An all-round musician, Cristiano Calcagnile defines his trio with these words: "Anchored low and hanging high, the trio vibrates in the belly like a single string". A trio with double bass and drums that takes into account the more modern sonorities of this classic formation but at the same time insinuates and welcomes sounds and attitudes that come from the freest experiences in the history of improvised music.
Giorgio Pacorig pianoGabriele Evangelista double bassCristiano Calcagnile drums, per…
Strut continues their work from the archives of Idris Ackamoor and The Pyramids with a first ever vinyl release of Ackamoor’s debut avant-garde / Afro-jazz recordings from 1971 with The Collective, based out of Yellow Springs, Ohio. The group was formed after Ackamoor had returned to Antioch from a spell in L.A. under the wing of influential saxophonist Charles Tyler. Pianist Lester Knibbs had been appointed to the Antioch college music department as an assistant professor and had followed a sim…
Uniquely orchestrated with all three members bringing a trove of objects & percussion, the trio of Martin Küchen on saxophones, Agustí Fernández on piano and Zlatko Kaučič on drums are heard in this two-part live concert at BUMF festival in Smartno, Slovenia, for a superb example of intent listening and use of space around confident, stunningly creative & virtuosic playing.
Dedicated to the memory of reed & wind players Perry Robinson and Mark Whitecage, both of whom have passed since they took part in this tremendous 2015 live recording recorded at the 20th VisionFest in NYC, in a quartet with bassist Ken Filiano and drummer Lou Grassi for three collective free jazz, particularly the extended first improvisation dedicated to late trumpeter Roy Campbell.
The 3rd album from the touring trio of Joe McPhee on trumpet & tenor sax, John Edwards on double bass and Klaus Kugel on drums, following their previous NotTwo releases A Night In Alchemia and Journey To Parazzar, here captured live at FreeJazzSaar 2019, in Saarbrucken, Germany for a boisterously exciting set of three collective improvisations, including a tip of the hat to Charles Gayle.
Not Two presents the latest recording by The Nu Band: Thomas Heberer - trumpet, Kenny Wessel - guitar, Joe Fonda - bass, Lou Grassi - drums & percussion. May 16, 2022, at Tedesco Studios, Paramus, NJ
Flowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers/musical connectors may have grown up and reside a co…
100 copies on Yellow cassette shell. John kolodij - guitar, banjo, etc, anna rg - fiddle, sarah hennies - percussion
Mastered by Stephan MathieuArtwork by Myste FrenchLayout by Tiny Little Hammers
First pressing of 200 on gold foil cassette shells. Tracks A1-B5 recorded July 5th & 6th, 2003 at The Black Eye by Jeff Ottenbacher, and mixed at Funsize Studio by Jeff Ottenbacher. Track B6 is a live improvisation by Vernacular & Black Ox Orkestar at the Grog Shop in Cleveland Heights, Ohio, in the Fall of 2004. J-card text: Thanks to Ed Sotelo, Jason Schafer, Cynthia Piper, Clinton Holley, and Jeff Ottenbacher. Extra special thanks to Amiri Baraka (rest in power), the members of Black Ox Orkes…
Limited edition of 200 copies.* "In statistics, a ‘spurious correlation’ is a mathematical relationship in which two or more events or variables are associated but not causally related, due to either coincidence or the presence of a certain third, unseen, factor. Spurious correlations look like causal relationships in both their statistical measures and in graphs, but they're not real."
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
On February 19, 1972, a crew of mostly Louisiana-raised musicians came together at the Leo Castelli Gallery on West Broadway in Soho to perform a wholly improvised concert. This ensemble’s solos spring from collective improvisations and a tumultuous backbeat, loosely inspired by the creations of Coltrane, Coleman, Albert Ayler, and their brethren. The de facto leader was Richard “Dickie” Landry, a saxophonist and keyboardist who joined composer Philip Glass’s group in 1969. Landry had become a f…
*the LP and 2CD contain different material.* First physical solo release from legendary vocal improvisor, dancer, and performer Maggie Nicols, and the follow up to Creative Contradiction (Takuroku 2020).
While she might be best known as an improviser (most notably in Spontaneous Music Ensemble, the Feminist Improvising Group and more recently with the likes of Les Diaboliques, Maggie Nicols’ talents stretch into song, dance, poetry, performance and composition. When Cafe OTO was shut over lockdo…
First physical solo release from legendary vocal improvisor, dancer, and performer Maggie Nicols, and the follow up to Creative Contradiction (Takuroku 2020).
