Skip to content
play

Chick Corea

Septet

FormatCDLabelECM RecordsGenreComposition

Arriving from the supplier (ships as soon as it reaches us)

€16.40
VAT exempt
+
-

Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs

Chick Corea's five-movement septet for string quartet, piano, flute and French horn, commissioned by the Chamber Music Society of Lincoln Center, plus The Temple of Isfahan. Recorded October 1984 at Mad Hatter Studios, Los Angeles, produced by Corea. ECM, 1985.

Septet is a fully written chamber work in five movements by Chick Corea, scored for string quartet, piano, flute and French horn and released by ECM. It was commissioned by the Chamber Music Society of Lincoln Center, and Corea played it in concert between 1982 and 1984 before recording it. The album, released in 1985, closes with a separate fourteen-minute piece for the same group, The Temple of Isfahan.

According to Corea's own sleeve note, the septet was first played in Miami in June 1982, then in New York in January 1983. The New York run ended with a Live From Lincoln Center broadcast on PBS. In the autumn of 1984 he re-formed the ensemble for a tour of the United States and recorded it at the end. The strings are Ida Kavafian and Theodore Arm (violins), Steven Tenenbom (viola) and Fred Sherry (cello). The winds are flutist Steve Kujala and hornist Peter Gordon. The session took place in October 1984 at Mad Hatter Studios, Los Angeles, with Bernie Kirsh engineering. Corea produced it himself.

The first two movements are brief, under two and a half minutes each, and the weight falls on the last three. The third opens with abstract solo piano before the horn moves to the front. The fifth, close to ten minutes, is the longest and most varied, with a piano interlude and some of Kujala's most individual flute lines. The Temple of Isfahan is built as a chain of scenes, with a Spanish colour and passing quotations, among them a snatch of Sidney Bechet's Petite Fleur on the horn.

Reviewers treated it as concert music rather than jazz. Reviewing a live performance, The New York Times found "powerfully insistent rhythms and rich embroidery" in Corea's keyboard work. In Jazz Journal (March 1986) Richard Palmer called the writing "arresting and melodious, with an unquestioned orchestral skill", though he also found it derivative. His verdict was "For myself, I like it; but jazz it ain't." Kujala had just recorded the duo album Voyage with Corea, also issued by ECM.

This is the CD edition of ECM 1297 (also numbered 827 258-2), first released in 1985, with Corea's notes in the booklet.

Details
Cat. number: ECM 1297
Year: 1985

Release notes

Septet Music For String Quartet, Piano, Flute and French Horn Recorded October 1984 at Mad Hatter Studios, Los Angeles, CA An ECM Production ℗ 1985 ECM Records GmbH Standard jewel case with anthracite tray and foldout 6-page booklet.

Tracklist
Septet
11st Movement1:56
22nd Movement2:16
33rd Movement8:00
44th Movement5:24
55th Movement9:47
6The Temple Of Isfahan13:47
Credits
Fred Sherry
Cello
Barbara Wojirsch
Cover [Cover Design], Design [Cover Design]
Bernie Kirsh
Engineer
Jeff Vaughn
Engineer [Assistant Engineer]
Martin Wieland
Engineer [Mixing]
Steve Kujala
Flute
Peter Gordon
French Horn
Chick Corea
Piano, Composed By, Liner Notes, Producer [Produced By]
Steven Tenenbom
Viola
Ida Kavafian
Violin
Theodore Arm
Violin

More from ECM Records

The ECM Recording
End To End
Provenance
More Movies
Andando El Tiempo
Facing You
Le pas du chat noir
Life Goes On
Garden Of Expression
In Praise of Dreams
Circle - Paris Concert
In Pas(s)ing
Pat Metheny Group
Swallow Tales
Last Dance
My Song
Unfolding