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Gideon Lewensohn, Alexander Lonquich, Auryn Quartett, Ora Rotem Nelken

Odradek

FormatCDLabelECM New SeriesGenreComposition

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Premiere recordings of three works by Israeli composer Gideon Lewensohn: the Piano Quintet and Odradek Quartet played by the Auryn Quartett and Alexander Lonquich (Zürich, February 2001), and the Postlude for piano, also heard played by Ora Rotem Nelken (Jerusalem, 1997).

Odradek was the ECM New Series debut of the Israeli composer Gideon Lewensohn, born in Jerusalem in 1954, and every piece on it is a premiere recording. Lewensohn writes music about music. His three works here are full of veiled references to composers he admires, from Gustav Mahler and Béla Bartók to György Kurtág and Giya Kancheli. He describes his own role as that of a commentator on culture, at times from a specifically Jewish perspective.

Lewensohn studied composition with André Hajdu in Tel Aviv, took a doctorate in conducting at the Peabody Conservatory and also worked with Sergiu Celibidache. He went on to teach composition at Bar-Ilan University. The Piano Quintet and the string quartet were recorded in February 2001 at Radio Studio DRS in Zürich by the Auryn Quartett and pianist Alexander Lonquich, with Manfred Eicher producing. The Postlude for piano (1992) appears twice, once from the Zürich sessions and once in a version by Ora Rotem Nelken, recorded at the Jerusalem Music Centre in July 1997.

The Piano Quintet is a suite of homages, to Kurtág, to Micah Lewensohn, to the Hilliard Ensemble and to George Rochberg. Its Scherzofinale or Greetings from Dimitry ends on a brief quotation from the Fifth Symphony of Dmitri Shostakovich. The Odradek Quartet (1999) takes its name from Franz Kafka and is dedicated to Eicher. Its seventeen short sections carry titles such as reTALango, Sarabandoned and ScoTALissimo, and the music returns again and again to open strings and the gesture of tuning. Around them surface fragments of marches, salon music, waltzes and tangos, with allusions to Mahler, Bartók, Josef Tal and Robert Schumann. The quartet won first prize in the international competition of the Italian Academy of Arts and Letters.

In International Record Review, Christopher Ballantine heard "subtle, precisely crafted music of serious social and philosophical intent" and singled out the Auryn's playing of the quartet. Michael Oliver in BBC Music Magazine found Lewensohn "an agreeably rum customer" and praised the performances. Fono Forum made it a Star of the Month. The booklet includes an eight-page essay by the musicologist Raymond Monelle, whose name also appears in the title of one of the quartet's movements.

This is the CD edition of ECM New Series 1781, first released on 21 October 2002.

Details
Cat. number: ECM New Series 1781
Year: 2002

Release notes

Recorded February 2001 Radio DRS, Zürich Nelken's version of the Postlude was recorded in July 1997 at Jerusalem Music Centre Odradek Quartet dedicated to Manfred Eicher Correct capitalizations of the "Odradek Quartet" parts are: I Prologue - Kancheli And Lutoslawski, a casual meeting... II oN the verge Of paRAnoia III Joseph Tal - a spark of childhood memory and a more recent comment IV Tal was born around the time Mahler died... V Alla marcia - Kurt is 100 ... VI Echo di walzer - with an…

Tracklist
Piano Quintet
1I Homage To György Kurtág8:43
2II Homage To Micah Lewensohn2:23
3III Homage To The Hilliards2:27
4IV Homage To George Rochberg5:05
5V Scherzofinale Or A Message From Dimitry5:50
6Postlude For Piano10:05
Odradek Quartet
7I Prologue – Kancheli And Lutoslawski, A Casual Meeting...1:48
8II On The Verge Of Paranoia1:43
9III Joseph Tal – A Spark Of Childhood Memory And A More Recent Comment1:18
10IV Tal Was Born Around The Time Mahler Died...1:29
11V Alla Marcia – Kurt Is 100 ...1:57
12VI Echo Di Walzer – With An Alcoholic Step1:03
13VII Retalango1:56
14VIII ...Und Noch Zurückhaltend2:53
15IX Monelle Says It Is Somewhat Bartókian Indeed...2:23
16X Sarabandoned1:19
17Xa Retal0:37
18Xb Resarabandoned2:16
19XI Mahler And Kafka In Terezin – A Preview3:48
20XII Scottalissimo0:20
21XIII Time To Tune1:33
22XIV Ich Grolle Doch!!!5:07
23XV Epilogue2:20
24Postlude For Piano7:26
Credits
Gideon Lewensohn
Composed By
Max Franosch
Cover [Cover Image]
Sascha Kleis
Design
Stephan Schellmann
Engineer [Tonmeister]
Vadim Beili
Engineer [Tonmeister] (24)
Auryn Quartett
Ensemble
Raymond Monelle
Liner Notes
Adam B. Lewensohn
Photography By [Photos]
Alexander Lonquich
Piano
Ora Rotem Nelken
Piano (24)
Manfred Eicher
Producer [Produced By]
Stewart Eaton
Viola
Jens Oppermann
Violin
Matthias Lingenfelder
Violin
Andreas Arndt
Violoncello

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