Untitled (2011)
Eight Untitled pieces by Francisco López made in 2011 from field recordings gathered around the world, from Tokyo and the Amazon to Bogotá and Lima: short snapshots and processed collages of animals, objects and weather. Limited to 444.
Pro Pagan Da
Dariusz Wojtaś (Hati) recorded Tibetan bowls, field recordings and vintage reverb units in Toruń; Z'ev processed and mixed them in London into two long, shifting metallic drone pieces. A5 gatefold cover, limited to 350.
Enough
First vinyl by Long Swan Tongues, the improvised drone duo of Alex Wilson (Gnod, Ghold) and Edd Sanders (Kalkin, Red River Dialect): two long, thunderous pieces for four-stringed instruments on 180g vinyl, mastered by Miles Whittaker.
Unit of Heart
*300 copies limited edition* A quiet intensity permeates Chantal Michelle’s music, like a veiled flame. Even at its most spare and delicate, an undulating tension unsettles the ear through wavering microtonal interference and uncanny spatial juxtaposition. She takes seriously the mandate of the composer to foster new relationships between various types of sounds, bringing together disparate field recordings, instrumental stems, and the sounds of circuitry in unheard configurations. Resolution is…
Pipe Dreams II / III
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones and antiphonal clouds of sound, following the 1989 original issued by Blume.
Far Away Worlds
*2026 stock. 150 copies limited edition* Sounding waves between the inner and outer spaces, electromagnetic forces from the breathing ether.
Gloomy Sunday: The Funeral I Plan for Myself
Telekinett is pleased to unveil a narrative that delves into themes of darkness and metaphysics, spotlighting John Duncan, a distinguished figure among contemporary Electroacoustic composers.
Illusion of an Inland Ocean
*100 copies limited edition* Written, recorded, mixed, and produced entirely by Bessel, Illusion of an Inland Ocean expands the worlds of Visitation (2023) and Mirror at Night (2025) into his most expansive and mysterious work to date. His recent work has received international recognition from publications including SPIN, The Big Takeover, Various Small Flames, Post-Punk, Mystic Sons, Obscure Sound, Destroy//Exist, and others, establishing him as a distinctive voice at the intersection of ambie…
Kinetic Void
*150 copies limited edition* The ambient lineage, from Brian Eno’s Music for Airports forward, has been characterized as sounds that can recede into the background, creating an absence that exists laterally to the listener’s attention. The Kinetic Void originated from a different premise. The compositions assembled here retain a commitment to atmosphere, putting texture over melody and suspending conventional notions of meter. But they embody an inverted relationship to density from that of the …
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
KKAARREENNIINNAA
On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.
Dry Spell
*2026 stock* Alluvium, a collaborative project of Nika Kaiser and Nathan Stickel, uses a combination of composed and improvised video projection, field recordings, and experimental sound. They create performative installations responding to site-specific details within each of their works, drawing ties between the political and the spiritual. The geologic phenomenon of alluvium occurs when loose clay, silt, or sand has been deposited by running water in a streambed or floodplain for an impermane…
Splendor
*2026 stock* Yellow Moon Temple {is} Kari Treadwell 7 Cecyl RuehlenComposed, Performed & Recorded By Yellow Moon TempleRecorded Live On November 4 2025 {at}The Center For Harmonic Ooze. Performed During The Full Moon
The Sirens
*200 copies limited edition* The sun sat high above the desert outside Joshua Tree on October 17, 2024, baking the rocks and shrubbery outside the Farrington Observatory as a small group of invited guests ventured up a steep path towards the telescope. Kyle Simon, the artist and printmaker who founded the Observatory, was standing outside the print studio sat below the towering cylindrical building, greeting friends alongside his wife Sarah and lifelong friend Brian Weitz, the musician widely kn…
Cacciamali
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas…
The Double
Underpinned by spoken folktales stretching from Indonesia to Poland, a new collaborative EP from Warszawa/Berlin-based Jerzy Mączyński and London-based Flora Yin-Wong arrives via Accidental Meetings. Demons rising from the wind, unknown beings lurking in the forest – the record conjures a landscape built from heady layers of saxophone and the tormented strings of zither, harp, and kemence. Recorded across two intense studio sessions, the EP also features idiosyncratic contributions from London-b…
Sumptuous Branching
* Edition of 100 copies * Chant is the starting point. Not chant as decoration or as a mood, but late medieval chant as a compositional problem, taken up by someone working alone with a bass clarinet, a piccolo, her own voice and a rack of analogue electronics. Emily Rach Beisel has described what drew her to it: music from before the rules hardened, with a wild freedom and density that later codification would take away. Multiple voices, as she puts it, "both intertwined and independent." Which…
Habit of reference
*24 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.
Hystérésis
*200 copies limited edition* In 2019, Jérôme Noetinger was invited to join the PIO (Prague Improvisation Orchestra) and there he met Petr Vrba. The chance of touring and musical excitement created this duo afterwards. Petr Vrba works with the trumpet in a very electroacoustic approach with microphones and effects, transforming the instrument into a real generator. Jérôme Noetinger plays magnetic loops on his Revox B77 to metamorphose the sound captured in the moment of its creation.
Together the…
Abrading Headstocks / Running Springs
*2026 stock. 25 copies limited edition. The cassette features interchangeable artwork* Featuring amplified sonic drones, atmospheric qualities and scraping textures. The theme of this record is centred around 'Abrading' - to scrape or wear away by friction or erosion, using the headstock of an amplified guitar to create sounds by using the walls and floor of the rehearsal room.
'Internal Waves' and 'Above The Fog' are home recordings made up from two layered amplified guitars played with a bow. …