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Shadows fold into colour. Memory dissolves into noise. You brush up against the walls of the mind. Touch is soft as breath. On ‘B-Side’, Areliz Ramos follows her work’s current into its more “fantastic and elusive… and even romantic” side; a place where fantasy loosens the bolts of reality and memory, and emotion is alluringly refracted into musical collages and loose-strung compositions. Across the album, voices drift in and out of an intimate space, while pensive guitar lines stumble and bloom…
2007 release ** Oversized cardboard sleeve. "With his fourth solo-release, Reto Mäder aka RM74 takes us on a fevery missionary journey which is driven by an unholy quest for saturation and leads us into the dark places where tortured souls dwell. Unpredictably muckraking in the shoals of timeless abysses, RM74 seeks to kindle the supressed fires of passion. Nothing less! To do justice to this mission, Mäder interweaves acoustic instruments such as an organ, a piano, a bassguitar or a harp with a…
Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. It's mindbogglingly good, like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection in a mode that will also appeal if you’re into work by Kara-Lis Coverdale, Nozomu Matsumoto, Theo Burt, Olli Aarni, Sydney Sp…
2008 release ** Cardboard sleeve. The conception, the idea, realisation and sound sources of this CD are all based on original sound material (loops and sounds) from Rapoon’s “Tribal Sci Fi”. Featuring: Francisco Lopez, Tv Pow, Machinefabriek, Troum, Steve Roden, Jorge Castro, Paulo Raposo, Aidan Baker, Anla Courtis, Gert-Jan Prins, Heimir Bjorgulfsson, Mike Shiflet, Family Underground, Ronnie Sundin, Cisfinitum & Rapoon.
2010 release ** "Andrew Hargreaves, one half of The Boats, largely sails solo on Defragment where his melodious piano playing and electronic programming are augmented in a small number of cases by the contrasting presence of Danny Norbury's cello. A sense of dub-like spaciousness permeates the mix, and there occurs an occasional dubby bass line too. But lest anyone get the wrong impression, Defragment is most assuredly not a dub album but rather a forty-minute collection of hazy piano-based sett…
Deep hypnotic ambient techno from Kommune trio George Thompson, Kyle Martin & Jonathan Nash. Recorded live in converted barn, October 2014. Four long-form compositions showcase mastery of TR-808 & dub techniques. Profound minimalist electronic journey.
Darkly romantic and steeped in candlelit dread, Canyon of Blood is the new full-length album from The Garden Gate. Built around brooding string arrangements, vintage synthesizers, and harpsichord-toned textures, the record conjures a lush, haunted landscape, part western mirage, part baroque hallucination. Laced with 60s occult psych influences and underpinned by dusty drum machines, Canyon of Blood feels like Morricone scoring a fever dream rather than a duel. It’s music that floats somewhere b…
Eighth Tower Records presents Music For Imaginary Places, a triple CDR box set featuring three acclaimed compilations previously available only in digital format:
- Music for Abandoned Monasteries- Music for Haunted Asylum- Music for Alien Temples
Now finally gathered together in one physical edition, the set has been remastered and comes with all-new artwork. A sonic exploration of spectral architecture, decaying sanctuaries, and cosmic rituals beyond human understanding.
“Music for Abandoned M…
One of contemporary ambient’s preeminent figures lands on its leading label, enacting a transition into a new phase of rhythmic noise and tonal shadowplay laced with peculiar sensitivities, wrangling Dilloway-influenced tape noise thru ASMR ambience, fritzed dub techno, layered vocal drone and ritualistic mantras.
Perila steps up solo with a heavily satisfying debut for West Mineral, investigating negative space and states of subconsciousness. The shift in tone feeds forward into arcane realms o…
2006 release ** ""5 Years" is the venerable duo's first release since "Lammergeier" (vhf#58) in 2000. After recording and releasing nearly 20 albums between 1990 and 2000, Richard Youngs and Simon Wickham-Smith decided to try a novel and opposite approach to music making - they met once each year to record a solitary 10 minute track. The results show the duo remarkably unaffected by the half decade that elapsed - the tracks on "5 Years" reflect their long established signature mix of "real human…
Demdike Stare & Cherrystones unveil a long-in-the-making darkside fantasy weaving atmospheric and loose-limbed cuts recorded at labs in London and Manchester, brilliantly shaking a bush of ghostly trig points ranging from the Mars rehearsal tapes to Minimal Man, Randy Greif’s cut-ups, Conrad Schnitzler’s industrial prototypes and ‘70s ECM sides – with vocal contributions from Ssabae’s mesmerising Laura Lippie.
