homemade string instrument: the Brunt-Milter. Eventually, Bob was able to turn up tapes of two finished pieces. Both were begun with the Brunt-Milter in 1964, then finished off with added sound sources and mixing in 1968. When they were started, Cantius had just finished his arts degree at Montclair State University, and was working in a dirt-floored studio in Paterson. He then spent three years getting a Masters at NYU Film School, and that's when he added the new work to his instrumental beginnings. The music is a great collage of strange strings, street recordings (some made by Bob while he was doing sound for film shoots), and various effects, techniques, and radio manipulations. It's a rather remarkable find, and documents a style of experimental thinking and creativity that was common at the time, but usually ended up in the dumpsters of history. Includes text related to the little-known Happenings scene at Montclair State and other secret histories"

Details
Cat. number: FTR 201EP
Year: 2015
Notes:

edition of 200 copies

More by R.A. Cantius