An extraordinary 76-minute work for solo piano, played by Philip Thomas, and composed by Bryn Harrison, a Huddersfield-based composer who is quietly building something of a cult reputation for his distinctively minimal and repetition-based music. Vessels works with threads of tones which are repeated with subtle variation until they attain a mysterious, labyrinthine quality. 'I tried to get across this sense of the music being perpetually regenerative, of constantly opening up but then finding ourselves in the same space.What I am constructing are chains of pitches with repeating self-similar intervals that go round and round.'