In dazed pursuit of styles heard on Cherrystones’ DDS tape ‘Peregrinations in SHQ (Sup…
Beirut Birds (طيور بيروت) is a sonic memory capsule honoring (inter)personal stories of migration, displacement, and the cyclical turbulent circumstances in Lebanon. Transforming her multi-year project, multidisciplinary artist and composer Nour Sokhon crystallizes the performance Beirut Birds (طيور بيروت) into her long-awaited debut album. When presented and performed live, it is accompanied by juxtaposed images of the Lebanese capital’s city life and avian migration across the Mediterranean Se…
Coil’s year 2000 electric storm is their next legendary chapter for legit reissue, exemplifying the fathomless variegation of their vision with overproof levels of digital noise masking deeply trippy song structures. After tenderising flesh with the reissue of the ‘Musick To Play In The Dark’ volumes, Dais unleash Coil’s tempestuous sore thumb ‘Constant Shallowness Leads To Evil’ for a sharp right swerve into the depths of their profound catalogue. Issued the same year as ‘MTPITD’, as well as ‘…
2025 stock German conceptualist Ditterich von Euler-Donnersperg—alias the polymath Uli Rehberg—returns with "Der Kleine Fritz In Klopstockland," a release as enigmatic as its creator and as cryptic as the label that hosts it, the fabled Walter Ulbricht Schallfolien. As with much of Rehberg’s output, the boundaries between sound art, musique concrète, and dadaist narrative dissolve into a singularly strange proto-surrealist zone.
"Der Kleine Fritz In Klopstockland" oscillates between spoken …
2025 Stock. In the shadowy interstices of avant-garde performance and sonic extremity, Faust. Eros. Tod. stands as one of Diamanda Galás’s most elusive and mythic recordings. Circulating as a rare bootleg, this live album—captured in the early 1980s and released unofficially in 1988—offers a raw, unfiltered glimpse into Galás’s early explorations of the voice as a weapon, an invocation, and a lament.
Faust. Eros. Tod. is not a conventional album, but a document of ritualistic performance. Galás’…
2025 Stock. There’s a certain feral, mischievous wit that has long defined the output of Walter Ulbricht Schallfolien, and "Der Fluss In Der Truhe," the collaborative release from Ditterich von Euler-Donnersperg and Column One, is no exception. Far removed from the polite boundaries of genre, the record unfolds as a cryptic exchange between two of Germany’s most enigmatic sound art congregations.
On Side A, Ditterich von Euler-Donnersperg (aka Uli Rehberg) weaves together fractured field re…
*70 copies limited edition* Beast, the 4th installment in the series of Ameel Brecht's sleep-inspired compositions is out on June 20, available on limited edition cassette and digital. As the earlier parts of this series focused primarily on in between phases and manifestations of sleep, this penultimate volume shifts its attention to the absence of sleep. Without sleep, never resting, never dreaming, what would we experience? A monochrome fever-quality fog, a void of unrealities.
This album features a session in 1976 between Manuel Goetting (died 2022), who had a huge influence on the subsequent ambient music scene, and Michael Hönig, formerly of Agitation Free. The duo's 48-minute euphoric yet radical sonic universe of electronics and Manuel's guitar is the missing link between Gettings' two masterpieces, “New Age of Earth” and “E2-E4”. The latest remastering by Michael Hennig himself! The Japanese edition is released in paper jacket and SHM-CD!
*300 copies limited edition* Manchester’s sferic label return with a debut from ungoogleable Greco-Canadian anomaly Anastasia Patellis, aka Any, featuring additional instrumentation and co-production from Klein/Lolina cohort LA Timpa. It's a set of "squat pop" experiments that thread nocturnal soundscaping and pop hooks through hallucinated outlines written on harp and broken synth.
Greco-Canadian artist Any was bedding down in a Cretan squat when the album's title, μέγα ελεός in Greek, boomed …