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Carl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone “plays” his source material the way Terry Riley’s In C “plays” an ensemble – with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone’s unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It’s simply (or rather fantastically messily) Carl Stone.
All music composed and performed using the programming language MAX
First catalogue number appears on the jacket spine and labels, the second appears on the rear jacket and the hype sticker. All music composed and performed using the programming language Max Tracks A1, A2, & B3 recorded at Radio Free Nakano Tokyo Track A3 performed live Berlin Kiezsalon June 26 2019 Track B2 recorded at Civitella Ranieri Pizza Studio Tracks B1, & B4 recorded at PLB Studios Los Angeles Thank you to Michael Rosen/Digital in Berlin, Tim Page and Frances-Marie Uitti
| A1 | Rikido | 6:38 | |
| A2 | Longo | 8:28 | |
| A3 | Korzo | 5:36 | |
| B1 | Mozell's | 4:33 | |
| B2 | Wat Dong Moon Lek | 5:36 | |
| B3 | Apsara | 4:18 | |
| B4 | Jangara | 3:30 |