Glasgow-born Alex Fergusson is one of the great invisible architects of British post-punk, a guitarist and songwriter who kept turning up at the precise moment history was being made, then stepping back into the wings. He co-founded Alternative TV with fanzine editor Mark Perry in 1977, writing Love Lies Limp and Action Time Vision before slipping away. He produced early singles for Orange Juice and artists on the Postcard Records label. He was the musical engine behind Psychic TV from their founding in 1981 alongside Genesis P-Orridge and Peter Christopherson, writing the guitar lines and melodies on Force the Hand of Chance, Dreams Less Sweet, and pop-adjacent gems like Godstar and Baby's Gone Away, before departing in 1987. Even the Cash Pussies, his brief 1978 New York provocation with the Vermorels, performed their debut at a memorial for Nancy Spungen on the same night The Clash headlined a benefit for Sid Vicious. He had a habit of being there.

Secret Recordings 1976–1992 is the first attempt to map this whole terrain across five LPs. The first opens with four raw Nobodies tracks taken from a barely surviving cassette, scratchy VU-influenced guitar punk from Renfrewshire, before flipping to the Cash Pussies' confrontational 1979 single. The second documents the Alternative TV Industrial Sessions: multiple versions of Love Lies Limp, fragments, and studio detritus that reveal the actual noise-art ambitions beneath ATV's public face. The third is Psychic TV's Pagan Day II, live and unreleased recordings including a 1983 Danceteria show. The fourth collects Fergusson's solo material from 1980 to 1992, from synth-pop experiments to the quietly devastating The Essence. The fifth is Ambership, the warmly melodic project he ran with Peter McGregor throughout the mid-to-late 80s. Pressed on black vinyl in a numbered edition of 400 copies, with a 32-page booklet and T-shirt. The definitive document of one of British music's least celebrated polymaths.