Elliott Carter / Paul Griffiths: What Next?
Elliott Carter's one-act opera What Next? (libretto by Paul Griffiths), recorded live at the Concertgebouw, Amsterdam, in September 2000, and his Asko Concerto (Hilversum, 2001), with the Netherlands Radio Chamber Orchestra conducted by Peter Eötvös.
Giya Kancheli, Nederlands Kamerkoor, Raschèr Saxophone Quartet, Mamuka Gaganidze, Zaza Miminoshvili, Rustavi Choir, Children's Choir, Nika Memanishvili
Little ImberTwo choral works by Giya Kancheli: Little Imber, recorded in August 2003 in the evacuated village of Imber with the Matrix Ensemble, Rustavi Choir and Mamuka Gaganidze, and Amao Omi, recorded in May 2006 in Amsterdam by the Nederlands Kamerkoor and the Raschèr Saxophone Quartet.
Trojan Women - Music for the Stageplay by Euripides
Eleni Karaindrou's music for Antonis Antypas's 2001 Epidaurus staging of Euripides' Trojan Women, for women's chorus, soprano and traditional Greek and Eastern instruments, recorded in July 2001 at Studio Polysound, Athens, produced by Manfred Eicher.
Saariaho, Cage, Maderna
String quartets by Kaija Saariaho (Nymphéa, with live electronics), John Cage and Bruno Maderna played by the Cikada String Quartet, recorded in August 2001 at Sofienberg Church, Oslo, and released by ECM New Series in 2005.
Looking on Darkness
Debut solo album by Norwegian accordionist Frode Haltli: Nordic works by Sørensen, Lindborg, Ratkje (with the Vertavo String Quartet), Lindberg and Schaathun, recorded in August 2001 at Sofienberg Kirke, Oslo, produced by Manfred Eicher.
Metamusik / Postludium
Valentin Silvestrov's Metamusik (1992) and Postludium (1984) for piano and orchestra, played by Alexei Lubimov with the Radio-Symphonieorchester Wien under Dennis Russell Davies, recorded at the ORF Studio, Vienna, in April 2001.
Odradek
Premiere recordings of three works by Israeli composer Gideon Lewensohn: the Piano Quintet and Odradek Quartet played by the Auryn Quartett and Alexander Lonquich (Zürich, February 2001), and the Postlude for piano, also heard played by Ora Rotem Nelken (Jerusalem, 1997).
Eislermaterial
Heiner Goebbels's homage to Hanns Eisler, built from Eisler's songs, instrumental music and recorded voice, performed by Ensemble Modern with actor Josef Bierbichler, recorded live at the Hebbel-Theater, Berlin, in October 1998.
Anja Lechner, Silke Avenhaus, Maacha Deubner, Simon Fordham, Valentin Silvestrov, Rosamunde Quartett
leggiero, pesanteChamber music by Valentin Silvestrov (1974-2001) played by Anja Lechner, Silke Avenhaus, Maacha Deubner, Simon Fordham and the Rosamunde Quartett, with the composer at the piano; recorded January 2001 at the Festeburgkirche, Frankfurt.
Sofia Gubaidulina, Elsbeth Moser, Boris Pergamenschikow, Münchener Kammerorchester, Christoph Poppen
Sofia GubaidulinaSofia Gubaidulina's Seven Words, Ten Preludes and De Profundis, played by Elsbeth Moser (bayan), Boris Pergamenschikow (cello) and the Münchener Kammerorchester under Christoph Poppen; recorded January 2001 in Munich.
Der Bote - Elegies for piano
Alexei Lubimov plays ten piano elegies from C.P.E. Bach, Liszt, Glinka, Chopin, Debussy and Bartók to Cage, Mansurian and Silvestrov; recorded December 2000 at Radio Studio DRS, Zürich, produced by Manfred Eicher.
Coplanar
Guillermo Gregorio (b. 1941, Buenos Aires) is an Argentine composer, clarinetist, and saxophonist whose career bridges avant-garde music, visual art, and architecture. Active on the Argentine experimental scene from the 1960s through the early 1980s, he was a key member of groups like Movimiento Música Más (a Fluxus collective), the Experimental Group of Buenos Aires, and the Group of Contemporary Music of La Plata, engaging in Fluxus events, multimedia spectacles, and experimental concerts.
Gre…
Hayren - Music of Komitas and Tigran Mansurian
Kim Kashkashian (viola), Robyn Schulkowsky (percussion) and Tigran Mansurian (piano, voice) play two Mansurian works of 1998 and his arrangements of Komitas songs. Recorded May 2000 at Teldec Studio, Berlin.
Alexander Knaifel, Mstislav Rostropovich, Tatiana Melentieva, Boy Choir Glinka Choral College, State Hermitage Orchestra, Arkady Shteinlukht
Amicta SoleAlexander Knaifel's Psalm 51 (50) for solo cello, played by Mstislav Rostropovich (St. Gerold, 2001), and Amicta Sole for soprano Tatiana Melentieva, Glinka Choral College boys and State Hermitage Orchestra under Arkady Shteinlukht (St. Petersburg, 2000).
Signs, Games and Messages - Friedrich Hölderlin / Samuel Beckett
Three cycles by György Kurtág: Hölderlin-Gesänge op. 35a and ...pas à pas – nulle part... op. 36 sung by baritone Kurt Widmer, and Signs, Games and Messages for strings, with the Orlando Trio and Mircea Ardeleanu. Recorded 2002 at Radio Studio DRS, Zürich.
Wenn Wasser wäre - T.S. Eliot / Giorgos Seferis
Bruno Ganz reads T.S. Eliot's The Waste Land (German translation by Ernst Robert Curtius) and poems by Giorgos Seferis, linked by music by György Kurtág, Giya Kancheli and Nikos Xydakis. Recorded 1999 in Zürich and Basel.
Elogio per un'ombra
Violin recital by Michelle Makarski, with Thomas Larcher on piano in Dallapiccola and Berio, setting Tartini's Sonata No. 7 among works by Petrassi, Carter, Rochberg and a 14th-century Lamento. Recorded May 1999 at Radio DRS, Zürich.
Béla Bartók / Peter Eötvös / György Kurtág
Kim Kashkashian plays Bartók's Viola Concerto, Peter Eötvös's Replica and György Kurtág's Movement for Viola and Orchestra with the Netherlands Radio Chamber Orchestra under Eötvös, recorded in 1999 at Muziekcentrum Vredenburg, Utrecht.
Surrogate Cities
Heiner Goebbels's Surrogate Cities for orchestra, sampler and voices, with Jocelyn B. Smith, David Moss and the Junge Deutsche Philharmonie under Peter Rundel; orchestra recorded 1996 at Bayerischer Rundfunk, Munich, vocals 1999 in Frankfurt.
Lament
Giya Kancheli's Lament, music of mourning in memory of Luigi Nono, for violin, soprano and orchestra, performed by Gidon Kremer, Maacha Deubner and the Tbilisi Symphony Orchestra under Jansug Kakhidze, recorded in Tbilisi in March 1998.