Reissues
Hexerei Im Zwielicht Der Finsternis
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Min…
Scumbag
Bones returns with Scumbag, a stripped-back, lo-fi record that distills his bleak vision into its rawest form. With skeletal beats, muffled samples, and whispered delivery, he crafts a shadowy atmosphere that's equal parts haunting and hypnotic. Know…
Way Down
Originally released as a small run cassette in 1987, only to fall into tape label obscurity, Robert Turmans industrial genre-bending masterpiece album Way Down finally has been excavated for a proper vinyl reissue after twenty-three years in the shad…
Wild West
The Amsterdam String Trio emerges from Europe's most vibrant improvised music scene: Maurice Horsthuis on viola, Ernst Reijseger on cello, Ernst Glerum on double bass. No violin. An unusual configuration that delivers, as Glerum puts it, "a dark soun…
Lingua Franca
Lingua Franca: the language that allows different peoples to understand one another. And what better instrument than the clarinet - voice of klezmer, Alpine folk, New Orleans jazz - to speak across borders? Daniele D'Agaro was born in 1958 in Spilimb…
Tapestry Of Noise
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven to…
Laptop Noise
** 2026 Stock ** Laptop Noise zeroes in on the period where Merzbow’s long‑running practice of junk‑metal abuse, feedback and tape saturation is rechannelled through the seemingly modest frame of a computer. Across six discs, this edition amplifies t…
Tepepa
On Tepepa, Ennio Morricone turns the Mexican Revolution into an operatic fever dream, braiding solemn mariachi‑tinted themes, mystical guitar‑and‑orchestra adagios and defiant song into a score where personal vengeance and collective uprising share t…
Lo Squartatore di New York
On Lo squartatore di New York, Francesco De Masi fuses rock‑charged aggression with aching lyricism, setting Lucio Fulci’s urban nightmare to a score where feral action cues collide with the unforgettable tenderness of “New York One More Day” and the…
Ourang-Outang
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural sh…
Fantasy Train
From a southern small town this after school project is hard to describe other than there’s nothing else like it. Teens exploring soul, funk and rock and this album is their interpretation of all three. Catchy tunes, plenty of effects and earnest voc…
Quintessence
A remarkable document finally surfaces after nearly 40 years in the NDR archives. John Taylor - the piano master of dense, orchestral voicings and skittish melodic invention - captured here in 1987 with the full NDR Radio Symphony Orchestra conducted…
Dreams Deferred
The title comes from Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?" For a pianist who traversed Chicago, Los Angeles, New York and Amsterdam chasing a musical vision few could grasp, the question is anyt…
Reach, Believe It & Play
Solo piano. The format that separates the genuine article from the pretenders. No rhythm section to hide behind, no horns to share the weight. Just eighty-eight keys and whatever's in your soul. Curtis Clark came to this music through Horace Tapscott…
Live In Lotusland
"Trying to play serious music in an area as shallow and fad-driven as Los Angeles were too much for this band to deal with." So reads the liner note epitaph for one of the most potent ensembles to emerge from the UGMAA constellation. One hundred minu…
Hassan's Walk
One album. One statement. One of the great mysteries of the Nimbus West catalog. Born Arthur Wells, the alto saxophonist and flautist who became Dadisi Komolafe studied under Horace Tapscott at the Cross Roads Art Academy, the educational arm of UGMA…
Lighthouse 79, Vol. 2
The second night. October 11, 1979. Same club, same sextet, completely different energy. Where Volume 1 leaned heavily on UGMAA repertoire, this follow-up session finds Horace Tapscott diving deep into the Great American Songbook with results that bo…
Lighthouse 79, Vol. 1
Recorded on October 10, 1979 at the legendary Lighthouse in Hermosa Beach, California, this unearthed treasure captures Horace Tapscott in the very temple of West Coast jazz, the club where Charlie Parker, Miles Davis, Chet Baker, Lee Morgan, and Elv…
Dissent Or Descent
In 1979, Horace Tapscott traveled to New York and recorded In New York with Art Davis on bass and the immortal Roy Haynes on drums. That album captured something approaching magic - a West Coast visionary meeting East Coast rhythm masters on neutral …
The Tapscott Sessions Vol. 11
The final volume in the Tapscott Sessions series, Vol. 11 is gentler than some of its predecessors - stretched out and moody, with a contemplative feel that rewards patient listening. Twelve tracks recorded in 1982, released twenty-five years later a…