We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
On Swirl, Here capture the moment Czech guitar music fell headlong for shoegaze: a 1993 fever‑dream of FX‑smeared riffs and bruised melodicism, now finally given the widescreen vinyl and deep‑dive context it always implied.
On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch…
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two…
Four exclusive tracks. Released in conjunction with a live performance at the Lagerhaus Bremen on 17. April 2004. Record One features two very dynamic untitled tracks by legendary industrial percussionist Zev recorded and mixed in early 2004 , while …
On Mount Analogue, Bill Laswell and P.ST assemble an international cast to translate René Daumal’s unfinished mountain allegory into a two‑disc sonic ascent: a six‑part electro‑acoustic “novel” and a mirrored peak of solo guitar visions from Henry Ka…
On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.
On Or Gare, Stine Janvin and Morten Joh slow time to a funereal crawl, reanimating Ryfylke’s “liksong” tradition as a ghost‑lit microtonal ritual where voices, synths and creaking percussion hover between lament, liturgy and quietly glowing electroni…
On Music for Pulse Meridian Foliation, Joshua Abrams translates Lisa Alvarado’s immersive installation into gently spiralling sound: two violas, harmonium and electronics tracing slow, minimal arcs that feel like geology moving through the body, memo…
On Breath Vessels, Liz Allbee braids horns, tuning forks, sine waves and voice into a kind of speculative folk ritual, imagining a future orchestra of bodies and resonant objects sharing breath, charge and memory when the grid has finally gone dark.
Black Vinyl. XKatedral, in collaboration with La Becque Editions, announces a new album from Stephen O'Malley, co-founder of SUNN O))). Les Sphères (effondrez-les) presents two long-form compositions for pipe organ, performed by O'Malley alongside Ka…
Katharina Schmidt is a percussionist, composer, researcher and radio host. A frequent collaborator, her artistic portfolio includes film music, sound art installations, and radio pieces as well as multichannel compositions. After years of playing dru…
In this collaboration, Maryam Rahmani and David Esser investigate the sonic and expressive potential of the Santur and Kamancheh beyond the frameworks that traditionally define them. Both instruments, central to the language of Iranian classical musi…
Japanese experimental sound artist kent watari debuts on Phantom Limb with new album subtraction in spiral, coding deep sonics to quantum-percussion and collapsing, post-IDM glitchscapes based on a meticulously constructed metaphysical thought experi…
»Is This The Land I Wish Death To Find Me« was recorded on June 26, 2024 at the Tank Center for Sonic Arts in Rangely, Colorado. The recording is based on a slowly shifting set of ascending just minor thirds: 6:5, 7:6, and 13:11. Magnetic geophones w…
*100 copies limited edition* Solo Suono is the first collaboration between saxophonist Filippo Ansaldi and electronic musician Simone Sims Longo, both based in Cuneo, Italy. Solo Suono is an album between acoustic gesture and electronic treatment, be…
On No One Notices the Fly, Zander Raymond turns marginal sounds into the main event, building fragile songs from scraps, glitches and room tone. Fourteen pieces drift between collage, improvisation and diaristic field recording, inviting the ear to l…
Meditations is a set of 8 works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant …
*50 copies limited edition* "Enough sun finally came up on the Wyoming prairie that I could relax my fears. I shut off the studio lights and watched a dune of snow reveal itself under the squat, black graphs of denuded trees. I drank old coffee. In a…
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey thr…
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that pro…