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György Kurtág, Kurt Widmer, Orlando Trio, Mircea Ardeleanu

Signs, Games and Messages - Friedrich Hölderlin / Samuel Beckett

FormatCDLabelECM New SeriesGenreComposition

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Three cycles by György Kurtág: Hölderlin-Gesänge op. 35a and ...pas à pas – nulle part... op. 36 sung by baritone Kurt Widmer, and Signs, Games and Messages for strings, with the Orlando Trio and Mircea Ardeleanu. Recorded 2002 at Radio Studio DRS, Zürich.

Signs, Games and Messages brings together three cycles by the Hungarian composer György Kurtág, spread over 59 tracks of which only one passes three minutes. Two cycles for baritone, the Hölderlin-Gesänge and ...pas à pas – nulle part... on texts by Samuel Beckett and Sébastien Chamfort, frame the string work in progress that gives the album its title. It was his first new ECM album in six years after Játékok, and it received the annual prize of the Preis der deutschen Schallplattenkritik.

The recording was made in February and March 2002 at Radio Studio DRS in Zürich, produced by Manfred Eicher with Markus Heiland as engineer. The baritone is Kurt Widmer. The Orlando Trio (violin, viola and cello) plays the string pieces and joins him in the Beckett cycle, with Mircea Ardeleanu on percussion. A trombone and a tuba appear in a single Hölderlin song. ECM notes that the performers worked on this music with the composer over several years.

The Hölderlin-Gesänge, op. 35a, are mostly unaccompanied, a line of incantatory phrases that Andrew Clements compared to plainchant. Only the third song, Gestalt und Geist, adds trombone and tuba as a harsh backdrop, and the cycle ends with a setting of Paul Celan's Tübingen, Jänner. The string pieces are solos, duos and trios, many of them homages, such as Hommage à J.S.B., Hommage à John Cage and Eine Blume für Dénes Zsigmondy. ...pas à pas – nulle part..., op. 36, sets Beckett's short French poems and Chamfort's maxims in 34 movements, several of them dedicated to Boulez, Ligeti, Lachenmann, Satie and others, with a vocal range that runs from whisper to cry.

Writing in The Guardian, Clements heard the Beckett cycle as an extended nocturne on darkness and death and wrote, "It is one of Kurtág's greatest achievements." He called the string pieces the counterpart to Játékok. In The Independent, Rob Cowan placed Kurtág beside Webern and Bartók and called the disc "a supreme example of his art". It was also a Le Monde de la Musique Choc du mois.

This is the CD edition of ECM New Series 1730, released in May 2003, with booklet notes by Thomas Bösche in German, English and French.

Details
Cat. number: ECM New Series 1730
Year: 2003

Release notes

Hölderlin-Gesänge for baritone, op. 35a (1993 – 97) 1: hommage à D.E. Sattler 2: für Georg Kröll 3: hommage à Alexander Polzin 4: für Reinhart Meyer-Kalkus 5: für Heinz Holliger 6: Robert Klein in Erinnerung Signs, Games and Messages for strings (1989 – in progress) 8: Horváth Juditnak 13: Székács Jánosnak 17: in memoriam Anneliese Nissen-Zsigmondy 19: Vadas Ágnesnek 22: Perényi Miklósnak 23: Perényi Miklósnak 24: Kocsis Zoltánnak ...Pas À Pas – Nulle Part... Poèmes de…

Tracklist
Hölderlin-Gesänge - For Baritone, Op. 35a
1An...2:49
2Im Walde1:23
3Gestalt Und Geist - Col Trombone E Tuba1:26
4An Zimmern1:54
5Der Spaziergang2:42
6Paul Celan: Tübingen, Jänner1:35
Signs, Games And Messages - For Strings
7Virág Az Ember, Mijakónak1:31
8Im Volkston (Népdalféle)0:55
9Hommage À J. S. B.1:16
10Zank – Kromatisch1:08
11The Carenza Jig0:49
12Ligatura Y2:50
13Jelek (Signs) I0:50
14Jelek (Signs) II0:36
15Klagendes Lied (Panaszos Bóta)2:12
16Jelek (Signs) III0:47
17Eine Blume Für Dénes Zsigmondy3:06
18In Memoriam Tamás Blum2:13
19Perpetuum Mobile A0:50
20Perpetuum Mobile B1:22
21Hommage À John Cage1:52
22Schatten0:45
23Jelek (Signs) I0:59
24János Pilinszky: Gérard De Nerval1:28
25Virág Az Ember, Mijakónak1:30
...Pas À Pas – Nulle Part... - Poèmes De Samuel Beckett Et Maximes De Sébastian Chamfort - For Baritone Solo, String Trio And Percussion, Op. 26
26Introduzione1:24
27...Pas À Pas – Nulle Part...0:56
28Le Nain1:07
29Octave0:34
30...Le Tout Petit Macabre – Ligetinek1:03
31Octave (Double)0:44
32Écoute-les...0:40
33Berceuse0:57
34Intermezzo I0:38
35...D'où La Voix...0:34
36Elles Viennent...1:06
37Rêve0:40
38Apparition0:31
39Fous...0:31
40Fin Fond De Néant...1:21
41En Face Le Pire...0:17
42Inventaire0:46
43Intermezzo II1:02
44Dieppe1:35
45La Calma0:29
46Intermezzo III0:33
47Mouvement0:40
48De Pied Ferme...1:05
49...Levons L'Ancre...0:41
50Du Cœur De L'Homme... / How Hollow Heart0:36
51Sleep...0:51
52Oblivion, Sweet Oblivion0:56
53"Lasciate Ogni Speranza"0:58
54A Shocking Case0:53
55Valse0:31
56Intermezzo IV – Pizzicato Keringö1:43
57Méditation0:40
58...Une Découverte Bouleversante0:38
59Asking For Salve And Solace2:09
Credits
Kurt Widmer
Baritone Vocals (1 to 6, 26 to 59)
Stefan Metz
Cello (7, 9, 12, 16, 17, 20 to 59)
György Kurtág
Composed By
Sascha Kleis
Design
Markus Heiland
Engineer [Tonmeister]
Orlando Trio
Ensemble (7, 9, 12, 16, 17, 20, 25 to 59)
Eileen Walliser-Schwarzbart
Liner Notes [English Translation]
Geneviève Geffray
Liner Notes [French Translation]
Thomas Bösche
Liner Notes [German]
Friedrich Hölderlin
Lyrics By (1 to 5)
Paul Celan
Lyrics By (6)
Samuel Beckett
Lyrics By (27 to 33, 35 to 42, 44 to 49, 55)
Sébastien Chamfort
Lyrics By (50 to 54, 57 to 59)
Mircea Ardeleanu
Percussion (26 to 59)
Thomas Wunsch
Photography By [Cover Photo]
Judit Kurtág
Photography By [Liner Photo, Jewel Case Booklet]
Karoly Forgacs
Photography By [Liner Photo, Slipcase Booklet, Page 58]
Siegfried Meckle
Photography By [Liner Photos, Slipcase Booklet, Pages 19, 47]
Christoph Egger
Photography By [Liner Photos, Slipcase Booklet, Pages 7, 8, 20 ‎– 22, 33 ‎– 36, 59]
Manfred Eicher
Producer
Heinrich Huber
Trombone (3)
David LeClair
Tuba (3)
Ken Hakii
Viola (7, 9, 12 to 18, 20, 25 to 59)
Hiromi Kikuchi
Violin (7 to 12, 16, 17, 19, 20, 25 to 59)

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