While she might be best known as an improviser (most notably in Spontaneous Music Ensemble, the Feminist Improvising Group and more recently with the likes of Les Diaboliques, Maggie Nicols’ talents stretch into song, dance, poetry, performance and composition. When Cafe OTO was shut over lockdown we invited her to follow up the wonderful …
Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collaboration by the t…
William Parker’s Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds – to j…
*In process of stocking.* The exemplary & well-traveled cornetist Kirk Knuffke here introduces a bold new trio – with bassist Michael Bisio & pianist Matthew Shipp – on an intimate & expansive double album. Gravity Without Airs features the three world-class musicians on both Knuffke compositions and in open form, together creating a tour-de-force of poetry and verve. “Rhythmically precise, New Orleans funky and full of grace, Kirk Knuffke’s music is a reflection of his multifaceted personality:…
When internally the plan came up to release a bunch of vinyl singles for Unrock's 30th anniversary as an entity, Richard just like his brother Alan, the other keyholder of Sun City Girls legacy was among the first to take a deep look into his archives. Out came two shining pearls from different periods of his long career. "Taqasim For Omar (acoustic)" was recorded in Seattle in 2008. It was recorded before the Sir changed his mind and recorded the track with an all-electric band again for his Th…
If you ever witnessed an Alvarius B. show you are probably aware that there are a few things only in underground music matching this level. If you haven't, don't miss him when he's coming close next. Karaoke shows one of the many characters you could explore during his shows. As his brother Richard, the other keyholder of Sun City Girls legacy, Alan Bishop played a lot of shows not only under the Alvarius B. moniker on various Unrock stages through the years. "Solo Nostalgia" (E. Morricone) and …
* 2022 stock, few copies available * Recorded at Lila Eule, Bremen, Germany, November 1965. Published as a part of Stop Smiling, Issue 34 (2008)
Peter Brötzmann, alto saxophoneHorst Prehn, alto saxophonePeter Kowald, bassGerd Panzer, drums
Its an honor for the AFJ-Series to introduce the self-titled debut album by Danish Oslo resident Signe Emmeluth. Recorded at Flerbruket, in the forest an hour outside of Oslo - Emmeluth alone in a room with her alto and tenor saxophones.
A fantastic session of sax solo ecstasies recorded by Magnus Hemnes Nergård. Much like Joe McPhee's Tenor and Peter Brötzmann's 14 Love Songs, this album share the same beautiful intimacy. It is close, sparse, poetic and raw at the same time. Minimalist and soul…
* Edition of 300 copies * This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leadin…
300 copies. Mototeru Takagi (tenor saxophone) Kim Dae Hwan (percussion) Choi Sun Bae (trumpet). NoBusiness Records in cooperation with Japanese Chap-Chap Records has started a series of releases of unreleased concerts that took place in Japan in the 90s. Concerts were organised by big fans of free jazz and improvised music Takeo Suetomi and Sadamu Hisada. The idea of the series of the concerts was to arrange and record cooperative projects of American-European musicians with Asian musicians, as …
300 copies. Recorded on 11th April, 2007 at Park West Studio by Jim Clouse. The Ullmann/Swell Quartet is the latest format of Gebhard Ullmann and Steve Swell with bassist Hill Greene and legendary drummer Barry Altschul. This emotional and intense quartet was founded in 2004 and toured in the U.S. and Canada in the same year. in October and November of 2006 the Ullmann/Swell 4 performed in Europe for the first time and got raving reviews. More tours in the U.S. and Canada followed 2007 and 2008.…
Following up their 2019 album 'Summer Bummer', the trio of Rodrigo Amado on tenor saxophone, Goncalo Almeida on double bass, and Onno Govaert on drums are heard in this concert, recorded by Joaquim Monte at Namouche Studios, Lisbon, January 12th, 2020 in a solid set of confidently exploratory improvisation and engrossing group dialog balancing pensive reflection and fire.
Available officially for the first time, Revelations includes two hours of never-before-heard Albert Ayler recordings presented for the first time chronologically. Featuring some of the last recordings Ayler made before his passing in 1970. This is a major event in the music world, released in collaboration with INA France and the Maeght Foundation.
The 4 CDs are published in collaboration with Albert Ayler Estate & Ina France. This edition includes a huge 100-page booklet with unpublished phot…
Recorded 9-17-2020 by Jim Clouse at Park West Studio in Brooklyn NY. Kirk Knuffke is one of the most distinctive improvising cornetists working today, becoming a force on the New York scene with his boundless creative virtuosity and comprehensive understanding of the jazz tradition. As a bandleader, Knuffke’s projects include a longstanding quartet with trombonist Brian Drye, bassist Mark Helias and drummer Jeff Davis, and co-leading Sifter with guitarist Mary Halvorson and drummer Matt Wilson. …
Allium is the second recording by this chamber trio, a follow-up to their critically acclaimed 2018 release Ithra. On that record they made a singularly powerful statement delving into non-soloistic group interaction and compositional development in a free-improvised context. Allium ventures even further down that fertile path.
