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Mnemonists, on the first album called Mnemonist Orchestra, is U.S collective of avant-garde musicians from Colorado, led by Mark Derbyshire and William Sharp. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avant-garde and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mnemonists operated only as a visual arts …
'Aleación y Submersión' by B. Molina is an exploration of sound, electrical vibration, collapse, control, and instinct. Carried across twelve compositions, physical and psychological thresholds of sound get submerged, corroded and remain dissolving. Integrating electroacoustic investigation, industrial ambience, and a starkly emotional minimalism, this album takes you downstream into the abyss, both weightless and heavy, immersed in the dialectics of representation.
Recorded between Montréal and…
*300 copies limited edition* With "Dadayama", His Majesty The Baby presents a work that stands at the crossroads between music, sound poetry and the theatrical spirit of the historical avant-gardes. The project unfolds as a conceptual suite built from fragments, quotations, soundscapes and vocal interventions that openly engage with the traditions of Dadaism and Surrealism. The album is the result of a long creative process coordinated by Francesco Paolo Paladino, who also oversaw the artistic p…
Frantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music …
Tip! *100 copies limited edition* redacted. incomplete narratives. non sense. but. working with what i have. walkmans. tapes. dictaphones.
Green's electronic work of recent years focussing on defective analogue technology simultaneously broadens and refines with UnXpKtD; his first definitive electronic noise outing incorporating a pair of dictaphones in various states of disrepair. The music is chaotic yet concise, disorientating yet focussed; UnXpKtD is an intensely abstract and personal sonic …
Are sounds what you perceive? Are the meanings of sound determined by your cultural environment? Is it noise? Is it art? Or just rock n roll (and you like it, yes you do)?
Estonian/American duo Bad Groupy joined the Finnish duo Pink Twins in their Helsinki studio for a recording session in July 2023. Utilizing synthesizers, pedals, tapes, field recordings, and found objects, the double duos dived straight into making a monolith of psychedelic sound, playing until the recording computer crashed.
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*2026 stock* A sonic investigation of the history and decline of Nottingham's River Trent in two acts. In 1938 when the River Trent was being dredged by the Trent Navigation Company, workers encountered obstructions in the form of wooden stakes driven into the riverbed. Following an investigation by archaeologists it was concluded that the site was part of a Bronze Age ‘pile settlement’ formed of houses on stilts 3000 years ago. Now dislodged and disturbed the remains of this settlement began bu…
*2026 stock* A churn of electronic noise is flung into dialogue with the smeared and manipulated bleats of a seagull horn, the former like the grind of agricultural machinery, the latter like prolonged saxophone missives or doppler-arced racetrack noise. We encounter many moments like this throughout Stratigraphy: gushes of clashing colour, sudden illuminations of jagged edges. This is how Kate Carr and Cath Roberts resist the absolute fusion of their respective sound worlds, rekindling our awar…
*2026 stock* "Little Feats is a quiet abandonment of answers and exactitudes. A slow luxuriation in the riddle, the failure, the irredeemably off-kilter. Despite these four compositions pulling from different thematic sources, all are bound by a spaciousness that continually strands us between the conclusion of the last gesture and the commencement of the next. Great swathes of the record are compositionally “silent”, with the instruments falling away to reveal the album’s irreducible base: a fi…
On Inner Storm, Seth Price channels a deeply personal rupture into four raw, single‑take synthesizer improvisations, turning real‑time manual control, LFO pulses and live pedal work into a stark study of emotion, process and duration.
Recorded in a bedroom with classical guitar and 4-track tape, The Next From Field Commander is Australian folk of rare emotional density. Layered vocals, inhabited silences, a voice that lingers.
*150 copies limited edition* If you have been paying close enough attention to the often strange yet alluring part of the world Richard Youngs operates in, you should have noticed that since the middle of 2025 he embarked on a new sonic journey that has subsequently become a trilogy of LPs on Fourth Dimension Records. Each of these is limited to 150 and is named after either a mythical Babylonian king or entity of Richard’s own devising, while the music itself has been of an instrumental nature …
*300 copies limited edition* 'Discord in Disorder' is a new album from Welsh soundsmith Sion Orgon, already known as both a producer and frequent collaborator with fellow sonic traveller Thighpaulsandra. Originally conceived for another label that unfortunately could not go ahead with its release, the album catches Sion doing something different to his usual melding of avant-rock/pop and abstract electronics...
These 14 new electroacoustic compositions delve into the intricate relationship betwe…
Dark Companion Records is truly thrilled to add this extraordinary band to our family of artists. This album marks their debut for our Unifaun Productions. To The Cloud-Cuckoo Land of Color Wheels is the third album by Malesh, a Wyrd Folk project hailing from the hidden caves of Tuscia. The album was written and recorded by the duo Pablo Monterisi and Martino Petrella at Domitia Jovian’s Viburnum Studio in Monterano, while the visuals and costumes are the result of a collaboration with Roman art…
On changing bodies, Thomas Peter treats the world as a resonant instrument, folding field recordings, objects and synths into five patiently mutating pieces where motion, texture and silence feel as physical as touch.
*2026 stock. 30 copies limited edition* Dry, mostly unprocessed recordings of feedback trials with electric guitar, amps, mics and speakers.
"When I was in 7th grade, my friends and I started spending our long lunch breaks walking to the nearest supermarket to buy things that felt important. Being on our own, wandering those aisles, surrounded by endless varieties of goods, felt like a new kind of freedom to me. To this day, I still love entering a supermarket with the slightest clue what to buy…
On Cafetic Atom, Magic Nousiainen & Wonderful Lehtisalo turn the Finnish DIY cosmos inside out: ecstatic free noise, cosmic hiss and bliss‑bleeding feedback spirals coalesce into a strangely serene, meditative storm of pure, glowing otherness.
“Re-Make Re-Model” is the result of a five-year dialogue between Norway and New Zealand sound artists Lasse Marhaug and Bruce Russell. What first started as a friendly challenge during the Covid19-lockdown to re-work selected works from each other’s catalogue – using different techniques and experimental approaches, challenging each other to go to extremes – extended to what is now a double-CD and a 100-page book package of writings and photos. Each CDs has eight tracks, a total of 100 minutes o…
On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.