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*In process of stocking* Human Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds. The trilogy marks the end of the late era of solo albums by Haigh before he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our curren…
*300 copies limited release* Originally released in a tiny CDr edition in 2005 on the now impossible-to-find and almost literally named Vanished Records imprint, Excavation Patterns is a uniquely pervasive touchstone of Adelaide’s music culture, and has since put down roots around the world among devoted aficionados of minimalism, ambient music, and improvisation. At 52 sprawling minutes in length, it has been lovingly Direct Metal Mastered and exquisitely pressed by RAND in Leipzig, in a hand-n…
*2022 stock.* For the first time, Deep Peace and New Atlantis, two classics from Celestial Harmonies, are available on CD. Originally recorded in 1980 and 1983, these meditative masterpieces have long been recognized as remarkable and meaningful works.
Frank Perry employs a fascinating array of acoustic instruments, including 400 year old Zen Buddhist Densho bells and a Ming Dynasty Chinese temple bell. He adds various kyeezees (Burmese meditation gongs), Burmese chime bowls, other glass bowls, …
*300 copies limited edition. In process of stocking* 'In 2017 Maze gave a stunning interpretation of Jitterbug at the Tactile Paths Festival in Berlin, full of subtle detail and fluid energy. That they have returned to the work now - and have also created this beautiful realization of bayou-borne, for Pauline - is something for which I am deeply grateful. Both works draw on improvisation and are guided by graphic imagery: of a river system in Texas and of rocks from the Continental Divide in Mon…
*300 copies * 'Another fantastic Af Ursin release. Af Ursin is Timo van Luijk’s solo project. The first piece, Sylphide, is a side-long wonder. Long drawn out brass tones with some other accompaniment. I could listen to this music all day. The closest parallel I can think of is Davide Mosconi’s divine LP of foghorn recordings. But Sylphide has a bit more of a musical element. This will be my go-to last side of the night for my (rare these days) late night Salons. The second side features two tra…
58' was composed in 2010 on the occasion of the tenth anniversary of d-zAkord. I wanted a very minimalist piece with few sound events and long silences. At that time we presented t'Drone(s)Scape', a sound/living installation lasting 3 hours. The public was invited to sit or lie down in the center of the sonic maelstrom for a multicast travel. It is in this context that 58' was imagined.
Although unconventional, the 58' score is extremely precise. The musicians follow a graphic score, with time p…
Frédéric Acquaviva's new album - a record sleeve with QR Code but no record, limited to 100 copies: a 69-minute opera for voice (with Joël Hubaut, author of the text, Dorothy Iannone and Loré Lixenberg), "dead electronics" and video.
An astonishing album by Manuel Zurria with music by Alvin Lucier, William Basinski, John Duncan, Terry Riley, Pauline Oliveiros, Giancinto Scelsi among others, 2CD in deluxe packaging with 12p booklet... Foremost in my mind was the idea of being able to manipulate some compositions for flute, that were not original or were “extremely free ” in their conception, personalizing them to the extreme with the use of multitrace or electronics. Only a work conceived in this way has led me to reflect on …
The Plains at Gordium was composed from June to August 2004 and is dedicated to Charlotta Kotik. The incentive to compose the piece came from a percussion group in Brno, Czech Republic, who asked me for a piece of music. Not being a commission-disciplined composer, I wrote a piece for six percussionists, while the Czech group, DAMA-DAMA had only four members and could not perform it. The size of the piece also defies the scale of a standard percussion piece, 1,290 measures over a 108-page score.…
**LP version. Individually hand numbered strictly limited edition 300 copies in premium white audiophile virgin vinyl** "Exclusive sleeve notes by Paul Roland, John Greaves, Michael Tanner and Max Marchini. Produced by Max Marchini. A decisive step forward, a new milestone in the extraordinary discography of Lino Capra Vaccina. An album of iridescent introspectivity; a mandala of unheard sounds, a new way for contemporary minimalism. My collaboration with Lino has led me to discover recesses, re…
**CD version. Individually hand numbered strictly limited edition 300 copies in golden audiophile cd** "Exclusive sleeve notes by Paul Roland, John Greaves, Michael Tanner and Max Marchini. Produced by Max Marchini. A decisive step forward, a new milestone in the extraordinary discography of Lino Capra Vaccina. An album of iridescent introspectivity; a mandala of unheard sounds, a new way for contemporary minimalism. My collaboration with Lino has led me to discover recesses, reflections and ref…
A concert-length work for pipe organ, piano and percussion, created by the composer and the GBSR Duo (Siwan Rhys and George Barton) at the recent Huddersfield Contemporary Music Festival. Wonderfully brooding music, beautifully played.
Four pieces from the Argentine composer, whose unique soundworld is well described by the title of the first piece: ‘The Construction of an Imaginary Acoustic Space’. Compelling, disconcerting music from a very interesting composer, performed by the New European Ensemble, Ensemble Modelo62, Francesco Dillon and Teodora Stepančić.
Three works written over 25 years ago by a virtually unknown Canadian composer. The pieces were originally performed just once or twice, but have recently re-emerged and sound extraordinarily contemporary. New recordings by Apartment House and Cristian Alvear, as well as one historic recording by the composer himself. Brilliant stuff.
Snare Drum + is the latest piece by legend composer/guitarist Taku Sugimoto in 2021, containing some variations of his snare drum solo piece which was written in 2011. In Snare Drum +, three or more additional performers try to follow the sound of snare drum as immediately as possible with percussion instruments or objects which decay quickly, while walking around the snare drum. In the recordings, different walking routes were used for each take.
**300 copies limited edition** "Ursae Minoris, meaning ‘of Ursa Minor’, is the title of this work because in this album we encounter this constellation not as a singular instance but as an evolution of multiple perspectives to ruminate upon. As our view of the stars changes with time and place, the three movements of this piece each offer a different aural interpretation. While working on his string quartet Perpetuo Motum, Baroni happened upon the diaries of Ciriaco d’Ancona (1391-1455), an Ita…
**150 copies limited edition** "Although he had accepted my request for an interview about his practice as a rhythmist, Fernand Schirren observed me with a more interrogative look than my questions could ever warrant. From the outset, he warned me that he preferred to be called ‘Schirren’ without the addition of his first name, which he despised. It is of course a contraction of Ferdinand, the name of his father, a painter, but we did not discuss the reasons for his aversion any further. On the …
Eliane Radigue returns with 'Occam Ocean 4', her fourth installment of the incredible, evolving work that she began in 2011. Issued by Shiin Records as a beautifully produced CD, featuring the three leading lights of contemporary experimental music - Bertrand Gauguet, Yannick Guédon and Carol Robinson - all of whom worked closely with the composer in its development, each of its works soar to remarkable heights and quietly redefine the boundaries of drone and minimal music in ways that only Rad…
As its almost tradition now we start the year with a meditative album from Portuguese pianist and composer Tiago Sousa. Using the piano as its primary tool of expression, Tiago has been slowly cementing his place as one of the most distinct voices to emerge out of the modern wellspring of piano driven minimalism. After last years Angst (CREP81, Discrepant) and 2015’s Um Piano nas Barricadas (CREP23, Discrepant), Tiago returns with a deeply meditative album of synesthetic organic musical patterns…
Mind is moving (IX) is a composition for guitar by Michael Pisaro-Liu, affiliated with the avant-garde composers group The Wandelweiser Composers Ensemble. Pisaro's work can be characterized as experimental minimalism, often utilizing silence, a minimum of musical material, and extended composition durations. This version is executed by Slovenian guitarist Primož Sukič.