In fact it’s frankly difficult to believe these pieces weren’t pre-composed and rehearsed at length. The beginnings, endings, development, and structure of each one demon…
An intimate solo set by Portuguese tenor saxophon player Rodrigo Amado, recorded at the Church of The Holy Ghost (Igreja do Espírito Santo), Caldas da Rainha (Portugal) on 4th July 2021. Amado is a key player of the current European jazz scene and has regular bandprojects with Joe McPhee, Chris Corsano, Hernani Faustino, Alexander Schlippenbach and leads his own groups Lisbon Freedom Unitand Motion Trio.
"The lockdown meant focusing on a different kind of dialogue, a conversation with the tenor …
*2022 stock* 'From the early years of Norwegian jazz, few albums have stood the test of time as well as the venturesome and subtly psychedelic Plastic Sun. It was the Svein Finnerud's second disc, and was released on Sonet in 1970. Inexplicably for an album of such beauty, it has been a hard-to-find collector's item for decades, having only been reissued once before, in 1998, as a CD on the Norwegian Jazz Federation's Odin label. In April 2018, Odin have reissued it again, this time on CD and in…
2022 REPRINT. This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cas…
The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in Eglish. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in co…
*Limited edition of 500 copies.* In 1966, pianist Alexander von Schlippenbach assembled his first large ensemble to play his compositions “Globe Unity” and “Sun.” This 14-piece band, which brought together some of the leading figures in European improvised music, would eventually expand – incorporating not only Europeans but also American and Asian musicians – and assume its rightful name: Globe Unity Orchestra. In its nascent outing, beautifully recorded at Ariola Studio in Cologne, Schlippenba…
Respiration adds to the Cecil Taylor oeuvre a nearly perfect 43 minutes of Taylor’s solo power recorded at a beautiful level of quality. It comes from early-ish in his career—it’s always surprising to me, even though I know the history very well, how early Taylor was going this far away from the rails—when he had only just cemented his mature vision ( Conquistador! and Unit Structures were 1966). It feels as joyfully playful for him as it does for him as it does for us.
It’s hard to tell sometim…
*In process of stocking.* The greatest Polish piano trio RGG played in the great final of Ad Libitum Festival 2020. In the middle of pandemic restrictions, almost without the audience but with a great companion on three additional and at the same time exceptional guests. Next to the band stood on the festival's stage, one of the most interesting and promising vocalists Marta Grzywacz, great trumpet player Artur Majewski, and block flutes virtuoso Dominic Strycharski.They met for the first time, …
*In process of stocking.* Famous and incredible violin virtuoso Mark Feldman and phenomenal cellist Katinka Kleijn joined forces and recorded their first duo recital. Both have great experience and long careers in the classical, contemporary, jazz, and improvised music world. Mark is well known for his music as a leader as well as for long-distance collaboration with such musicians as John Zorn, Erik Friedlander, Evan Parker, Sylvie Courvoisier, and others. Katinka established shes position both…
On July 21st 2018, the third day of the 39th Konfrontationen Festival, Kaja Draksler played a blisteringly intense concert with the Peter Evans Quartet. The biggest surprise of the day, however, came a few hours later, when she joined forces with Dutchmen Ab Baars and Terrie Ex. The surprise was not the combination of these distinct personalities in itself. You could have seen that coming. The remarkable thing about it was the emotional pay-off and the sheer beauty of the performance. Like some …
Tip! *In process of stocking. Limited edition of 500 copies.* Dry-sober: The whole thing is not new. Neither the line-up nor the methodology according to which the music on this record is organized. The two have known each other for 40 years, then as now they just met and started playing, without prior arrangements, earlier out of ignorance, today out of the opposite: the results are amazingly similar. Only: the recordings from the last 40 years, made privately with the tape recorder or later by…
*Limited edition of 600 copies.* The Bi Ba Doom trio, featuring saxophonist Chris Pitsiokos, bassist Luke Stewart and drummer Jason Nazary, will release their debut album Graceful Collision in the coming months. The trio Bi Ba Doom, in their recording debut with the album Graceful Collision, delivers five collective compositions (Skeletal Representation, Invisible Maze, Caught The Flicker, Graceful Collision and Limitless Fascination) in which free improvisation, ambient jazz, electronic music a…
*In process of stocking.* Two extremely rare live recordings of the classic Zorn composition “Fencing” from the early days of the Downtown scene. Featuring two realizations: one with Eugene Chadbourne, Duck Baker, and Randy Hutton and the other with Chadbourne, Polly Bradfield, and John Zorn, the music is astonishing—filled with strange sounds, odd juxtapositions, stark silences, sudden explosions, and all held together by a bizarre overarching compositional logic. Featuring a 16-page booklet re…