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*Limited edition of 50 copies signed by the artist* Casida de la tierra que nos dejan is a sound work by Marcelo Expósito composed of four pieces published on 7’ vinyl record. This work dialogues with the way in which the Italian musician Luigi Nono early adapted the poetry of Federico García Lorca, trying to dig into the layers of idealisation traditionally accumulated about the writer from Granada, in order to carry out a materialistic updating of procedures common to both the writer and the m…
Alan Michael Bloor was making experimental music before he started developing his now long-running harsh noise project Knurl. These recordings see Bloor using homemade instruments to create sounds that are like if John Carpenter was part of the 70s Berlin School gone lo-fi. All tracks recorded in October 1991, on the verge of harsh sound explorations that would soon become Knurl. Sourced from the original master tape in Bloor’s archive.
*170 copies limited edition* "Between September and November of 2024, I turned to sonic art making to cope with personal grief and to reestablish a sense of purpose after a family loss. Like a ritual, I developed a weekday routine, working in my studio from 1:30 to 5:30 PM consisting of field recording and improvisation with sine waves and objects. From this material, I composed six pieces that emphasize continuity and repetition, drawing on coarse, low, and deep resonances to embody the rituali…
*170 copies limited edition* "It was looking at the map—in 2013—that led me to the Libre Valley. The name itself, "Le Libre" is rather unusual and certainly catches the eye. The map also reveals large, uninhabited areas far from transportation routes—particularly the entire area between St-Martin-des-Puits and Villerouge-Termenès—rocky, arid regions where the ruins of old sheepfolds can still be found, and even a chapel perched atop a hill.
I had just finished my work on the Taurion River — kdi…
At the beginning of this journey, I had no clear idea of what I was getting into. What started as a simple poem, with embedded audio links referencing a selection of recordings I had made over the past few years and published on Metalabel and my website, eventually evolved into a video project designed as a proposal for an installation. Ultimately, it culminated in this music album.
I am incredibly grateful for the amazing voice recordings that friends and family from all over the world sent me,…
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.
Snapshots of an empire downfall black helixes elongated insectile forms a projection over the desert burning surface scimitar smiles through pillars of black smoke emerald shards lit night eyes that see all crosshairs obsidian steel ghosts haunting the night geography in flames born under treason's ulcerous mouth.To behead the vipers one by one.
On Triple Cool Hang, Family Underground turn two decades of haze into a single spool of time, threading freezing‑church jams, Brooklyn collaborations, and after‑hours Copenhagen séances into deep, slow‑burning cuts that hum with tape hiss and lived‑in drone.
Nyahh Records is delighted to present a collection of contemporary noise and experimental musicians from all across the island of Ireland. All crammed into this two disc set with wonderful artwork by Alan Doyle. This significant collection covers multiple generations of artists in the field of audio experimentation, including Danny McCarthy (turned 75 in 2025) and some new heads on the block like Francesca O and Enola Christ Metalizer.
These 32 tracks cover noise, acoustic, electroacoustic, elec…
Composed by Christina Vantzou between 2023 and 2025 after being commissioned by INA GRM, The Reintegration of the Ear defines listening as a radical, embodied act of attention: a slower kind of presence rooted in care, intimacy, and reflection.
*150 copies limited edition* For the last 30 years Margarida Garcia and Manuel Mota have shared a common space of listening, risk, and reinvention. A singular language born from the absolute necessity of the moment. Following Domestic Scene (2024, Feeding Tube Records), The Figure in the Carpet confirms a body of work that continues to expand with rigor, subtlety, and an originality rarely encountered.
Here, sound is not merely gesture or melody; it is also fragment, remainder, residue — noise t…
There was no premeditated methodology in place when Swedish electronics manipulator Joachim Nordwall and American guitar mangler Aaron Turner decided to collaborate on an album together. Initial experiments involved Turner submitting improvised guitar compositions to Nordwall for dissection and reassembly. While these exercises yielded interesting returns, the project truly began to bloom when Nordwall pitched several beat-oriented tracks for Turner's perusal. Beginning from a place of structure…
2025 Repress This is the original double CD, which has long been out of print, remastered, with additional tracks made with the sounds recorded during the project. The album finds Steven Stapleton and Colin Potter spending time on Norway's lofoten Islands inside the arctic circle with no instruments and minimal equipment and sending regular broadcasts to resonance fm via lofotradioen local radio. This double disc on Potter's ICR label contains 7 of these broadcasts. Windswept field recordings, f…
Abacomancy (defined as "a form of divination based on the interpretation of the patterns in dust, dirt, silt, or sand") is the first record by the duo of Derek Monypeny and Kevin Corcoran. Monypeny and Corcoran have a decades-long personal and musical relationship; they played in the free-improv trio DMPH with the late tenor saxophonist Chad Stockdale, who released a 7-inch on Stockdale's Weird Forest label in 2010.
Abacomancy is the result of a one-day recording session in Monypeny's adopted to…
*150 copies lmiited edition* Ian Wellman's “Particularly Dangerous Situation”, his first release for Elevator Bath and first vinyl LP, is a meditative, at times harrowing, interpretive document of the catastrophic California wildfires of 2025. Wellman's stunningly descriptive field recordings plus his signature tape loop textures and sampled drones combine for a dramatic ten-part narrative that is both frightening and sorrowful in its depiction of calamitous events. "On January 7, 2025 Southern …
*328 copies limited edition* Prophecy finds Eye in form familiar to those who've had the good fortune to hear their 2016 album Other Sky, but even more compacted and condensed, a band simmered and reduced to their pure essence. And then the volume increases. Prophecy is a pummeling din of guitar clouds shot through with electronic disruption. Stapleton's relentless motion drives Porteous' icy guitar streams in leaping waves. 'Catch Them' opens the album with Peter's vocals, croaking out from the…
*333 copies limited edition* As Stapleton's illness progressed over his last years, instead of lamenting what doors had closed to him, Stapleton with the truest, highest understanding of what free improvisation suggests, asked himself what doors remained open and walked through them. Stapleton entered a grand tradition of master improvisers for whom changes in physical ability were approached with the same practical acuity that a great improviser approaches their instrument with every time they …
The concept is therefore to propose an immersive type of listening, in which the rather extended durations of sustained and seemingly static sounds create a certain tension generated by the anticipation of variation.
The live performance involves the use of samples, as the composed balances require multiple timbral layers to be active simultaneously. The closeness in pitch and the mimicry between instruments highlight the psychoacoustic phenomenon of beating: in fact, our auditory sy…
Eternity’s Pillars b/w Raise the Chalice & Reverential consists of three brand new tracks created and performed by the iconic duo of Stephen O’Malley and Greg Anderson and co-produced by sunn O))) and Brad Wood. Brad Wood recorded the material at Bear Creek Studios in Woodinville and Sea Grass in Los Angeles in 2025. The tracks on this maxi 12” are the first official sunn O))) studio recordings to feature only the original core duo on heavily saturated electric guitars and synthesis. sunn O))) g…