Swirl
On Swirl, Here capture the moment Czech guitar music fell headlong for shoegaze: a 1993 fever‑dream of FX‑smeared riffs and bruised melodicism, now finally given the widescreen vinyl and deep‑dive context it always implied.
Notes from the Air
On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch down.
Live at Issue Project Room
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two.
Untitled
Four exclusive tracks. Released in conjunction with a live performance at the Lagerhaus Bremen on 17. April 2004. Record One features two very dynamic untitled tracks by legendary industrial percussionist Zev recorded and mixed in early 2004 , while record Two features Zerfall-Gebiete a new collaborational project by Thomas Köner and Ulrich Krieger (former Zeitkratzer member who besides his solo work also plays in various other projects e.g. in a band project called Text Of Light with Lee Ranald…
Mount Analogue
On Mount Analogue, Bill Laswell and P.ST assemble an international cast to translate René Daumal’s unfinished mountain allegory into a two‑disc sonic ascent: a six‑part electro‑acoustic “novel” and a mirrored peak of solo guitar visions from Henry Kaiser, refracted through Jodorowsky’s The Holy Mountain.
Buenos Antwerp
On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.
Or Gare: funeral procession music from Ryfylke, Norway
On Or Gare, Stine Janvin and Morten Joh slow time to a funereal crawl, reanimating Ryfylke’s “liksong” tradition as a ghost‑lit microtonal ritual where voices, synths and creaking percussion hover between lament, liturgy and quietly glowing electronics.
Music For Pulse Meridian Foliation
On Music for Pulse Meridian Foliation, Joshua Abrams translates Lisa Alvarado’s immersive installation into gently spiralling sound: two violas, harmonium and electronics tracing slow, minimal arcs that feel like geology moving through the body, memory folding and unfolding in real time.
Breath Vessels
On Breath Vessels, Liz Allbee braids horns, tuning forks, sine waves and voice into a kind of speculative folk ritual, imagining a future orchestra of bodies and resonant objects sharing breath, charge and memory when the grid has finally gone dark.
Spheres Collapser
Black Vinyl. XKatedral, in collaboration with La Becque Editions, announces a new album from Stephen O'Malley, co-founder of SUNN O))). Les Sphères (effondrez-les) presents two long-form compositions for pipe organ, performed by O'Malley alongside Kali Malone and Frederikke Hoffmeier. Recorded on Christmas 2021 at Église Saint-François in Lausanne, Switzerland, the album captures Les Grandes Orgues, an instrument of extraordinary lineage: Scherrer (1777), Walker (1867), Kuhn (1995). Three centur…
Time Images
Katharina Schmidt is a percussionist, composer, researcher and radio host. A frequent collaborator, her artistic portfolio includes film music, sound art installations, and radio pieces as well as multichannel compositions. After years of playing drums and piano in various bands, her solo work is influenced by indie, experimental, and improvised music.
The pieces experiment with emergent harmonies, rhythms created by interferences between sine waves, and textures abstracted from field recordings…
Santur & Kamancheh for Electronics
In this collaboration, Maryam Rahmani and David Esser investigate the sonic and expressive potential of the Santur and Kamancheh beyond the frameworks that traditionally define them. Both instruments, central to the language of Iranian classical music, are repositioned within a new constellation where inherited structures meet contemporary sound practices. Tradition and modernity are not treated as opposing forces but as interwoven layers within a shared field of resonance, a dynamic that rarely…
Subtraction in spiral
Japanese experimental sound artist kent watari debuts on Phantom Limb with new album subtraction in spiral, coding deep sonics to quantum-percussion and collapsing, post-IDM glitchscapes based on a meticulously constructed metaphysical thought experiment. “This work is centred around a very personal philosophical model,” writes kent watari (b. Tokyo, 1993). “I have constructed a metaphysical model of thought, employing concepts from philosophy and science. This thought model centres on a recursi…
Is This The Land I Wish Death To Find Me
»Is This The Land I Wish Death To Find Me« was recorded on June 26, 2024 at the Tank Center for Sonic Arts in Rangely, Colorado. The recording is based on a slowly shifting set of ascending just minor thirds: 6:5, 7:6, and 13:11. Magnetic geophones were attached directly to the Tank’s steel exterior, allowing the performance to be captured through the physical resonance of the structure itself. Only a minimal amount of the microphones inside the building were mixed in for clarity. The work draws…
Solo Suono
*100 copies limited edition* Solo Suono is the first collaboration between saxophonist Filippo Ansaldi and electronic musician Simone Sims Longo, both based in Cuneo, Italy. Solo Suono is an album between acoustic gesture and electronic treatment, beyond the classical while starting from the classical. Breath, amplified mechanics, residual sounds, expressive freedom, and different forms that integrate electroacoustic composition. Passing through looped gestures, electronic processes, and concret…
No One Notices the Fly
On No One Notices the Fly, Zander Raymond turns marginal sounds into the main event, building fragile songs from scraps, glitches and room tone. Fourteen pieces drift between collage, improvisation and diaristic field recording, inviting the ear to lean closer until the smallest sonic twitch feels like a full emotional weather system.
Meditations
Meditations is a set of 8 works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant thoughts that pass through. The texts throughout the pieces are fragments of the Buddhist Heart Sutra, the shortest and created from a mixture of traditions and sources, produced long after Buddha's death and meant to be chanted or sung as a ritual a…
A Fine Rain Anoints The Canal Machinery
*50 copies limited edition* "Enough sun finally came up on the Wyoming prairie that I could relax my fears. I shut off the studio lights and watched a dune of snow reveal itself under the squat, black graphs of denuded trees. I drank old coffee. In a rare interview, Wendell Berry defended a concept of community as being a collection of all the living things that surround you. The farmer-poet was careful to clarify that this community wasn’t simply made up of those like you but must also include …
Thylacine
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey through environmental improvisation, blending mechanical invention, wildlife acoustics, and subtle instrumental textures into a narrative of listening and ecological reverence.
Steady State
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.